{"id":40,"date":"2026-05-16T19:36:39","date_gmt":"2026-05-16T19:36:39","guid":{"rendered":"https:\/\/uspropertymoves.com\/?p=40"},"modified":"2026-05-16T19:36:39","modified_gmt":"2026-05-16T19:36:39","slug":"flesh-and-fuel-review-two-lonely-truckers-share-europes-highways-and-much-much-more-in-an-unlikely-road-romance-with-plenty-of-heart","status":"publish","type":"post","link":"https:\/\/uspropertymoves.com\/?p=40","title":{"rendered":"\u2018Flesh and Fuel\u2019 Review: Two Lonely Truckers Share Europe\u2019s Highways \u2014 and Much, Much More \u2014 in an Unlikely Road Romance with Plenty of Heart"},"content":{"rendered":"<div>\n<!-- do not apply CSS styles to this element! --><\/p>\n<div>\n<p>\n\tIn an odd coincidence that shows how much this kind of story was probably burning to be told, two movies debuting at major festivals this past year have both depicted the same unlikely gay romance \u2014 one involving gritty, hardworking professional truckers living on the road.<\/p>\n<p>Read more <a href=\"https:\/\/uspropertymoves.com\/?p=38\">Jack Schlossberg Says He Won\u2019t \u201cEver Process\u201d His Sister Tatiana\u2019s Death: \u201cShe Was My Best Friend\u201d<\/a><\/p>\n<p>\n\tThe first was director David Pablos\u2019 powerful and punishing Mexican thriller <em>On the Road<\/em>, which premiered in Venice and walked away with the Orizzonti prize. Violent, stylized and sexually explicit, it managed to spin a surprisingly moving love story out of plenty of bullets and bodily fluids, leaving the viewer shaken by the time the gas finally ran out.<\/p>\n<div>\n<div>\n<div>\n<h3>\n<p>\t\t\t\t\tFlesh and Fuel\t\t<\/p>\n<\/h3>\n<div>\n<span>The Bottom Line<\/span><br \/>\n<span><\/p>\n<p>\tBrokeback Turnpike.<br \/>\n\t<\/span>\n<\/div>\n<\/div>\n<div>\n<strong>Venue:<\/strong> Cannes Film Festival (Critics\u2019 Week)<br \/><strong>Cast:<\/strong> Alexis Manenti, Julian Swiezewski, Armindo Alves de Sa, Julie Duclos, Bernard Debreyne<br \/><strong>Director:<\/strong> Pierre Le Gall<br \/><strong>Screenwriters:<\/strong> Pierre Le Gall, Camille Perton, Martin Drouot<br \/>\n<span><br \/>\n\t\t\t\t\t\t\t\t1 hour 31 minutes\t\t\t<\/span>\n<\/div>\n<\/div>\n<\/div>\n<p>\n\tFrench filmmaker Pierre Le Gall\u2019s promising feature debut, <em>Flesh and Fuel<\/em> (<em>Du Fioul dans les art\u00e8res<\/em>), which premieres in Cannes\u2018 Critics\u2019 Week sidebar, plays like a tender, more hopeful Gallic cousin to that dark movie.<\/p>\n<p>\n\tNot that this relationship drama isn\u2019t without conflicts, hang-ups and kerfuffles, many of them involving the logistical difficulties of hooking up when you\u2019re constantly on the highway and forced to meet stringent delivery deadlines throughout Europe. Yet in what could have been another existential and very French tale of impossible love, albeit one set predominantly in the cabins of 18-wheelers or anonymous roadside rest stops, Le Gall has boldly chosen to offer up the possibility of redemption.<\/p>\n<p>\n\tThat seems unlikely at first, given the film\u2019s stoical protagonist and the sooty, rather soulless world he inhabits, which looks like the ideal setting for another downbeat Dardennes brothers flick. Indeed, when we first meet 40-something \u00c9tienne (Alexis Manenti), he\u2019s so devoted to his longtime job as a pro trucker \u2014 a job, we learn, that his father also did before him \u2014 that he has little time for anything beyond hitting the road over and over again.<\/p>\n<p>\n\tAs the top driver at his regional French shipping company, \u00c9tienne always delivers on schedule and serves as a role model for new recruits, including the unruly if endearing Jordan (Armindo Alves de Sa), who\u2019s only starting to learn the ropes. Whenever he\u2019s not behind the wheel, \u00c9tienne stays in close contact with his sister (Julie Duclos) and her kid, whom he showers with gifts and Facetime calls from wherever he happens to be parked.