{"id":458,"date":"2026-05-22T14:13:38","date_gmt":"2026-05-22T14:13:38","guid":{"rendered":"https:\/\/uspropertymoves.com\/?p=458"},"modified":"2026-05-22T14:13:38","modified_gmt":"2026-05-22T14:13:38","slug":"spider-noir-review-nicolas-cages-eccentricities-boost-by-the-numbers-storytelling-in-amazons-spider-man-adjacent-drama","status":"publish","type":"post","link":"https:\/\/uspropertymoves.com\/?p=458","title":{"rendered":"\u2018Spider-Noir\u2019 Review: Nicolas Cage\u2019s Eccentricities Boost By-the-Numbers Storytelling in Amazon\u2019s Spider-Man-Adjacent Drama"},"content":{"rendered":"<div>\n<!-- do not apply CSS styles to this element! --><\/p>\n<div>\n<p>\n\tNearly 30 years after he was supposed to play Superman in a Tim Burton-directed feature about the Man of Steel (and three years after he cameoed as the character in <em>The Flash<\/em>), Nicolas Cage finally gets his long-overdue extended superhero spotlight in Amazon\u2019s <em>Spider-Noir<\/em>.<\/p>\n<p>Read more <a href=\"https:\/\/uspropertymoves.com\/?p=456\">The \u201cCanceled\u201d Man in Charge: Mike Richards Takes the Wheel at The Daily Wire<\/a><\/p>\n<p>\n\tThe resulting series, which doubles as Cage\u2019s most substantial television work to date, is a disappointment. Or, more specifically, an inconsistent disappointment, because over its eight-episode first season \u2014 the door is left open for more adventures, but it lacks a cliffhanger to force the issue \u2014 one can easily imagine the entertaining 100-minute movie yearning to be chiseled out.\u00a0<\/p>\n<div>\n<div>\n<div>\n<h3>\n<p>\t\t\t\t\tSpider-Noir\t\t<\/p>\n<\/h3>\n<div>\n<span>The Bottom Line<\/span><br \/>\n<span><\/p>\n<p>\tIf you&#8217;re gonna watch, watch in black and white.<br \/>\n\t<\/span>\n<\/div>\n<\/div>\n<div>\n<strong>Airdate: <\/strong>Monday, May 25 (MGM+), and Wednesday, May 27 (Amazon)<br \/><strong>Cast: <\/strong>Nicolas Cage, Lamorne Morris, Li Jun Li, Karen Rodriguez, Abraham Popoola, Jack Huston, Brendan Gleeson<br \/><strong>Creator: <\/strong>Oren Uziel\t\t\t<\/p>\n<\/div>\n<\/div>\n<\/div>\n<p>\n<em>Spider-Noir <\/em>has a great cast and some very good performances, especially Cage in the second half of the season when he\u2019s finally allowed to start being fully weird. Plus the black-and-white cinematography from Darran Tiernan and Peter Deming is worthy of notice (and, as will be discussed later, debate), but any eight-episode series in which one could easily skip three or four episodes entirely \u2014 episodes two through four, if you\u2019re curious \u2014 isn\u2019t telling its story optimally.\u00a0<\/p>\n<p>\n\tCreated for TV by Oren Uziel, the story of <em>Spider-Noir<\/em> is frustratingly dull, cribbing the barest of bones from various vintage gumshoe dramas \u2014 the series is much more <em>Spider-Hard-Boiled<\/em> than <em>Spider-Noir<\/em>, if we\u2019re being totally honest \u2014 and adding precious little, despite the obvious deviations that come from having a Sam Spade capable of shooting spider-goo from his veins.<\/p>\n<p>\n\tCage plays Ben Reilly, a gumshoe struggling to remain afloat in New York City in the Great Depression. Haunted by his experiences in the First World War \u2014 do not attempt the math to figure out how old the series thinks Nicolas Cage is \u2014 and by the death of his beloved Ruby, Ben isn\u2019t even making enough to pay his devoted assistant, Janet (Karen Rodriguez).\u00a0<\/p>\n<p>\n\tBecause of something that happened to him during the war, Ben has your typical Spider-Man powers. Prior to Ruby\u2019s death, he\u2019d been locally beloved as the vigilante hero, The Spider. But Ben put aside his fedora and his trench coat \u2014 The Spider\u2019s not hugely distinctive costume \u2014 and now his spidey sense mostly tingles when somebody is about to knock at the door, making him about as special as a Ring security system.