{"id":469,"date":"2026-05-22T17:43:55","date_gmt":"2026-05-22T17:43:55","guid":{"rendered":"https:\/\/uspropertymoves.com\/?p=469"},"modified":"2026-05-22T17:43:55","modified_gmt":"2026-05-22T17:43:55","slug":"i-see-buildings-fall-like-lightning-review-an-all-stars-of-tomorrow-cast-of-british-and-irish-actors-lift-clio-barnards-inconsistently-persuasive-drama","status":"publish","type":"post","link":"https:\/\/uspropertymoves.com\/?p=469","title":{"rendered":"\u2018I See Buildings Fall Like Lightning\u2019 Review: An All-Stars-of-Tomorrow Cast of British and Irish Actors Lift Clio Barnard\u2019s Inconsistently Persuasive Drama"},"content":{"rendered":"
\n<\/p>\n
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\n\tA textbook example of how good casting lifts all boats, I See Buildings Fall Like Lightning<\/em> features five outstanding up-and-coming British and Irish millennial actors \u2014 Anthony Boyle, Joe Cole, Jay Lycurgo, Daryl McCormack and Lola Petticrew \u2014 at the helm of a strong ensemble alongside well-chosen supporting players and non-professionals. The core quintet play a gang of working-class friends who\u2019ve known each other since high school but are now facing tough adult choices in economically depressed Birmingham, England. Their liquid, nervy, interlocking performances make this British director Clio Barnard\u2019s best feature in a while, although it still doesn\u2019t reach the high-water mark set by her haunting, innovative debut The Arbor<\/em>.<\/p>\n

Read more \u2018Passenger\u2019 Review: Melissa Leo in a Ho-Hum Highway Horror<\/a><\/p>\n

\n\tAdapted by Enda Walsh (Die My Love<\/em>, Small Things Like These<\/em>) from a novel by Keiran Goddard, Buildings<\/em> offers a hearty, quintessentially British-Irish caf\u00e9 fry-up of gritty realism, class consciousness and masculine despair, all washed down with tannic, milky mugs of message-bearing melodrama in the tradition of Ken Loach. That sort of package usually plays well in Cannes, where this debuted in the Directors\u2019 Fortnight strand, although the end result is ultimately a bit flat and underwhelming.<\/p>\n

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\t\t\t\t\tI See Buildings Fall Like Lightning\t\t<\/p>\n<\/h3>\n

\nThe Bottom Line<\/span>
\n<\/p>\n

\tBeautifully acted but heavyhanded.
\n\t<\/span>\n<\/div>\n<\/div>\n

\nVenue:<\/strong> Cannes Film Festival (Directors’ Fortnight)
Cast: <\/strong>Anthony Boyle, Joe Cole, Jay Lycurgo, Daryl McCormack, Lola Petticrew, Tracey Green, Lucie Shorthouse, Skyla-Rose Steward, Elsie Mae Vitello-Minshull, Jackie Donald, Emma Bassett, Debbie Milner, Millie Brady
Screenwriter:<\/strong> Enda Walsh, based on the novel by Keiran Goddard
Director: <\/strong>Clio Barnard
\n
\n\t\t\t\t\t\t\t\t1 hour 49 minutes\t\t\t<\/span>\n<\/div>\n<\/div>\n<\/div>\n

\n\tThe poetically present-tense title refers to the spectacle of high-rise buildings from the mid-20th century being blown to smithereens that the characters here remember observing years ago in their old neighborhood. Indeed, back in the 1990s and 2000s, municipalities across the country were happily demolishing Brutalist eyesores made to house the poor. Authorities often dispensed empty promises that projects would be replaced with better structures, ones less vulnerable to crime, damp and black mold, and not flawed by the kind of dangerous cost-cutting construction that led to London\u2019s Grenfell Tower burning down in 2017, killing 72 people. Just to underscore the point, throughout Barnard and editor Maya Maffioli splice in archive footage of imploding tower blocks collapsing into clouds of dust in which, according to Oli (Lycurgo), he could see the face of the devil himself. But given how often Oli was high on drugs in those days, such Satanic visions probably just meant it was a Tuesday.<\/p>\n

\n\tTrue to form, the film opens with Oli getting stratospherically high on booze, cocaine and maybe some heroin at his own birthday party in The Castle, a local pub everyone has been going to for years. (Some of the background artists and characters with only a few lines are locals and staff from an actual Birmingham pub.) The party has reunited Oli with his four oldest friends from school days: longstanding couple Patrick (Boyle, from stage\u2019s Harry Potter and the Cursed Child<\/em>), a food courier with a bachelor\u2019s degree, and Shiv (Petticrew, arguably best known for an indelible turn TV\u2019s Say Nothing<\/em>), a carer for her children and aged mother, who now have two young daughters (Skyla-Rose Steward and Elsie Mae Vitello-Minshull); aspiring developer and permanently simmering pot of rage Conor (McCormack, Wake Up Dead Man<\/em>); and working-class hero made good Rian (Cole, Peaky Blinders<\/em> and Skins<\/em>), who went off to work in finance down in London and now makes more in a month than all the others put together do in a year.<\/p>\n

