Donot Miss
3 Cannes Questions With… Lucy Liu
Acclaimed actress Lucy Liu is in Cannes in support of ‘The Pirate Queen: No Safe Waters,’ a "cinematic immersive experience."
‘Flesh and Fuel’ Review: Two Lonely Truckers Share Europe’s Highways — and Much, Much More — in an Unlikely Road Romance with Plenty of Heart
Pierre Le Gall’s ‘Flesh and Fuel’ stars Alexis Manenti as a French truck driver who meets a man on the road and pursues an impossible romance.
Jack Schlossberg Says He Won’t “Ever Process” His Sister Tatiana’s Death: “She Was My Best Friend”
Jack Schlossberg says he doesn’t think he will ever process his sister Tatiana Schlossberg’s death.
‘The Beloved’ Review: Javier Bardem Carries a Tense Behind-the-Scenes Father-Daughter Drama That Could Use a Little More Sentimental Value
Javier Bardem and Victoria Luengo play father and daughter in director Rodrigo Sorogoyen’s ‘The Beloved,’ about a film shoot that flies off the rails.
Cannes Legend Volker Schlöndorff Has No Regrets
At 87, German director Volker Schlondorff returns to Cannes with a new film and six decades of history of scandals, the Palme and politics.
‘Sheep in the Box’ Review: Hirokazu Kore-eda Trains His Tender Gaze on Human-AI Co-Existence in a Grief Drama in Search of an Emotional Payoff
Hirokazu Kore-eda explores human-AI co-existence in ‘Sheep in the Box,’ about a couple who try replacing their dead child with a robot replica.
Inside ‘Obsession’s’ Ending: Inde Navarrette on Nikki’s Fate and Becoming Horror’s Newest Scream Queen
‘Obsession’ star Inde Navarrette breaks down Nikki’s biggest moments — from whether she and Bear ever had a real chance to that plea for death.
‘The White Lotus’ Has Found Its Perfect Hotel
‘The White Lotus’ has found its perfect hotel for season 4 in Cannes, France.
Welcome to ‘The Station,” Where the Rules Are: “No Men. No Weapons. No Politics.”
A 2026 Cannes Critics’ Week film interview about ‘The Station’ by director Sara Ishaq, about a women-only gas station, gender relations, war.