{"id":576,"date":"2026-05-25T05:06:27","date_gmt":"2026-05-25T05:06:27","guid":{"rendered":"https:\/\/uspropertymoves.com\/?p=576"},"modified":"2026-05-25T05:06:27","modified_gmt":"2026-05-25T05:06:27","slug":"colman-domingo-knew-it-was-time-for-euphoria-to-get-ali-out-of-the-diner-we-already-did-that","status":"publish","type":"post","link":"https:\/\/uspropertymoves.com\/?p=576","title":{"rendered":"Colman Domingo Knew It Was Time for \u2018Euphoria\u2019 to Get Ali Out of the Diner: \u201cWe Already Did That\u201d"},"content":{"rendered":"
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\n[This story contains spoilers from Euphoria<\/em> season 3, episode 7.]<\/strong><\/p>\n

\nColman Domingo had only briefly appeared in Euphoria<\/em>\u2019s long-awaited third season over its first six episodes, but on Sunday night, the actor\u2019s Emmy-winning portrayal of Ali, the recovering addict who\u2019s acted as sponsor and mentor to Rue (Zendaya) since season one, took center stage like never before. The season\u2019s penultimate episode, \u201cRain or Shine,\u201d opened with a moving glimpse into Ali\u2019s past, showing viewers, for the first time, the darker side he\u2019s often alluded to. He\u2019s shown getting high and cheating on his wife with a fellow junkie (played by Natasha Lyonne), then bringing an abusive temper back home.\u00a0<\/p>\n

Read more Crunchyroll Anime Awards: \u2018My Hero Academia\u2019 Named Anime of the Year, \u2018Demon Slayer\u2019 Takes Best Film<\/a><\/p>\n

\n\tThis leads into a key moment between Ali and Rue in the present, as he learns of her precarious situation trying to navigate her tenuous relationships with two rival drug gangs \u2014 and the DEA as an informant. She details her elaborate, life-or-death plan to Ali to escape the situation, which he listens in on nervously. Given the new context we get about the man, when he steps in to help, we understand it not only for the love he has for Rue, but also for how he believes he must operate in the world after causing so much pain and experiencing so much loss.<\/p>\n

\n\tNow, with Ali also set to play a major role in next Sunday\u2019s finale, The Hollywood Reporter<\/em> caught up with Domingo on tapping into Ali\u2019s dark side, getting him out of the diner and what\u2019s coming next.\u00a0<\/p>\n

\nHow did Sam Levinson pitch Ali\u2019s arc to you this season? When did you know we\u2019d been getting this glimpse of his origin story?\u00a0<\/strong>\n<\/p>\n

\n\tFrom the very beginning, Sam has been so collaborative, not just laying out character and story, but really telling you what his ideas are for the character and the \u201cwhy\u201d and \u201cwhy now.\u201d This season was a great opportunity to really go into Ali\u2019s backstory, to give you more context and understanding who he is and why he\u2019s doing what he\u2019s doing, why he\u2019s been doing that for the past two seasons \u2014 and then how it propels us to the last episode of season, in a really big and dynamic way. I think that\u2019s why he\u2019s held off on Ali\u2019s origin story for so long.\u00a0<\/p>\n

\n\tI love what he pitched. We get to see a little bit of some of the darkness that Ali says he can\u2019t drop, but we never saw it, so now we get another layer \u2014 instead of just espousing [advice] like buddha at a diner, you get more context that I think humanizes him a bit more. Sometimes Sam will pitch you a bigger version of it, in a way \u2014 like a more extreme version of it. But then he\u2019s such a smart editor, he edits himself down to just make sure that it\u2019s honest.<\/p>\n

\nWhat was it like tapping into the darker side, getting to show the non-diner-buddha version of Ali?<\/strong><\/p>\n

\n\tI knew that was part of his backstory, understanding that he was an addict and that he had come from a dark place of being abusive \u2014 just strung out. The idea of putting that into practice was actually really dynamic and exciting. Also, to go backwards and show Ali as a bit younger but more alive \u2014 we\u2019ve never seen Ali outside of Rue. I like the idea of somebody putting him into other spaces we\u2019ve never seen, where even his haircut gives us another time period, and with his wife and his two girls, you see where he came from. It doesn\u2019t go deeply into, \u201cWell, why did he start using?\u201d because that\u2019s not even necessary.\u00a0<\/p>\n

\nIt\u2019s obviously a pivotal moment for your characterization, now over three seasons. What was important for you to get across, within what Sam had written?\u00a0<\/strong><\/p>\n

