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‘Southern Charm’ Star Craig Conover Set for Indie Dramedy ‘Caroline Fletcher’ (Exclusive)
Craig Conover, best known for starring in longtime Bravo reality series Southern Charm, will appear in indie dramedy Caroline Fletcher from director Ellyn Vander Wyden.
Sarajevo Unveils Béla Tarr Tribute Program for Former Students of His Film School
Sarajevo Film Festival has unveiled a new program in tribute to Hungarian filmmaker Béla Tarr.
Werner Herzog to Receive San Sebastian Film Festival’s Donostia Award
Werner Herzog will receive this year's Donostia Award at the San Sebastian Film Festival.
How Ella Rubin Went From Being a Briefcase-Wielding 11-Year-Old to the Star of ’Sterling Point’
Ella Rubin digs into the making of her new YA series Sterling Point on Prime Video.
Peter Katsis, Manager For Jane’s Addiction, Smashing Pumpkins and Morrissey, Dies at 69
Peter Katsis, manager for Smashing Pumpkins, Backstreet Boys and Morrissey, has died at 69 following complications from congestive heart failure.
Power. People. Data. But in Which Order? At Locarno Pro, a Film Panel Had Widely Different Thoughts
At Locarno Pro 2026, a film panel discussed power, people, data. In which order? mk2 Films, Lucky Red and Design Otherwise execs shared their views.
‘The Last House’ Review: Greta Lee and Wagner Moura in a Claustrophobic Netflix Thriller Most Effective While the Threat Remains Unknown
Greta Lee and Wagner Moura head a close family facing an unknown threat in Netflix's sci-fi thriller 'The Last House,' directed by Louis Leterrier.
‘At Night’ Features “Stories Women Share Together But Rarely to an Audience” (Exclusive Locarno Clip)
Watch a Locarno 2026 film trailer for 'At Night' by Beatrice Gibson, a love letter to female friendships and stories women share but not publicly.
‘Alley Cats’ Review: Ricky Gervais’ Half-Crass, Half-Sappy, Mostly Unmemorable Netflix Cartoon
Ricky Gervais created and stars in 'Alley Cats,' a Netflix animated comedy about a group of strays who take in a lost kitten.
Meet Nicolaas Schmidt, the German Filmmaker Who Thinks “Plain Banality Is Stimulating as F***”
In a Locarno 2026 interview, 'September Afternoon' film director Nicolaas Schmidt explains using dead time, why he works without action or dialogue.