Cannes Film Festival
‘I See Buildings Fall Like Lightning’ Review: An All-Stars-of-Tomorrow Cast of British and Irish Actors Lift Clio Barnard’s Inconsistently Persuasive Drama
‘I See Buildings Fall Like Lightning’ is the latest from British director Clio Barnard, premiering at Cannes in the Directors’ Fortnight sidebar.
‘La Gradiva’ Review: A Stunning Debut Depicts French Teens in the Throes of Art, Angst and Ecstasy With a Rare Emotional Honesty
Cinematographer turned director Marine Atlan’s first feature ‘La Gradiva’ follows a class of high school seniors on a trip to Naples.
‘Red Rocks’ Review: Bruno Dumont’s Beautifully Shot French Riviera Kids Flick Is a Minimalist Drama Mostly for Adults
The latest from Cannes Grand Prix winner Bruno Dumont features little rascals acting out a romantic tragedy on the shores of the Mediterranean.
‘The Man I Love’ Review: Rami Malek Is a Revelation in Ira Sachs’ Achingly Observed Portrait of Art, Love, Desire and Mortality in 1980s New York City
Rami Malek stars as a queer stage artist in 1980s New York in ‘The Man I Love,’ Ira Sachs’ tender drama also featuring Tom Sturridge and Rebecca Hall.
‘Everytime’ Review: An Intriguingly Understated Grief Drama Delivers Its Best Moments a Bit Too Late
Austrian writer-director Sandra Wollner’s third feature, ‘Everytime,’ chronicles a family in the wake of a major tragedy.
‘Double Freedom’ Review: Lisandro Alonso’s Sequel to His Slow Cinema Debut Adds a Major Twist, but Stays True to its Roots
Cannes regular Lisandro Alonso’s seventh feature ‘Double Freedom’ once again chronicles a few days in the life of a solitary woodcutter in the Pampas.
‘Minotaur’ Review: Andrey Zvyagintsev’s Masterful Crime Thriller Is Also a Bold Indictment of Russia’s War Against Ukraine
Andrey Zvyagintsev returns to Cannes with ‘Minotaur,’ a loose remake of Claude Chabrol’s ‘The Unfaithful Wife.’
‘Her Private Hell’ Review: Sophie Thatcher and Charles Melton in Danish Bad Boy Nicolas Winding Refn’s Agonizingly Self-Indulgent Return to Filmmaking
Sophie Thatcher and Charles Melton star in Nicolas Winding Refn’s ‘Her Private Hell,’ a nostalgic horror thriller that premiered in Cannes.
‘Fjord’ Review: Sebastian Stan and Renate Reinsve in Cristian Mungiu’s Absorbingly Thorny Account of Parents Under Investigation
Sebastian Stan and Renate Reinsve get caught in a dizzying rush to judgement in ‘Fjord,’ Cristian Mungiu’s unflinching account of parents on trial.
Na Hong-jin’s ‘Hope’: First Reactions From the Premiere
Na Hong-jin launched his feature Hope at the Cannes Film Festival and immediately after the premiere, the film has generated buzz as a genre classic.