\n\tIt wasn\u2019t going to be this sad, what-made-me-a-junkie addict story. I wanted it to seem like he was enjoying himself, whatever that means. I don\u2019t know what he\u2019s carrying. I can say I always keep private stories of what I believe my character\u2019s feeling when he\u2019s under pressure. He probably just needs release. Some people go to drugs, some people do alcohol, some people have sex. And I love the idea that he\u2019s so physical because you\u2019ve never seen how physical he is. He\u2019s trying to extract some demons from his body or something.\u00a0<\/p>\n

\nYou\u2019ve been friends with Natasha Lyonne for years, and here she plays Ali\u2019s junkie buddy, essentially. How did that come together?\u00a0<\/strong><\/p>\n

\n\tWe met at the Zola<\/em> premiere many years ago, became fast friends and Natasha has been angling to get a role in Euphoria<\/em> for years. She would say, \u201cHey, Sam, you\u2019ve got to write me in with Colman. We should do this.\u201d It\u2019s public information that my friend Natasha has had her own struggles with addiction, so I think that she was looking for an outlet to put that into good use. It\u2019s a good service. The second she came up, Sam said, \u201cThat\u2019s a brilliant idea to put us together for this conversation between two junkies.\u201d\u00a0<\/p>\n

\n\tIt\u2019s liberating, yet sad, yet honest. That was what she was willing to offer as well. The blessing that I feel like I\u2019ve had with the show is that Sam will populate the screen with people who actually have the lived experience. There\u2019s an authenticity in the room, so therefore I can\u2019t fake it or lie, I have to be really honest to the experience. I feel like that\u2019s what Natasha offered me.<\/p>\n

\nThese are shorter scenes, but the chemistry between you is so strong \u2014 that leapt off the screen for me right away.<\/strong><\/p>\n

Read more Drew Carey Blasts L.A. Mayoral Candidate Spencer Pratt: \u201cF*** This Guy Already\u201d<\/a><\/p>\n

\n\tNatasha is my sister and she\u2019s somebody who I love badly, and so we\u2019re physical with each other \u2014 we\u2019re loving, we\u2019re playful. As performers, we\u2019re very similar that way. We\u2019re very open and we\u2019ll go where our scene partner goes because it\u2019s always an offering and we say yes. It\u2019s funny because there\u2019s of course being much more being filmed, and we\u2019re being very physical with each other, having sex with each other [on screen] because we were comfortable with each other\u2019s bodies. We had an intimacy coordinator, but we know that we\u2019re like, \u201cOh, let\u2019s explore where these two would go.\u201d So we had fun with that. Then it got edited down to what\u2019s necessary.<\/p>\n

\nToward the episode\u2019s midpoint you have a long, emotional scene with Zendaya as Ali comes to terms with Rue\u2019s predicament. Given what you were saying about Natasha, what was it like getting deep with Zendaya there, with the three seasons of history between you?\u00a0<\/strong><\/p>\n

\n\tI knew for sure that I was hoping that Ali wouldn\u2019t just be in a diner sounding like a bumper sticker. I was really happy. I said, \u201cWe already did that.\u201d Instead of big brother-little sister, this felt more like surrogate father-daughter. They were both providing a need. She doesn\u2019t have a father. I don\u2019t have my daughters. We were really slipping into that. He said, \u201cJust be honest with me and I can handle anything,\u201d but that\u2019s his ask: Just be honest. So when she doesn\u2019t, it\u2019s sort of a violation.<\/p>\n

\n\tI love working with Zendaya because she\u2019s one of the most generous scene partners, but we don\u2019t do a lot of talking going over the day or anything like that. We just strap in. We\u2019ve done our own work and we show up and we listen and respond to each other. I think in a way, that\u2019s sort of the thesis of the show. I\u2019m always telling people if they\u2019re afraid it\u2019s a little too salacious, like, \u201cGo to the episodes that are slower. It\u2019ll give you some grounding to let you handle everything else to know what it\u2019s all about.\u201d I love that they\u2019re having these deeper conversations about faith. It\u2019s kind of Biblical; there\u2019s a lot of references to the Bible throughout. It almost feels like Sam\u2019s writing his own testament to our faith and our curiosity of what\u2019s bigger than ourselves.\u00a0<\/p>\n

\nI spoke with Sam last month, and he\u2019s spoken about how his experiences with grief and death, related to the show and beyond the show, really informed this season. I was fascinated by the way Ali took up that space in this episode: He has that comment to Rue about her contributing to the fentanyl crisis, and he has his notebook where he writes down the names of all of his fellow recovering addicts who don\u2019t make it. Did you feel that weight?<\/strong><\/p>\n

