{"id":962,"date":"2026-06-01T10:06:48","date_gmt":"2026-06-01T10:06:48","guid":{"rendered":"https:\/\/uspropertymoves.com\/?p=962"},"modified":"2026-06-01T10:06:48","modified_gmt":"2026-06-01T10:06:48","slug":"motherhood-colonialism-a-keyboard-prodigy-and-a-surrealist-love-story-locarno-unveils-open-doors-africa-projects-plus-producers-and-directors","status":"publish","type":"post","link":"https:\/\/uspropertymoves.com\/?p=962","title":{"rendered":"Motherhood, Colonialism, a Keyboard Prodigy and a Surrealist Love Story: Locarno Unveils Open Doors Africa Projects, Plus Producers and Directors"},"content":{"rendered":"<div>\n<!-- do not apply CSS styles to this element! --><\/p>\n<div>\n<p>\nOpen Doors, the Locarno Film Festival\u2018s co-production platform and talent development program for filmmakers from equity-seeking communities and regions where artistic expression is at risk, is gearing up for its second edition with a focus on African cinema, unveiling on Monday its selection of projects and producers for 2026. <\/p>\n<p>Read more <a href=\"https:\/\/uspropertymoves.com\/?p=960\">Tearful Mike Myers Thanks Canada For Hollywood Career: \u201cI\u2019d Just Really Be Nothing Without You\u201d<\/a><\/p>\n<p>\n\tOrganizers promise \u201ca bold and diverse slate of voices from across the African continent\u201d in an edition that brings together filmmakers whose work spans fiction, documentary and animation across more than 10 countries. Running Aug. 5-10, the Open Doors program offers hands-on training, mentoring and networking, alongside public screenings and events during the Locarno Film Festival and its industry arm Locarno Pro.<\/p>\n<p>\n\tThe 2026 Open Doors Projects showcase features six first and second features in development \u2014 from portraits of music and memory to explorations of womanhood, urban life and the long shadows of colonialism.<\/p>\n<p>\n\tThe Open Doors Producers program, which supports producers in building sustainable careers and cross-border networks, also assembles six participants. Finally, the Open Doors Directors selection brings together five directors for a program of talks, workshops and industry networking. Their short films will be part of this year\u2019s Open Doors Screenings.<\/p>\n<p>\n\t\u201cWe\u2019re looking to affirm the richness of storytelling across the continent, with artistic voices and creative entrepreneurs strongly dedicated to meet their audiences at home, within their diasporas and internationally,\u201d said Yanis Gaye, head of studies at Open Doors. \u201cOur program is set to allow those synergies \u2014 within our cohort; between them and Open Doors alumni from other regions; and through the encounters they will have in Locarno \u2014 to take hold through concrete and actionable interactions. African film eco-systems and their practitioners are a chance for the industry to globally redesign some of the ways we think of our co-production practices, our audience building strategies, and the economics of cinema as a whole.\u201d<\/p>\n<p>\n\tAdded Zsuzsi B\u00e1nkuti, head of Open Doors: \u201cWith this selection, we are reaffirming something we deeply believe in: that the future of cinema depends on who gets to make it, and how. One of my hopes for this edition, and for Open Doors more broadly, is to keep amplifying female voices, both behind the camera and in the producer\u2019s chair. Gender parity in our industry isn\u2019t just a goal for the screen; it has to be lived in the way we work and who we support.\u201d<\/p>\n<p>\n\tAnd her team is also keeping an eye on more. \u201cWhat excites me most about this year\u2019s selection is how many of these filmmakers understand that cinema is never a solo act. A film is always made by many hands, many minds, many stories. The more we build our industry on that truth \u2014 on horizontal collaboration, on genuine equality within our creative communities, on more diversity \u2014 the richer and more honest our cinema will be.\u201d<\/p>\n<p>\n\tOn Monday, Aug. 10, a jury of industry professionals will award financial and in-kind prizes to winning projects. New this year, professional training organization EAVE, together with the Luxembourg Film Fund, will offer a scholarship for the EAVE Marketing Workshop worth 4,000 euros ($). Plus, African Film Press (AFP), a cross-regional publishing alliance covering the African film, TV, and digital media space, joins as an award partner to present the AFP Critics Prize, a $500 cash award, a certificate and ongoing editorial coverage of the recipient and their future work across AFP\u2019s three founding publications, namely <em>Akoroko<\/em>, <em>Sinema Focus<\/em>, and What Kept Me Up.