<\/p>\n<p>\n\tOne seemingly thankless gig leads Ben to a brief interaction with a young man who has unlikely powers of his own. Another thankless gig leads Ben to Cat Hardy (Li Jun Li), a nightclub singer with ties to Brendan Gleeson\u2018s Silvermane, a vicious mobster engaged in an increasingly heated conflict with the city\u2019s mayor (Michael Kostroff).<\/p>\n<p>\n\tSoon, Ben, Janet and Ben\u2019s journalist bestie Robbie (Lamorne Morris) are enmeshed in escalating drama involving Silvermane, Cat, Silvermane\u2019s mysterious right-hand Flint Marko (Jack Huston) and a superpowered conspiracy so twisty (but not really) that it may require the return of The Spider.<\/p>\n<p>\n\tAt some point, reflecting on the mayor, Ben observes, \u201cI still don\u2019t know if he\u2019s a Republican or a Democrat.\u201d<\/p>\n<p>\n\tOn one hand, Ben is cynically referring to the way that corruption can often trump ideology when it comes to politics.<\/p>\n<p>\n\tOn the other hand, the statement is emblematic of the uninteresting vagueness of <em>Spider-Noir<\/em>\u2018s world-building. As fans of <em>Spider-Man: Into the Spider-Verse<\/em> \u2014 the two properties are NOT narratively connected, Amazon wants me to emphasize \u2014 can already guess, <em>Spider-Noir <\/em>exists in an alternate universe, but fans looking for a contemplative approach to this unique version of early 20th-century Manhattan can skip the series entirely.\u00a0<\/p>\n<p>\n\tThe number of times, watching <em>Spider-Noir<\/em>, that I thought \u201cHuh, that\u2019s an interesting idea and approach\u201d about something other than Cage was literally zero.\u00a0<\/p>\n<p>Read more <a href=\"https:\/\/uspropertymoves.com\/?p=454\">What Makes \u2018The Great American Baking Show\u2019 So Addictive? Paul Hollywood, Prue Leith, Andrew Rannells and Casey Wilson Have an Idea<\/a><\/p>\n<p>\n\tWhat does it mean, in this period and this universe, for the series to have a Black journalist as a key character? Nothing. What does it mean, in this period and this universe, that the story has an Asian femme fatale? Nothing. The series doesn\u2019t even have the depth of one of the puddles that pop up frequently because puddles look great in black and white and rain is a great excuse to have as many characters as possible wearing trench coats and fedoras.\u00a0<\/p>\n<p>\n\tThis would be as good a place as any to discuss the cinematography, which Amazon is offering to viewers in either \u201cAuthentic Black &amp; White\u201d or \u201cTrue-Hue Full Color.\u201d This is, at the very least, irritating.\u00a0<\/p>\n<p>\n\tEither the series\u2019 cinematographers and directors (Harry Bradbeer, Nzingha Stewart, Alethea Jones and Greg Yaitanes) conceived of, framed and optimized the show in black and white as an homage to the noir (or hard-boiled) films it\u2019s emulating or they didn\u2019t. If they did, it makes no sense to think that swapping to digitally augmented color, and a look with no evident inspirations or antecedents, would make any aesthetic or thematic sense. And if they didn\u2019t, it makes no sense to think that just gray-scaling the image would count as an homage. Or, put a different way, any cinematography optimized simultaneously for both color AND black and white hasn\u2019t really been optimized for anything.<\/p>\n<p>\n\tI watched the eight episodes in black and white, because that was where the series\u2019 visual style felt purposeful, from the dark and shadow-filled alleys to the way cigarette smoke wafts around characters to the impeccable coronas of light around Cat when she takes the stage. The series\u2019 overall look is very derivative \u2014 not just when it\u2019s directly aping <em>The Maltese Falcon <\/em>or <em>The Lady From Shanghai <\/em>\u2014 but, especially in the action sequences and several flashbacks and hallucinations in the later episodes, it\u2019s mostly pretty and occasionally striking.