Tribeca 2026
‘The Last Day’ Review: Alicia Vikander and Victoria Pedretti Shine in a ‘Mrs. Dalloway’ Reinterpretation About the Perils of Modern Motherhood
Alicia Vikander and Victoria Pedretti star in ‘The Last Day,’ a modern reinterpretation of Virginia Woolf’s ‘Mrs. Dalloway.’
‘Mineshaft: The Cruising Murders’ Review: An Engrossing if Incohesive Dive Into William Friedkin’s Gay S&M Thriller and Its Surrounding Controversy
In ‘Mineshaft: The Cruising Murders,’ Jeffrey Schwarz revisits the uproar around William Friedkin’s 1980 thriller set in New York’s gay S&M scene.
Madonna Brings ‘Confessions II’ to Tribeca Festival: Short Film Features Benedict Cumberbatch, Julia Garner and “Lasers Coming Out of Every Orifice”
Madonna debuted her ‘Confessions II’ visual album, with lasers coming from between girls’ legs, Julia Garner and Benedict Cumberbatch, at Tribeca.
‘Next Life’ Review: Emilia Clarke Leads Drake Doremus’ Underbaked Romantic Thought Exercise
Emilia Clarke leads Drake Doremus’ romance ‘Next Life’ alongside Edgar Ramírez and Jack Farthing, following a woman across two alternate realities.
‘Mario’ Review: Straightforward Doc Tells Mario Cuomo’s Story in Prose Rather Than Poetry
Peter Kunhardt, George Kunhardt and Teddy Kunhardt’s documentary ‘Mario’ shows us the Mario Cuomo who was and the politician who might have been.
A Wheelchair User Directed the Film He Always Wanted to See: ‘Stand Up’
In a Tribeca 2026 interview, film director Mari Sanders discusses debut film ‘Stand Up,’ disability as an artistic goldmine, casting wheelchair users.
‘Earth, Wind & Fire (To Be Celestial vs. That’s the Weight of the World)’ Review: Questlove’s Tribeca Opener Is a Vibrant Chronicle of a Band’s Ups and Downs
With his doc ‘Earth, Wind & Fire’ (To Be Celestial vs.