<\/p>\n<p>Read more <a href=\"https:\/\/uspropertymoves.com\/?p=958\">U.K. Music Tech Firms Face Growth Investment Crisis, \u201cAI Raises Stakes for Gov\u2019t Action,\u201d Study Warns<\/a><\/p>\n<p>\n\tCheck out a first look at the Open Doors 2026 selected projects, producers and directors below.<\/p>\n<p>\n<strong>2026 Open Doors Projects<\/strong><\/p>\n<p>\n\tAseye Fiagbe from Ghana directs and produces <em>Too Much Music<\/em>, a documentary portrait of Ghanaian keyboard prodigy Kiki Gyan. <\/p>\n<p>Mozambique and South Africa come together in <em>Chapa 100<\/em>, \u201can urban, surrealist love story directed by Ique Langa, whose feature <em>O profeta<\/em> screened in the Tiger Competition at the International Film Festival Rotterdam this year. The project is produced by Lara Sousa of Kulunga Filmes. <\/p>\n<p>\n\tNigerian director Ugochukwu Azuya and producer Olubunmi Ogunsola of Ensemble present <em>I Live in V.I<\/em>, \u201ca sharp social satire about urban space and gentrification.\u201d <\/p>\n<p>From Somalia and Djibouti, filmmaker Mohammed Sheikh and producer Kadir Harbi Hassan of Aleel Films bring the fiction project <em>Accept My Plea for Burial<\/em> (<em>Baryo Aas Iga Gudoon<\/em>) to Locarno. It probes the tensions between tradition and justice in a rural community.<\/p>\n<p>Also featured in Switzerland will be a Tanzania\u2013Kenya collaboration, <em>The Ones With the Tempered Flowers<\/em>, an experimental documentary weaving together themes of womanhood and motherhood, directed by Neema Ngelime and produced by Ivy Kiru of AQ Pictures (LBx Africa), who also participated in the 2026 La Fabrique Cin\u00e9ma program at the Cannes Film Festival with the project <em>Strong Wind<\/em>. <\/p>\n<p>Last but not least, Locarno will host the Ugandan fiction project <em>A Vineyard for A Lobster<\/em>, directed by Talemwa Pius and produced by Gashumba Emmanuel of Gripmagic Uganda Limited. The film uses a snow-covered landscape as an allegory for the enduring shadows of colonialism.<\/p>\n<p>\n<strong>Open Doors Producers<\/strong><\/p>\n<p>\n\tMamounata Nikiema of Pilumpiku Production is from Burkina Faso and a veteran of the continent\u2019s film industry, knighted at the 2021 edition of FESPACO, the Pan-African Film and Television Festival of Ouagadougou, Africa\u2019s largest and oldest film fest, for her contributions to cinema. <\/p>\n<p>Natasha Craveiro from Cabo Verde has, with her company Korikaxoru Films, produced <em>Omi Nobu<\/em>, which featured in the Open Doors Screenings at Locarno 2025. <\/p>\n<p>Adja Mariam Mahre Soro from the Ivory Coast leads Studio K\u00e4, an animation studio she founded in Abidjan. <\/p>\n<p>Nigerian producer David Ikeata of Vox Cinematic Films has worked across borders, co-producing Kazakh-Nigerian fiction film <em>Adam Bol <\/em>(2024), and is currently developing a new project with an Egyptian director. <\/p>\n<p>Rua Osman from Sudan and her Helomur Picture have accumulated extensive production experience, with her resum\u00e9 including such festival favorites as <em>You Will Die at Twenty <\/em>(Venice, 2019) and <em>Goodbye Julia<\/em> (Cannes, 2023). <\/p>\n<p>\n\tZimbabwe is represented by Tapiwa Chipfupa of Ambidextrous Pictures. The EAVE alumn recently launched the international training and mentorship program Audiovisual Entrepreneurs Laboratory (AVEL).<\/p>\n<p><strong>Open Doors Directors<\/strong><\/p>\n<p>\n\tFagamou Fama Ndiaye (Senegal)<br \/>Rediet Haddis Yalew (Ethiopia)<br \/>Pocas Pascoal (Angola)<br \/>Judith Nini Kibinge (Kenya)<br \/>Ariel A\u00f1ez (Mozambique)<\/p>\n<p>Read more <a href=\"https:\/\/uspropertymoves.com\/?p=956\">\u2018All Night Wrong\u2019 Director on His Hitchcock-Meets-Wilder Film With \u2018Severance\u2019s\u2019 Zach Cherry and Maria Bakalova as Broken Souls<\/a><\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Locarno Open Doors 2026 unveiled Africa film projects on motherhood, colonialism and a keyboard prodigy, and featured producers and directors.<\/p>\n","protected":false},"author":1,"featured_media":961,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[2,904,905,906,907],"class_list":["post-962","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interesting","tag-international","tag-locarno-2026","tag-locarno-film-festival","tag-locarno-pro","tag-open-doors"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - 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