{"id":4160,"date":"2026-07-23T17:39:14","date_gmt":"2026-07-23T17:39:14","guid":{"rendered":"https:\/\/uspropertymoves.com\/?p=4160"},"modified":"2026-07-23T17:39:14","modified_gmt":"2026-07-23T17:39:14","slug":"a-knight-of-the-seven-kingdoms-creator-gets-candid-on-season-2-its-been-a-fing-bastard","status":"publish","type":"post","link":"https:\/\/uspropertymoves.com\/?p=4160","title":{"rendered":"\u2018A Knight of the Seven Kingdoms\u2019 Creator Gets Candid on Season 2: \u201cIt\u2019s Been a F***ing Bastard\u201d"},"content":{"rendered":"
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\nA Knight of the Seven Kingdoms<\/em> showrunner Ira Parker is nearly finished filming his HBO fantasy hit\u2019s second season \u2014 and not a moment too soon. <\/p>\n

Read more Nick Kroll vs. Cancer<\/a><\/p>\n

\n\tThe production largely shifted from Northern Ireland to Spain to adapt George R.R. Martin\u2019s second Dunk and Egg novella, \u201cThe Sworn Sword,\u201d and has been beset by apocalyptic flooding in the Canary Islands. But Parker also has plenty of reason to celebrate: The show\u2019s debut season \u2014 which follows a wandering hedge knight (Peter Caffrey) and his diminutive squire, Egg (Dexter Sol Ansell) \u2014 is nominated for nine Emmys, including Outstanding Drama Series, and has been a critical and ratings success that\u2019s breathed new life into the Thrones<\/em> franchise. <\/p>\n

\n\tBelow, Parker wearily took a break from filming and editing season two to chat with The Hollywood Reporter<\/em> about his recent challenges, his bold long-term vision for the show, those Emmy noms and his all-time favorite moments from the original Game of Thrones<\/em> (including one \u201ccontroversial\u201d choice).<\/p>\n

\nOkay, so you\u2019re almost done filming season two. Which season was harder?<\/strong><\/p>\n

\n\tSeason one was so hard. So totally hard. The speed at which we had to shoot these things and how quickly we had to move around. It felt more like an indie film, or even a student film, than it did a Game of Thrones<\/em> production. Then came season two, and it is somehow 10 times harder. This has been a brutal, brutal season. The biggest part has been this weather. We had to go somewhere for some heat and dryness because Book Two takes place in a drought.<\/p>\n

\nAnd then, ironically enough\u2026.<\/strong>\n<\/p>\n

\n\tYeah, the place we chose to shoot our drought in got a once-in-a-100-year storm. It kept getting water, and we got rained out of locations. We got flooded. There were national emergencies. We had to put the crew on hiatus. We were going to go back \u2014 and then it happened again. There\u2019s been so much stopping and starting that it\u2019s been hard to get into a real cadence. This has been going on too long for a six-episode season, and we still have three more weeks of shooting.<\/p>\n

\n\tBut what\u2019s helped is that Peter and Dexter are a year more experienced and have their thing down. So we\u2019ve sidestepped some of the growing pains of season one. Season two has been a fucking bastard.<\/p>\n

\nIs it still looking like around 35 minutes for each episode? Or did you stretch your legs a bit more this time?<\/strong><\/p>\n

\n\tNope, 35. Look, the novellas are all within, you know, five or 10 percent of each other\u2019s length. So that\u2019s our plan.<\/p>\n

\nObviously, only season two has been officially greenlit at this point. But you said something in our previous interview that made some headlines: that after you adapt George\u2019s three existing Dunk and Egg novellas, you\u2019d like to take a multi-year break and then come back when Dexter and Peter are older and tell new canonical stories from the characters\u2019 lives. But TV isn\u2019t usually made that way, and I\u2019m wondering what HBO executives think of that idea.<\/strong><\/p>\n

\n\tI mostly get eyerolls, though not completely. And look, it\u2019ll be a function of how, you know, well the show continues to do, or continues not to do. Every season\u2019s going to be a little bit different. What people want in their television shows changes all the time.<\/p>\n

\n\tBut yeah, I\u2019d love to expand it from three seasons to maybe four or five. Book four, which George is working on, takes place in a very cool location. And five is the last story point of Egg as a boy. So it\u2019s a very natural ending place for us to take a break and come back when Dexter is older. So then we can do Egg the Prince, do some politics, do some fun stuff in Summer Hall and King\u2019s Landing, and get a different vibe where they\u2019re not on the road all the time.<\/p>\n

\n\tSo if the show wraps and people are still okay with everything we\u2019re doing and there\u2019s still an appetite, let the show evolve along with our leads, with myself and with the rest of our creative team as we grow older and the world changes and we want to say different things. I think that would be a lovely way to tell a story about these two guys through the course of their lives.<\/p>\n

\nBut what if, hypothetically, you get those five seasons, then HBO goes, \u201cLet\u2019s not take a break. Let\u2019s recast Egg with an older actor<\/strong>.\u201d <\/strong><\/p>\n

\n\tNo. Dexter is our Egg. Or, at least, Dexter is my Egg \u2014 I have no controlling interest in this property. But Dexter and Peter are my guys.<\/p>\n

