Cannes
Na Hong-Jin’s ‘Hope’ Sets Sales Record for Korean Film
The sci-fi monster movie, which Neon has for North America, has pre-sold to more than 200 territories worldwide, a record for a Korean film.
Paramount Wins Bidding War for Florence Pugh Fantasy Drama ‘The Midnight Library’
Paramount is in talks to buy ‘The Midnight Sun’ helmed by Garth Davis and starring Florence Pugh.
‘Madame’ Review: A Working-Class Frenchwoman Looks After a Saudi Prince’s Mistress in This Smart and Nuanced Debut
Hélène Rosselet-Ruiz’s film ‘Madame’ (‘Le Triangle d’Or’) revolves around a working-class Frenchwoman looking after a Saudi prince’s mistress.
‘I’ll Be Gone in June’ Review: Wispy but Atmospheric Drama Follows a German Student to New Mexico in 2001
Katharina Rivilis’ film follows a German exchange student to New Mexico in the wake of the September 11, 2001, attacks.
‘The Samurai and the Prisoner’ Review: The Verb is Mightier Than the Sword in Kiyoshi Kurosawa’s Dialogue-Laden Historical Mystery
Director Kiyoshi Kurosawa returns to Cannes with ‘The Samurai and the Prisoner,’ set in 16th century Japan, when warring clans battled for the land.
‘The Dreamed Adventure’ Review: A Slow-Burn Border Town Thriller That Manages to Fascinate and Frustrate at the Same Time
Valeska Grisebach’s ‘The Dreamed Adventure’ follows old friends who find their way back to the crime-ridden Bulgarian town they left years ago.
The 20 Best Films of Cannes 2026
THR critics pick their faves from the Cannes Film Festival, including ‘Paper Tiger,’ ‘La Gradiva,’ ‘Fatherland’ and ‘All of a Sudden.
‘The Birthday Party’ Review: Hafsia Herzi, Benoît Magimel and Monica Bellucci in Léa Mysius’ Gripping if Uneven Home-Invasion Thriller
Hafsia Herzi, Benoît Magimel and Monica Bellucci star in Léa Mysius’ ‘The Birthday Party,’ a home-invasion thriller in Cannes competition.
‘I See Buildings Fall Like Lightning’ Review: An All-Stars-of-Tomorrow Cast of British and Irish Actors Lift Clio Barnard’s Inconsistently Persuasive Drama
‘I See Buildings Fall Like Lightning’ is the latest from British director Clio Barnard, premiering at Cannes in the Directors’ Fortnight sidebar.
‘Red Rocks’ Review: Bruno Dumont’s Beautifully Shot French Riviera Kids Flick Is a Minimalist Drama Mostly for Adults
The latest from Cannes Grand Prix winner Bruno Dumont features little rascals acting out a romantic tragedy on the shores of the Mediterranean.