\n\tThat\u2019s why this season has undergone such retooling as it was being created \u2014 because there was death all around us. We kept losing people. I know Sam had to lean into that because that\u2019s where his heart was. Knowing that we\u2019re always losing people as we move forward, the idea of someone like Ali carrying \u2014 he\u2019s like, \u201cI\u2019m putting people down. I\u2019m investing in having hope and faith in people.\u201d But he keeps losing, yet he gets up. He buries another woman, he buries another man, but he still has hope, faith, because that\u2019s all he has. That\u2019s what we\u2019re saying: You\u2019ve got to hold on.<\/p>\n

\nWith the way he looks at Rue, as he\u2019s deciding how to involve himself in what she\u2019s mired in, to what degree is there a desire to just keep her alive?<\/strong><\/p>\n

\n\tI think by keeping her alive, it\u2019s keeping him alive. As we know now, he\u2019s lost so many young people, and he\u2019s hanging on. He really believes in this one. He said, \u201cI can make a difference with this one.\u201d So ultimately, yes, it is an act of generosity, but it\u2019s also very selfish too \u2014 to keep himself alive. That\u2019s part of his path to protection for himself. Maybe he\u2019s a better father, maybe a better husband, maybe a better human \u2014 he feels like he\u2019s been so ugly in the world, so I think it\u2019s like he\u2019s got to put that back into Rue. I don\u2019t know if that\u2019s fair or not, but that was when he decided he sees the beauty in her, he sees the grace in her. He\u2019s like, \u201cIf I can give you some help, support some honesty, some reflection, perhaps you can extend grace to yourself and that grace would spread in the world.\u201d<\/p>\n

\nHave you been watching the show week to week? How have you found it?<\/strong><\/p>\n

\n\tI have. I\u2019ve always thought that the show should have dropped all at once because I think that it\u2019s hard to contextualize the entire arc, just getting the piecemeal of an hour a week, because there\u2019s such great themes. Sydney [Sweeney]\u2019s storyline, Jacob [Elordi], Maude [Apatow] \u2014 and then we want to see how it all ties together. We have new characters. It\u2019s very much an epic. I feel like it\u2019s cinema; Sam\u2019s not even making television. He\u2019s making a film. You can\u2019t tell me it\u2019s not cinema.<\/p>\n

\nHe said he wanted to just show it in theaters and unfortunately couldn\u2019t do it. But that was his goal.<\/strong><\/p>\n

\n\tI mean, man, the lenses, the staging \u2014 he\u2019s making a Western. I think Sam will be one of those artists that are regarded many years later, where his work will be looked at and people will see how brilliant he was. It\u2019s textbook: When we\u2019re looking for questions, our morality, Westerns are very clear. There\u2019s good guys, there\u2019s bad guys, there\u2019s a sheriff that\u2019s going to come in and save the day. It\u2019s a pretty simple equation. But that\u2019s also a very American conceit, kind of story. It is a reflection of where we are right now, what young people value. I mean, Sydney\u2019s storyline can be looked at in many ways, but I feel like it\u2019s really about finding power in the way people see you. It\u2019s meta in a way too. I\u2019m like, \u201cWow, this is very meta. It\u2019s like a play on a play on a play.\u201d There\u2019s an awareness to it and there\u2019s an awareness that every actor has with this.\u00a0<\/p>\n

\n\tIt\u2019s about all of us, and I think that\u2019s what Sam has always been trying to do is just tell the story. It\u2019s about all of us. We think it\u2019s just about addicts in the beginning but it\u2019s not. It\u2019s really about: What are we all addicted to? What do we want? What do we need? What happens when we don\u2019t get it? And what will we become until we do some deep closer examination?\u00a0<\/p>\n

\nYou teased the finale and Ali\u2019s role in it. What should we be looking out for?\u00a0<\/strong><\/p>\n

\n\tIt\u2019s going to smack people in the face. You don\u2019t see it coming, but the groundwork has been laid. It\u2019s been laid for seasons. The characters are all at such a heightened state right now. I\u2019ll just say: It can only go one way.<\/p>\n

Read more Miley Cyrus Gets Emotional, References Dad Billy Ray Cyrus at Walk of Fame Ceremony<\/a><\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

The Emmy winner talks his big return to the HBO show, and how it will lead into next week’s finale: "It\u2019s going to smack people in the face.<\/p>\n","protected":false},"author":1,"featured_media":575,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[364,445,492,457],"class_list":["post-576","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interesting","tag-colman-domingo","tag-euphoria","tag-sam-levinson","tag-zendaya"],"yoast_head":"\nColman Domingo Knew It Was Time for \u2018Euphoria\u2019 to Get Ali Out of the Diner: \u201cWe Already Did That\u201d - US Property Moves<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/uspropertymoves.com\/?p=576\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Colman Domingo Knew It Was Time for \u2018Euphoria\u2019 to Get Ali Out of the Diner: \u201cWe Already Did That\u201d - 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