{"id":4923,"date":"2026-08-05T06:06:11","date_gmt":"2026-08-05T06:06:11","guid":{"rendered":"https:\/\/uspropertymoves.com\/?p=4923"},"modified":"2026-08-05T06:06:11","modified_gmt":"2026-08-05T06:06:11","slug":"maria-back-on-brave-new-love-her-provocative-take-on-motherhood-desire-and-modern-romance","status":"publish","type":"post","link":"https:\/\/uspropertymoves.com\/?p=4923","title":{"rendered":"Maria B\u00e4ck on \u2018Brave New Love,\u2019 Her Provocative Take on Motherhood, Desire and Modern Romance"},"content":{"rendered":"
\n<\/p>\n
\n

\n\tSwedish-Danish writer-director Maria B\u00e4ck (I Remember When I Die<\/em>, Psychosis in Stockholm<\/em>) likes to push the envelope. With her new feature, Brave New Love<\/em><\/em>, she invites us to talk about love, relationships and desire \u2014 but not within the tidy bounds of what\u2019s considered \u201cnormal\u201d or \u201cright.\u201d<\/p>\n

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\n\tThe film centers on Kate, a mother torn between her husband, Orla, and a secret relationship with another man, Andreas. A triangle of madness? Of sadness? Of badness? Something else entirely? Watch and decide for yourself.<\/p>\n

\nBrave New Love<\/em> stars Kathrine Thorborg Johansen (Post Mortem: No One Dies in Skarnes<\/em>) as Kate, Simon Sears (Shadow and Bone<\/em>) as Orla, young Noemi Carbone Mannov as their daughter Athena, Anders Danielsen Lie (Sentimental Value<\/em>, Everybody Digs Bill Evans<\/em><\/em>) as Andreas and Angeliki Papoulia (Dogtooth<\/em>, The Lobster<\/em>). The film world premieres Sunday, Aug. 9, in the main international competition at the 79th<\/sup>\u00a0edition of the Locarno Film Festival in Switzerland.<\/p>\n

\n\tProduced by Anna-Maria Kantariusand and featuring cinematography by Maria Von Hausswolff, Brave New Love<\/em> was edited by Julius Krebs Damsbo. Reinvent Yellow is handling international sales.<\/p>\n

\n\tAhead of the Locarno premiere of the film, B\u00e4ck talked to THR<\/em> about the inspiration for Brave New Love<\/em>, why she enjoys asking tough questions, working with a cast of actors who have made names for themselves and why the film\u2019s title reminds you of that famous Aldous Huxley novel.<\/p>\n

\nWhat was the inspiration for Brave New Love<\/em>?<\/strong><\/p>\n

My interest in all kinds of normative questions has been something that\u2019s been following me forever. I have, for the last 30 years or so, been either in or out of relationships, and my friends have been in or out of relationships. So it\u2019s this huge collection of dilemmas and problems with love life, which has always been something that interests me.<\/p>\n

I\u2019m also fascinated by how hard it is for people to confront habits. That doesn\u2019t only apply to love, but when you study something like love, which is so present in our lives, many of these things become very clear because we always struggle with love. And not so much has changed regarding the rules of love in modern times.<\/p>\n

\n\tWhen I think about what drove me to make the film, I keep returning to this want and need to share a loneliness and the feeling of \u201cbeing fundamentally wrong.\u201d It is so human to fuck up; we all do it all the time! And you can feel empathy with \u2014 almost \u2014 anyone if you understand their inner world.<\/p>\n

\nThe film doesn\u2019t come across as a recommendation though\u2026
<\/strong>
Yes, the film is not trying to say that you should have an open relationship. I don\u2019t have an open relationship. I live very conventionally in many ways, but it\u2019s just interesting how we can feel like we are very liberal and open, but when we are confronted with\u00a0reality, things turn out to be different. When you hear of a woman like Kate, a mother who falls in love with another man, most people will have a strong opinion. Even though we might consider ourselves liberal, we all have these [ingrained] ideas, and there is shame \u2014\u00a0so much is about shame.<\/p>\n

\n\tI think all these ideas and feelings are deeply rooted in us.\u00a0We just have all these predefined and automatic reactions, and we tend not to question them much or update our worldview. This human contradiction is just fascinating and amusing to watch in a way. It\u2019s stimulating to explore that with a story and characters, because there\u2019s a lot to dig into.<\/p>\n

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\n\tThe only thing I really didn\u2019t want with the film was to create something convenient about love that we\u2019ve already seen before. A love triangle is one of the oldest themes, and I really wanted to challenge that narrative, both story-wise and conceptually in terms of the film\u2019s language. For me, it\u2019s always about questions rather than answers. I feel I know nothing. I just question and doubt everything.<\/p>\n

I found myself going from laughing to cringing and thinking, \u201cNo, don\u2019t do this!\u201d It was a rollercoaster of emotions. How did you write and \u201cbuild\u201d the movie and its world?<\/strong><\/p>\n

I worked on this project for six years, so it\u2019s been a long, long process. Like with all my films, usually it starts with an emotion and an abstract universe that tries to become more concrete. In my head, these themes and this character kept circling around. I write a lot and there was a poem I wrote where I pictured this woman. So she came to me. I didn\u2019t know it was Kate back then. But the first picture I had was this naked woman in a cave watching a man, and I didn\u2019t know who she was.<\/p>\n

