{"id":4070,"date":"2026-07-22T18:06:52","date_gmt":"2026-07-22T18:06:52","guid":{"rendered":"https:\/\/uspropertymoves.com\/?p=4070"},"modified":"2026-07-22T18:06:52","modified_gmt":"2026-07-22T18:06:52","slug":"reed-birney-was-in-all-your-favorite-tv-shows-then-came-the-years-most-shocking-role","status":"publish","type":"post","link":"https:\/\/uspropertymoves.com\/?p=4070","title":{"rendered":"Reed Birney Was in All Your Favorite TV Shows. Then Came the Year\u2019s Most Shocking Role"},"content":{"rendered":"
\n<\/p>\n
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\n\tIt\u2019s rare that the biggest role of your life happens to also be the most controversial \u2014 especially when you\u2019re 71 years old. But that\u2019s the only way to describe the whirlwind of the last few months for Reed Birney, the esteemed character actor and Tony-winning Broadway regular who has wowed critics and shaken audiences with his turn in Blue Film<\/em>, the debut feature helmed by Elliot Tuttle on a budget under $100,000. <\/p>\n

Read more Glen Powell to Star in Richard Linklater\u2019s Lou Gehrig Movie From Producer Lorne Michaels<\/a><\/p>\n

\n\tBirney portrays Hank Grant, a former middle-school English teacher who spent seven years in prison for attempting to sexually assault one of his students. The movie opens with him hiring an adult sex worker who goes by Aaron Eagle (Kieron Moore), and who was actually another one of his students, named Alex, well over a decade ago. Hank has engineered their fraught evening together to confess he was in love with Alex back then, to explain himself and see what has come of his onetime pupil. What develops is a discomfiting, emotionally intense exploration of intimacy between the two men, rooted in the traumatic, troubled origins of their student-teacher bond.\u00a0<\/p>\n

\n\tIt\u2019s also as stark and frank a portrait of a pedophile as you\u2019ll find in American movies, making for a meal of a role for Birney, who\u2019s known onscreen mostly for small parts in big shows like House of Cards<\/em>, The Blacklist <\/em>and Gossip Girl<\/em>. His performance here is fearless, committed to capturing the warped, mangled humanity in a man that many viewers would consider irredeemably monstrous. It\u2019s overflowing with shame and regret, anchored by an uneasy genuineness. It\u2019s the kind of work that would, or should, vault an actor as underrated and experienced as Birney firmly into the awards conversation, were the film not as intently disturbing as Tuttle\u2019s final product.<\/p>\n

\n\t\u201cI have such a huge emotional investment in the movie, not only because I am playing this difficult role and I feel it\u2019s the best film work I\u2019ve ever done, but I also really collaborated with Elliot on it,\u201d says Birney, who also serves as an executive producer on Blue Film<\/em>. \u201cWe worked for several months on the script together.\u201d\u00a0<\/p>\n

\nBlue Film<\/em> shot back in 2024 and went through waves of rejections from various festivals as Tuttle completed postproduction. The movie was divisive, radioactive even, before a single public screening. \u201cI guess I\u2019m not as smart as I think I am, but I wasn\u2019t prepared for the divisiveness, honestly,\u201d Birney says. \u201cI never for a second thought it would be controversial. I never for a second thought of Hank as a monster. I never thought of him as a manipulator or a groomer. Isn\u2019t that weird? I mean, I guess it\u2019s true, but I never thought of it. I just thought he was a sad and broken man.\u201d<\/p>\n

\n\tAfter finally launching to critical acclaim last summer at the Edinburgh Film Festival, Blue Film <\/em>struggled to secure a buyer. The Hollywood Reporter<\/em>\u2019s review from October said it \u201ccrawls directly under the skin, burrowing deep and drawing blood,\u201d while also noting it was still without distribution some three months after the premiere. The nascent distributor Obscured Releasing ultimately picked the movie up earlier this year, and dropped it in select theaters in May. It\u2019s now available for rental or purchase on digital platforms.\u00a0<\/p>\n

\n\tBirney has sat through several screenings with audiences and admits to closely tracking reactions online. He\u2019s heard the praise, from people who\u2019ve felt seen by the movie and understood the value of its bold provocations. \u201cOther people are like, \u2018This movie should never have been made, it\u2019s irresponsible to tell this story,\u2019\u201d Birney says. \u201cYou meet the movie where you can, and so if you\u2019ve had trauma or sexual abuse, you\u2019re not going to be generous towards Hank. You\u2019re just not. You can\u2019t be. It\u2019s too loaded.\u201d\u00a0<\/p>\n

\n\tThe risk of the role would be obvious \u2014 and immense \u2014 for any actor. For Birney, well-regarded if hardly widely known, an unexpected secondary issue has arisen as more people encounter Blue Film<\/em>. \u201cBecause I\u2019m not famous and this feels like a fair amount of people\u2019s first exposure to me, they\u2019re not able to separate the performance from the character \u2014 which in a weird way is a compliment, I guess, that I was able to accomplish something in that I am in fact acting,\u201d he says. \u201cI am very grateful for the people that are<\/em> able to separate the performance from the character.\u201d<\/p>\n

\n\t**<\/p>\n

\n\tBirney\u2019s stage career in New York began in the 1970s, but his breakout film was Arthur Penn\u2019s 1981 dramedy Four Friends<\/em>. \u201cI was the fifth friend \u2014 story of my life,\u201d Birney cracks. In the lead-up to release, Oscar buzz trailed his turn as a disabled, dying college student. Critics admired it, but the movie flopped. His next feature role didn\u2019t come until four years later, in another promising project: Sam Raimi\u2019s The Evil Dead <\/em>follow-up, 1985\u2019s Crimewave<\/em>, co-written by the Coen Brothers. Birney even nabbed the lead role. \u201cThat failed too,\u201d Birney says. In this case, the production company Embassy Pictures wrested control of Crimewave<\/em> away from Raimi after a challenging shoot, leading the director to disavow the film.<\/p>\n

