{"id":5962,"date":"2026-08-26T07:35:26","date_gmt":"2026-08-26T07:35:26","guid":{"rendered":"https:\/\/uspropertymoves.com\/?p=5962"},"modified":"2026-08-26T07:35:26","modified_gmt":"2026-08-26T07:35:26","slug":"the-dog-stars-review-jacob-elordi-and-margaret-qualley-in-ridley-scotts-subdued-but-pleasingly-soulful-dystopian-western","status":"publish","type":"post","link":"https:\/\/uspropertymoves.com\/?p=5962","title":{"rendered":"\u2018The Dog Stars\u2019 Review: Jacob Elordi and Margaret Qualley in Ridley Scott\u2019s Subdued but Pleasingly Soulful Dystopian Western"},"content":{"rendered":"
\n<\/p>\n
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\n\tIt\u2019s no big mystery why Disney would all but bury\u00a0The Dog Stars<\/em>, with a late-summer release pushed back from the spring, minimum advance fanfare, sparse press with the stars, no U.S. red carpet premiere and a misleading trailer, which looks like a million other post-apocalyptic thrillers that have ceded ground to more exciting TV, like\u00a0The Last of Us<\/em>\u00a0and \u2014 at least in its early seasons \u2014\u00a0The Walking Dead<\/em>. The movie is minor-key to a fault, and some no doubt will call it underpowered, yet it\u2019s arguably Ridley Scott\u2019s best since\u00a0The Martian\u00a0<\/em>11 years ago. Now 88, the prolific director has not lost his taste for explosive action, but those bursts are cushioned here among more reflective drama.<\/p>\n

Read more \u201820\/20\u2019 Sets Dolly Parton Special Tribute: Where to Watch Online<\/a><\/p>\n

\n\tAdapted by Mark L. Smith (The Revenant<\/em>, Twisters<\/em>) from the well-received 2012 novel by Peter Heller, the film has the feel of a melancholic, character-driven Western, rather than a shoot-\u2018em-up survivalist thriller \u2014 even if it is punctuated by sequences of that nature. That makes it a long shot to satisfy short-attention-span consumers of brawny action, but more mature audiences open to a vision of the dystopian future in which bleakness and savagery are countered by human compassion and hope should check it out.<\/p>\n

In keeping with the throwback feel, Jacob Elordi leads with introspective movie-star magnetism that evokes the heyday of Kevin Costner, while cinematographer Erik Messerschmidt\u2019s panoramic vistas \u2014 locations in Italy\u2019s Alpine foothills and the mountains of the Abruzzo and Lazio regions are majestic stand-ins for Colorado \u2014 lend the unhurried but engrossing story a restorative grace. As Paul Greengrass showed in the under-appreciated\u00a0News of the World<\/em>, old-fashioned isn\u2019t always a negative.<\/p>\n

\n
\n
\n

\n

\t\t\t\t\tThe Dog Stars\t\t<\/p>\n<\/h3>\n

\nThe Bottom Line<\/span>
\n<\/p>\n

\tRidley Scott in a rare ruminative mood.
\n\t<\/span>\n<\/div>\n<\/div>\n

\nRelease date<\/strong>: Friday, Aug. 28
Cast<\/strong>: Jacob Elordi, Josh Brolin, Margaret Qualley, Allison Janney, Benedict Wong, Guy Pearce, Ewen Bremner, James Craze, Sam Spruell, Sai Bennett
Director<\/strong>: Ridley Scott
Screenplay<\/strong>: Mark L. Smith, based on the novel by Peter Heller
\n
\n\t\t\t\t\t\t\t\t\tRated R,
\n\t\t\t\t\t\t\t\t1 hour 58 minutes\t\t\t<\/span>\n<\/div>\n<\/div>\n<\/div>\n

\n\tElordi plays Hig, a widower inseparable from his loyal sidekick Jasper, a Belgian Malinois with him since the dog was a pup, and the most enduring link to happier times with Hig\u2019s late wife, Melissa (Sai Bennett). Hig\u2019s rapport is affectionate but spikier with tough military veteran Bangley (Josh Brolin), who despite his previous life in Army Aviation, never learned to fly. The two men share quarters in a converted hangar at an abandoned airstrip in Erie, Colorado, surrounded by a defensive perimeter.<\/p>\n

\n\tSharp-shooter Bangley takes care of weapons and fortifications, relying on Hig, a former mechanic and experienced pilot, to make reconnaissance flights in a battered Cessna to check for encroaching human threats and collect fuel and other supplies from what\u2019s left of Denver. On one such mission, Hig learns of a new band of scavengers known as \u201cReapers,\u201d reported to be more feral than any tribe before them, their sole purpose being to kill survivors and burn everything down.<\/p>\n

\n\tThe story takes place in 2035 \u2014 funny how the writers of post-apocalyptic fiction keep optimistically bumping back the timeframe \u2014 a decade after the human population has been decimated by an influenza pandemic. That flu took Melissa, a year after she lost the baby she was carrying.\u00a0<\/p>\n

\n\tHig maintains that Bangley was born for these brutal survivalist times. The older man keeps a well-stocked weaponry arsenal, cleverly recycling bullet casings as spitzers. Bangley believes in shooting first and asking questions later, which he demonstrates when two teenagers approach the perimeter carrying a machete.\u00a0<\/p>\n

\n\tHe objects to Hig putting himself at risk of infection by delivering medical supplies to a Mennonite community headed by Aaron (Benedict Wong) in a secluded valley, where many of the children carry a potentially deadly blood disease. But Hig is unwilling to turn his back on human kindness, which puts him at odds with Bangley, even when the latter saves him from a surprise attack.<\/p>\n

Read more Beyonc\u00e9 Remembers Dolly Parton as \u201cBold and Brilliant\u201d in Touching Tribute<\/a><\/p>\n