\nSo then you connected her to the themes you were pondering?
<\/strong>
Yes, it becomes an investigation, kind of. Of course, I am in charge because I write, but I also feel a lot that I\u2019m following something that I\u2019m trying to understand. Who is she? Where does she come from? So, things usually come to me in the form of different images, different situations. And I also always collect things from my own life that I find fascinating or provocative or just beautiful, and they make it into the film. Such as a balloon scene, for example, in Brave New Love<\/em>. My son was playing with this balloon when I was hoovering, and all of a sudden the balloon did something I had never seen. That became a little note and then a scene. Some things come from really concrete stuff like that, and other things come from more abstract feelings that I need to translate.<\/p>\n

\nDid you get any help in the writing stage?
<\/strong>
What I want to mention about the writing process is my collaboration with Eskil Vogt (Sentimental Value<\/em>,\u00a0The Worst Person in the World<\/em>), who was my script consultant both on Psychosis in Stockholm<\/em> and Brave New Love<\/em>. His humorous and generous mind has meant a great\u00a0deal for the\u00a0process in\u00a0terms of asking me disturbing\u00a0and provocative questions that\u00a0helped me shape\u00a0the\u00a0film. I work a\u00a0lot with\u00a0different methods for\u00a0different stages of writing \u2014 sometimes very open and flowy, and then periods with lots of lists and dots and arrows and stuff that I translate into pretty basic,\u00a0traditional storytelling. But a guide for me is always a strong\u00a0desire to surprise and do what you\u00a0don\u2019t expect. I think that is important.\u00a0<\/p>\n

\nYou mentioned shame. I also want to ask you about guilt. There are scenes where I can imagine viewers saying, \u201cKate is a bad mother. How dare she?!\u201d How difficult is it to write something so different from the traditional all-loving, all-caring mother?<\/strong><\/p>\n

That\u2019s one of the biggest challenges. I didn\u2019t want to make a film that I had seen before. And I didn\u2019t want to make a film that was convenient. Kate was pretty obvious to me as a character from the beginning, and I knew that I had to defend her. You always apply for money, and from the start, it was very clear that it was provoking to people that she was a mother, and she still insisted on her desire, instead of just putting a lid on everything. People asked me why I even wanted to tell this story because, \u201cShe\u2019s so egoistic, and the audience wants somebody they can sympathize with.\u201d<\/p>\n

So it comes back to me in the sense that I have to work with my own shame, and I have to work with my own willingness to be vulnerable in these kinds of situations. Luckily, this is also something that triggers me in a creative way. I get provoked by the people who get so provoked. If they have this idea that a mother should be a very specific way, that makes me angry. So then it\u2019s easier for me to find the energy to stand up for Kate.\u00a0<\/p>\n

And people like Kate exist in real life\u2026<\/strong><\/p>\n

Yes, I think this idea that you should change as a person just because you become a parent is so ridiculous. Of course, you change a lot of your values. But why would you stop having the same kind of desire and emotions just because you have kids? It\u2019s easy to say about Kate that she should say goodbye to one of the men, or she should get a divorce, blah blah. Or people would also say she has to be honest and tell her husband. But she knows that her husband doesn\u2019t want to know, so then what? Or if she has to get a divorce, that would mean even more pain for everyone.<\/p>\n

But I have no good answers. And I wanted to make a film where there were no good answers. It\u2019s not a proposal or recommendation \u2014 like, \u201cplease come and live your life the way Kate does.\u201d She\u2019s struggling a lot. It\u2019s not something I would suggest. But these things and situations happen. I know a lot of Kates, and I know a lot of Orlas, and I know a lot of Andreas. All these perspectives are all around us all the time. So why wouldn\u2019t we see them in a film?<\/p>\n

\nWhat\u2019s up with all the Greek references and themes in the film? The daughter is named Athena, there is a Greek island, and there seem to be some references to Greek mythology.
<\/strong>
That\u2019s a good question. I absolutely love Greece, and I\u2019ve done so all my life. I was a very strange, lonely kid in many ways. And Greek mythology really meant a lot to me. Through cassette tapes, I listened a lot to Greek mythology on my Walkman. Even as a kid, my interest in mythology started. It\u2019s just an interest in stories, basically. And then on top of that, I\u2019ve been to Greece a lot in my life, both as a kid on holidays and also later, and I have always felt at home in Greece. I cannot explain why.<\/p>\n

\n\tEven though the film is not about me at all, I use a lot of my own fascinations, so it just came naturally to me to include it in Kate\u2019s character. I\u2019m not romanticizing ancient Greece, but it\u2019s interesting to see how they built Christianity and other cultures on top of it.<\/p>\n

\nWhen Locarno unveiled Brave New Love<\/em> for its lineup, I immediately wondered if it was a reference to Aldous Huxley\u2019s Brave New World<\/em>. And when I watched the film, I did notice that this title was indeed not a coincidence, right? How early did you know the title?<\/strong><\/p>\n

The title I actually had pretty early. I think it was in the first or second draft of the script. I read the book as a teenager, and it made a huge impression on me. I haven\u2019t read it again, actually, but I still have a strong feeling from it. This whole idea of how much society forms our ways of acting and our desires is the core element, of course, of Brave New Love<\/em>. Of course, it\u2019s a very loose reference. The book works with this very dystopian world where desires are controlled. So I thought what would happen if you had a protagonist who just follows her desire without any restrictions? There is also a scene where Orla is reading that book. <\/p>\n

Do you know what you will work on next?
<\/strong>
I\u2019m very early in developing my fourth feature. In parallel, I\u2019m actually expanding Brand New Love<\/em> as a novel.<\/p>\n

Read more Police Respond to Perez Hilton\u2019s Miami Home After He Appeared to Harm Himself on Livestream<\/a><\/p>\n

\n<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

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