Read more Patrick Dempsey for Senate? The McDreamy Shall Never Die<\/a><\/p>\n

\n\t\u201cAnyway, that was my big starring thing,\u201d Birney says. \u201cAnd then my film career went into a weird non-existence.\u201d He did not appear in another movie for 13 long years \u2014 at which point he was \u201cMerchant Prince #1\u201d in A Perfect Murder<\/em>, toplined by Michael Douglas and Gwyneth Paltrow. \u201cAll that\u2019s in the movie is the back of my head at a poker table. I thought, \u2018Oh wow, it didn\u2019t work out \u2014 that\u2019s a pity,\u2019\u201d Birney says with a rueful laugh. \u201cAs I\u2019m telling you this story, it seems like I have really had a cursed film career.\u201d\u00a0<\/p>\n

\n\tHis fortunes started to change in his mid-50s, when he was cast in the 2008,off-Broadway revival of Sarah Kane\u2019s audacious Blasted<\/em>, as a bigoted and predatory tabloid writer. In conversation, Birney is affable, warm and mild-mannered, so it\u2019s understandable he was shocked to get offered that kind of character. \u201cI thought they\u2019d made a terrible mistake,\u201d he says. \u201cIt was as if someone had asked me to play Stanley Kowalski. It was all wrong.\u201d\u00a0<\/p>\n

\n\tBut he earned raves and, after decades of strong work on the New York stage, had finally made his stamp on the community. A string of Broadway roles followed, including his Tony-winning work in The Humans<\/em>, and then the movies started coming back, too. (Though not the 2021 screen adaptation of The Humans<\/em> \u2014 Birney\u2019s part was recast with relative movie star Richard Jenkins.) He earned a Gotham nom for his searing work in 2021\u2019s Mass<\/em>, another uncompromising drama \u2014 this one about two sets of parents meeting after a deadly school shooting.\u00a0<\/p>\n

\n\tRunning through his credits, key aspects of Birney\u2019s career come into focus. He\u2019s used to setbacks and waiting around for the plum jobs to come around. He\u2019s not only unafraid of challenging and polarizing material, but has achieved his biggest career breakthroughs by taking it on. And he defies the conventional wisdom that the older actors get, the smaller the roles become.<\/p>\n

\n\t\u201cI want to play rich, complicated people who are maybe at a crossroads \u2014 it\u2019s weird to be at a crossroads at my age, but certainly we are,\u201d Birney says. \u201cMy career in film has been, and I expect will be, a lot of supporting roles. The best friend or the awful senator or whatever. So it was very gratifying to see, \u2018Yeah, Reed, you can play a big part. You can carry a movie.\u2019 I hope other people see it too and realize that.\u201d Birney isn\u2019t especially confident that will happen after Blue FIlm<\/em>, however: \u201cI don\u2019t think there are a lot of wonderful parts for a 71-year-old man\u2026. I would like to be in the middle of the story instead of on the side of the story.\u201d<\/p>\n

\nBlue Film <\/em>being what it is \u2014 a kind of arthouse hot-potato, neither widely seen nor universally embraced \u2014 further complicates that equation. Birney beams with pride whenever he speaks about the project, but he acknowledges it\u2019s a complex starring vehicle. \u201cIt\u2019s the biggest thing that\u2019s ever happened to me professionally, but it may be just a blip somewhere,\u201d he says. \u201cI know it\u2019s not for everybody. I wish it were. It\u2019s not Call Me by Your Name<\/em> \u2014 we don\u2019t have a beautiful Italian travelogue with it. That movie is also about a pedophile, which nobody seemed to care about at the time. I sat there thinking, \u2018This is so wrong,\u2019 but everybody\u2019s like, \u2018It\u2019s so beautiful!\u2019\u201d<\/p>\n

\nBlue Film <\/em>offers no easy way in for the viewer. It\u2019s messy, claustrophobic, speaking to the darker corners of humanity with a determination not to look away for a second. With that in mind, Birney sees even having this conversation, two months out of release, as a substantial victory for the kind of radical cinema that\u2019s harder than ever to get made and seen \u2014 and the kind of work on which he continues to build a singular career.\u00a0<\/p>\n

\n\t\u201cIt\u2019s already done so much more than it ever should have \u2014 look, a $50,000 movie about a pedophile should never have been seen by anybody, honestly,\u201d Birney says. \u201cThis movie is so one of a kind and so beautifully made and so smart, I believe it will find its way. It\u2019s already finding its way. It\u2019s already done so much more than anybody ever dreamed. And if it\u2019s the biggest part I ever play, and it\u2019s the last big part I ever play \u2014 that\u2019s not so bad, either.\u201d<\/p>\n

Read more \u2018Five Star Weekend\u2019s\u2019 D\u2019Arcy Carden Knows the Inherent Dangers of a Girls Trip<\/a><\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

The Tony winner, known for recurring on \u2018House of Cards\u2019 and \u2018Gossip Girl,\u2019 took a massive risk with the pedophile-centered drama \u2019Blue Film.\u2019<\/p>\n","protected":false},"author":1,"featured_media":4069,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[2818,2819,2454,2820,2821],"class_list":["post-4070","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interesting","tag-gossip-girl","tag-house-of-cards","tag-richard-jenkins","tag-sam-raimi","tag-the-blacklist"],"yoast_head":"\nReed Birney Was in All Your Favorite TV Shows. 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