\n\tWhen Hig picks up a radio signal from Grand Junction, prompting him to take off alone in search of something closer to civilization, engine trouble forces an unscheduled stop not far from an isolated valley ranch, where young widow Cima (Margaret Qualley) lives with her hyper-vigilant father, known as Pops (Guy Pearce). Hig slowly gains the old man\u2019s trust and his daughter\u2019s tentative affections while fixing his plane and clearing an airstrip from which to take off, which is hastened by an onslaught of Reapers.<\/p>\n

\n\tMore violence follows, along with a bizarre interlude featuring Allison Janney in crazy-lady makeup as a former flight attendant dressed in a vintage airline uniform, serving martinis to visitors (\u201cOnce a stewardess always a stewardess!\u201d). But that episode feels inorganic to the more sober prevailing tone, even if the marauding savages might suggest otherwise.<\/p>\n

\n\tSome might wonder if Scott is going soft in his senior years in some of the concluding developments, which provide hope for humanity\u2019s resilience. But even if the ending feels abrupt and a little trite, the sentiment is not unearned.\u00a0That said, Smith\u2019s script is light on psychological complexity, and there\u2019s a sense in the later action that the movie has been chopped about a bit in the edit.<\/p>\n

\n\tBut the strong ensemble keeps you invested. In one of the Australian actor\u2019s first major solo leads, Elordi exudes a soulfulness and sensitivity that ground the movie in emotional authenticity. Brolin is in fine form as a hardass with a well-camouflaged core of decency, bringing considerable humor. Pearce bristles with hostility in Pops\u2019 early scenes but gradually transitions into warmth and trust, while Qualley gives one of her loveliest performances, free from quirks or showy dramatic moments, portraying Cima as a woman bruised by grief but unwilling to shut herself off from the possibility of love.<\/p>\n

\n\tThere\u2019s plenty of texture in Messerschmidt\u2019s cinematography \u2014 especially when seen in IMAX \u2014 with dynamic camerawork in action scenes and soaring, crystalline images in the flight sequences. Unsurprisingly for Scott, the world-building is achieved primarily through visual means, in striking aerial shots of ghostly urban and rural areas roamed by packs of wild dogs. Harry Gregson-Williams\u2019 score captures the tender heart of the movie in melodic passages of acoustic guitar, Dobro and orchestral strings \u2014 echoed in folky vocal tracks from Hozier, Caamp and others \u2014 while firing up effectively into glowering suspense when appropriate.\u00a0<\/p>\n

\n\tMuted but never dull, The Dog Stars<\/em>\u00a0seems unlikely to land near the top of anyone\u2019s Ridley Scott rankings. But it\u2019s an appealingly mellow watch, even if that might seem antithetical to a post-apocalyptic drama positioned squarely in the shadow of death.<\/p>\n

Read more Jelly Roll Takes Jabs at Donald Trump While Guest Hosting \u2018Jimmy Kimmel Live!\u2019<\/a><\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Jacob Elordi stars with Margaret Qualley and Josh Brolin in Ridley Scott's 'The Dog Stars,' based on the post-apocalyptic Peter Heller novel.<\/p>\n","protected":false},"author":1,"featured_media":5961,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[644,2950,2651,621,1787,3322,3652,3653,3655],"class_list":["post-5962","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interesting","tag-allison-janney","tag-benedict-wong","tag-guy-pearce","tag-jacob-elordi","tag-josh-brolin","tag-margaret-qualley","tag-mark-l-smith","tag-ridley-scott","tag-the-dog-stars"],"yoast_head":"\n\u2018The Dog Stars\u2019 Review: Jacob Elordi and Margaret Qualley in Ridley Scott\u2019s Subdued but Pleasingly Soulful Dystopian Western - US Property Moves<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/uspropertymoves.com\/?p=5962\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u2018The Dog Stars\u2019 Review: Jacob Elordi and Margaret Qualley in Ridley Scott\u2019s Subdued but Pleasingly Soulful Dystopian Western - US Property Moves\" \/>\n<meta property=\"og:description\" content=\"Jacob Elordi stars with Margaret Qualley and Josh Brolin in Ridley Scott's 'The Dog Stars,' based on the post-apocalyptic Peter Heller novel.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/uspropertymoves.com\/?p=5962\" \/>\n<meta property=\"og:site_name\" content=\"US Property Moves\" \/>\n<meta property=\"article:published_time\" content=\"2026-08-26T07:35:26+00:00\" \/>\n<meta name=\"author\" content=\"admin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"admin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/uspropertymoves.com\\\/?p=5962#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/uspropertymoves.com\\\/?p=5962\"},\"author\":{\"name\":\"admin\",\"@id\":\"https:\\\/\\\/uspropertymoves.com\\\/#\\\/schema\\\/person\\\/f6dcb1ef8e64fe67b72b772b81aa822c\"},\"headline\":\"\u2018The Dog Stars\u2019 Review: Jacob Elordi and Margaret Qualley in Ridley Scott\u2019s Subdued but Pleasingly Soulful Dystopian Western\",\"datePublished\":\"2026-08-26T07:35:26+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/uspropertymoves.com\\\/?p=5962\"},\"wordCount\":1161,\"commentCount\":0,\"image\":{\"@id\":\"https:\\\/\\\/uspropertymoves.com\\\/?p=5962#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/uspropertymoves.com\\\/wp-content\\\/uploads\\\/2026\\\/08\\\/09e6dbca693161a619bb7e27184ae7b6.webp\",\"keywords\":[\"Allison Janney\",\"Benedict Wong\",\"Guy Pearce\",\"Jacob Elordi\",\"Josh Brolin\",\"Margaret Qualley\",\"Mark L. 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