\n\tThe woozy, choppily edited party sequence, featuring lots of handheld, cellphone-style footage and glassy slow-motion interludes, clearly illustrates the camaraderie and profound affection between the five main characters, who tease and tickle one another like sportive, overgrown puppies. But underneath the smiles, hugs and wisecracks, fissures and fraught moments can be glimpsed, such as a sozzled Conor almost getting into a pointless barroom fight or Rian giving Patrick and Shiv the kind of look you see in a cat just before it knocks a glass vase off the table.<\/p>\n

\n\tGoddard\u2019s novel is broken up into a series of first-person interior monologues from each of the principles and covers a considerable span of time, and it\u2019s clear Walsh and Barnard have struggled to keep that polyphonic symphony going in the film. The transitions here are sometimes jarring and lack finesse, creating a choppy rhythm as we jump around from character to character. We\u2019re able to gauge how much time has passed by how far along the construction has come on the apartment complex Conor is supervising, seen rising floor by floor in time-lapse, mirroring the demolition footage elsewhere. <\/p>\n

Read more Missing TV Actor Stewart McLean Case Now Murder Investigation, Says RCMP<\/a><\/p>\n

\n\tIt turns out that Rian is partially bankrolling the project, a set of flats which will house either \u201cyuppies\u201d (or, as one old boozer calls them, \u201cyippees\u201d) or a younger generation of clients in need of state-subsidized housing like the protagonists\u2019 parents. Patrick clearly is hoping for the latter, and he says as much in several inebriated speeches full of progressive political rhetoric. But his idealized vision of a past paradise of social cohesion that late-stage capitalism destroyed doesn\u2019t reckon with the snakes that were always there in this imaginary Eden, including a personal betrayal that\u2019s close to home and only comes slithering out in a moment of drunken weakness.<\/p>\n

\n\tBoyle puts extra meat on Patrick\u2019s bare bones with a soulful performance that meshes precisely with Petticrew\u2019s turn as the slight-in-stature but formidably strong-willed Shiv. The two actors both hail from Northern Ireland but nail the tricky nasal tones of the \u201cBrummie\u201d accent, as do the rest of the main cast, none of whom are from the Midlands. It\u2019s obvious that there was space created in the production process for the cast to build a sense of fraternal solidarity through improvisation and spontaneity on set, an ease that comes through in the way they interact via dance and touch. But that physicality has to do a lot of heavy lifting to persuade us that it\u2019s plausible that these five very different people would still be pals at this stage in their lives.<\/p>\n

\n\tAlthough they\u2019re meant to be all roughly the same age, Conor and Oli look like they\u2019re from different generations, even though the actors are only five years apart. That partly stems from the way McCormack projects the gravitational pull of a man grappling with forces and feelings far beyond his control, which prevent him from seeking help when everything starts to go south. All sweet-natured Oli needs to worry about, apart from getting over some major addictions, is how to make sure he\u2019s got enough money to pay for dog food for his adorable mutt, Lulu. Rian is similarly hamstrung by inarticulacy and masculine angst, but his storyline feels the least convincing, as if fashioned only to prove money can\u2019t buy happiness, even if Cole convincingly suggests unspoken depths. \u00a0<\/p>\n

\n\tBarnard has always coaxed layered, thoughtful performances from her cast and knows this kind of battered but unbowed community like the back of her hand. But the drama here feels too diagrammatic, foretelling a tragic fate from the first scene onward as everyone parties down like their lives depend on it. You just know that before the end credits roll one of them will have lost their raging battle with the dying of the light, and just as there will be hangovers in the morning, there will be a funeral wake in that very same pub.<\/p>\n

Read more \u2018The Testaments\u2019 Star on That Violent Penultimate Episode: \u201cShe Spirals. I Didn\u2019t Even Recognize Her\u201d<\/a><\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

‘I See Buildings Fall Like Lightning’ is the latest from British director Clio Barnard, premiering at Cannes in the Directors’ Fortnight sidebar.<\/p>\n","protected":false},"author":1,"featured_media":438,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[24,8,13,523,484],"class_list":["post-469","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interesting","tag-cannes","tag-cannes-2026","tag-cannes-film-festival","tag-daryl-mccormack","tag-directors-fortnight"],"yoast_head":"\n\u2018I See Buildings Fall Like Lightning\u2019 Review: An All-Stars-of-Tomorrow Cast of British and Irish Actors Lift Clio Barnard\u2019s Inconsistently Persuasive Drama - US Property Moves<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/uspropertymoves.com\/?p=469\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u2018I See Buildings Fall Like Lightning\u2019 Review: An All-Stars-of-Tomorrow Cast of British and Irish Actors Lift Clio Barnard\u2019s Inconsistently Persuasive Drama - 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