\u00a0<\/p>\n<p>\n\tI watched the pilot, plus a few later selected sequences, in color and found that version\u2019s overall look to be generally confusing and actively ugly in showcasing special effects, though Morris\u2019 Robbie has a burnt umber suit in the pilot that came across far better in color than monochrome. That suit, incidentally, offered the only indication I could see that the show was shot to accentuate or acknowledge both looks.\u00a0<\/p>\n<p>\n\tWatch the series in black and white. The opening credit sequence, set to Kirby\u2019s endearingly 007-esque \u201cSaving Grace,\u201d is color-free regardless.\u00a0<\/p>\n<p>\n\tAfter the cinematography, the most polarizing aspect of <em>Spider-Noir<\/em> is likely to be Cage, who sleeps through the first half of the series for reasons that are probably justifiably character-based. After scattering his trademark eccentricities sparingly to that point, the fifth episode is when Cage starts to go full Nicolas Cage and it becomes possible to understand why his interpretation, subtly to that point and then very overtly, was a blending of Humphrey Bogart, James Cagney and Edward G. Robinson. The arachnid aspects of the character begin to bleed through into his physicality, and what Cage is doing suddenly borders on modern dance. A drunken fight scene in the seventh episode is like pure, uncut Nicolas Cage, and as much as I know some viewers will probably hate that transition, it\u2019s a shot of bizarre adrenaline to an otherwise meandering and lackadaisical show.<\/p>\n<p>\n\tIn the sleepier portions, Morris and Rodriguez are left to deliver straight-shooting energy, and Janet and Robbie become the show\u2019s most likable characters. At the same time, neither character gives the impression of existing at all when they aren\u2019t dealing with Spider-based problems. Janet wants to feed her off-screen family. Robbie wants a job. Silvermane wants power, but nothing he does is worthy of an actor as good as Gleeson, whose craggy, world-worn visage was made for the black and white version of the show. This show and Gleeson both deserve more than a role lifted from a Generic Irish Gangster template.<\/p>\n<p>\n\tThe thinness of the writing limits several crucial actors. Li is magnificently photographed throughout and is as alluring as the part demands, but Cat has no evident personality \u2014 nor does Flint, leaving Huston playing emotionally tortured but with no meaningful underpinnings. Huston played effectively the same character in <em>Boardwalk Empire<\/em>, only he was tremendous there and here he is not.<\/p>\n<p>\n\tThe bigger supporting performances end up being the most memorable, be it the commanding presence Abraham Popoola brings to his looming Lonnie Lincoln or something more aggressively irritating like Andrew Lewis Caldwell\u2019s very theatrical Dirk Leydon.<\/p>\n<p>\n\tThe odd and outlandish performances in <em>Spider-Noir <\/em>offer a reminder that this is a comic book series and it ought to be fun. Periodically, <em>Spider-Noir<\/em> is, indeed, a hoot. It\u2019s too bad you have to wade through so much nondescript storytelling to get there.<\/p>\n<p>Read more <a href=\"https:\/\/uspropertymoves.com\/?p=452\">Sony Pictures Classics Acquires Cannes Iran Doc \u2018Rehearsals for a Revolution\u2019<\/a><\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Set in an alternate universe version of Depression-era New York City, Amazon&#8217;s &#8216;Spider-Noir&#8217; blends web-slinging action and hard-boiled archetypes.<\/p>\n","protected":false},"author":1,"featured_media":457,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[500,501,502,503,504,505],"class_list":["post-458","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interesting","tag-abraham-popoola","tag-brendan-gleeson","tag-jack-huston","tag-lamorne-morris","tag-li-jun-li","tag-nicolas-cage"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - 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