\nI know announcing premiere dates is HBO\u2019s turf. But given how the storms caused these delays with season two production, do you still expect the show will return in, like, the first half of next year?<\/strong><\/p>\n

\n\tYeah, absolutely.<\/p>\n

\nHas George given you any new input that our readers would find interesting?<\/strong><\/p>\n

\n\tHe gave me some unpublished pages \u2014 actual written prose he found in his files somewhere that he sent over, and we used them.<\/p>\n

Read more Zale Parry, Pioneering Scuba Diver and \u2018Sea Hunt\u2019 Actress, Dies at 93<\/a><\/p>\n

\nOh, really? In this season?<\/strong><\/p>\n

\n\tYeah. For the deep super fans, we got some extra stuff that \u2014 as far as George\u2019s filing cabinets are concerned \u2014 is canon.<\/p>\n

\nThe show was nominated for the biggest honor on Emmy night \u2014 Outstanding Drama Series. What was your personal reaction when you heard that?<\/strong><\/p>\n

\n\tI was in the edit. I\u2019d set my phone to silence all notifications on everything. I was watching, funny enough, a recap of season one. Then I got a phone call, and I was like, \u201cHow is this possible?\u201d It was from my partner, and I forgot that she\u2019s the only exception on the phone who can get through unrestricted. I could hear in her voice immediately that there was good news coming. Personally, I had thought it was going to be that Peter or Dexter was nominated.<\/p>\n

\n\tBut I guess the big feeling was relief \u2014 to know that it wasn\u2019t just all an illusion, that [the season] did connect with people. Personally, I figured if your lead character takes a violent shit on screen in the first five minutes, you pretty much preclude your series from awards consideration. We consider it recognition for the whole show and, especially, for our crew in Belfast, who deserve it the most. So I was surprised, in the most lovely way, that the TV Academy holds us in high-ish esteem.<\/p>\n

\nYou mentioned Peter and Dexter. Was there a specific nomination the show didn\u2019t get that you really felt deserved a nod?<\/strong><\/p>\n

\n\tJust being in the trenches with Peter and Dexter throughout this process \u2014 and especially Peter, because of the performance he pulled off, the physicality and everything that was involved. I guess maybe it\u2019s impossible for people to see, but it is truly one of the more extraordinary pieces of work I\u2019ve ever seen somebody manage throughout the course of a production. It was not easy, and he somehow did it with a smile on his face. And, as a function of that, Lucy Bevan and Emily Buckman, our casting directors, found the only two people on planet Earth who could play these roles.<\/p>\n

\n\tThese were two insane asks \u2014 a seven-foot giant and an eight-year-old kid who has to be your second lead. And then to put together what I think is one of the most brilliant ensemble casts. Obviously, I\u2019m a little biased here. We had such an incredible crew of actors, and we were a first-season show. This all had to be done from scratch. It just \u2014 yeah. Yeah. Look, anyway, we\u2019re extremely grateful for recognition of the whole show.<\/p>\n

\nThis is a long shot, given how much they\u2019ve focused on moving on from the franchise, but have you ever connected with the <\/strong>Game of Thrones<\/strong><\/em> showrunners, David Benioff and Dan Weiss, by chance?<\/strong><\/p>\n

\n\tI haven\u2019t spoken to them. I think Dan was in Belfast at one point while we were shooting, and obviously he knows a lot of people in our crew. There was talk of him maybe coming by, but it didn\u2019t end up working out. I wish I had reached out early in the process because, if nothing else, I just would have wanted to pick their brains about what this show was going to be, about HBO, about moving your family to Belfast and, you know, the whole run of it. Nobody knows that better than them. Hopefully, one day, I\u2019d love to have a coffee with them.<\/p>\n

\nYou\u2019ve said you can\u2019t pick a favorite among your first season of episodes because you\u2019re too close to it. But as a hardcore fan, what\u2019s your all-time favorite <\/strong>Game of Thrones<\/strong><\/em> episode?<\/strong><\/p>\n

\n\tI\u2019m not sure I have favorite episodes. I have favorite moments. Two of them are Dany moments. One was when her dragons were born \u2014 oh man, that got me so excited. And the other is when she \u201csells\u201d her dragons to the slave master. I\u2019m trying to think of, like, other out-of-the-box stuff that\u2019s not just typical fan favorites. Do you have a favorite?<\/p>\n

\nI\u2019m not sure I have one. I have a favorite battle episode. I know the cool choice is to say \u201cHardhome.\u201d But I think \u201cBattle of the Bastards\u201d is the best. Maybe because I was on set for it, but I think the episode is, to this day, unmatched in terms of TV spectacle.<\/strong><\/p>\n

\n\tI agree with you. And, you know, actually, another of my favorite moments? This will cause some controversy, I hope. The Arya and the Hound scene on the bridge before the battle in the final season. They just have a conversation when everything is quiet. I love that scene so much. I\u2019ve read other things into that scene that people have tried to dissuade me from. But I really love the two of them coming back together for that moment.\u00a0<\/p>\n

\nA version of this story will appear in a August stand-alone issue of The Hollywood Reporter magazine. To receive the magazine, click here to subscribe.<\/em><\/p>\n

Read more Xbox Is Testing Out an Ad-Supported Way to Cloud-Stream Your Library Without Game Pass<\/a><\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Showrunner Ian Parker interviewed on the HBO hit's next season, George R.R. 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