<\/p>\n<p>\n\tThere\u2019s just one twist to his monastic life on the highway, and we learn about it early on when \u00c9tienne drifts away from a rest stop into a nearby forest filled with fellow gay truckers looking to cruise. Le Gall and DP Antoine Cormier (<em>The Kingdom<\/em>) capture that sequence in an almost mystical manner, lending elegance to all the random couplings. They do the same for other scenes that manage to find beauty in faceless locations, bringing a welcome shade of warmth to places most of us would drive through and quickly forget.<\/p>\n<p>Read more <a href=\"https:\/\/uspropertymoves.com\/?p=36\">\u2018The Beloved\u2019 Review: Javier Bardem Carries a Tense Behind-the-Scenes Father-Daughter Drama That Could Use a Little More Sentimental Value<\/a><\/p>\n<p>\n\t\u00c9tienne, however, never forgets his first tussle in the woods with Bartosz (Julian Swiezewski), a Polish driver who thankfully saves his lover\u2019s skin when the cops show up to arrest them and other men for indecent behavior. The two wind up crossing paths again and hooking up much more intensely, in a sweaty and passionate bout of lovemaking that sets the stage for a true romance.<\/p>\n<p>\n\tYou can see why the two are attracted to each other, and it\u2019s not only because they both spend their days and nights driving turnpikes for long stretches. As much as \u00c9tienne is quiet and contained, Bartosz is fun and infectious \u2014 an upbeat party boy who happens to operate a 16-ton truck. He seems to have found something in their grueling existences that \u00c9tienne has never contemplated: the potential for joy in a rough and thankless world.<\/p>\n<p>\n\tBut as the necessities of their jobs begin to push them farther apart, truckdriving becomes a serious obstacle to their budding relationship. In \u00c9tienne\u2019s case, this is because his struggling company lands a new contract with the U.K., requiring him to wait for hours, sometimes days, to cross over the border. For Bartosz, who works for a Polish firm undercutting their European competition with low prices, it means driving to hell and back for a pittance of what \u00c9tienne makes, and with hardly any time off.<\/p>\n<p>\n\tIt\u2019s nearly impossible for love to thrive under such conditions, although in two memorable sequences Le Gall shows how it can still rear its head in unlikely places. The first is when \u00c9tienne and Bartosz, who keep in touch via phone and CB radio, find a way to pass one another on a bridge as they head opposite ways, honking triumphantly and locking eyes for a split-second. In the other, \u00c9tienne spots Bartosz\u2019s rig at the massive Rungis wholesale food market outside Paris, chasing him down on foot and nearly getting run over so he can force him to hit the brakes.  \u00a0<\/p>\n<p>\n\tIn his most disarming role yet, the always engaging Manenti, who broke through in 2019 as the crooked cop in Ladj Ly\u2019s banlieue crime thriller <em>Les Mis\u00e9rables<\/em>, plays a kindhearted if gloomy man who decided to accept his solitary existence on the road long ago, then finds that his only chance at escaping that life may be crushingly taken away from him. Polish actor Swiezewski proves a worthy antidote to Manenti\u2019s stolidness, bringing charm and exuberance to their scenes together.<\/p>\n<p>\n\tIn dramas such as this \u2014 both David Lean\u2019s <em>Brief Encounter<\/em> and Ang Lee\u2019s clearly influential <em>Brokeback Mountain<\/em> come to mind \u2014 the would-be couples typically don\u2019t stay together and usually one of them, or else love itself, winds up dying. Without giving away how <em>Flesh and Fuel<\/em> ends, it\u2019s worth commending Le Gall for choosing a different route. The fact that he sees some hope in \u00c9tienne\u2019s and Bartosz\u2019s future is not only a sign of his romanticism. It\u2019s a testament to his belief that those who toil away at unforgiving jobs deserve their fair share of happiness, if they can just find the right exit ramp. \u00a0<\/p>\n<p>Read more <a href=\"https:\/\/uspropertymoves.com\/?p=34\">Cannes Legend Volker Schl\u00f6ndorff Has No Regrets<\/a><\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Pierre Le Gall&#8217;s &#8216;Flesh and Fuel&#8217; stars Alexis Manenti as a French truck driver who meets a man on the road and pursues an impossible romance.<\/p>\n","protected":false},"author":1,"featured_media":39,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[24,8,13,25],"class_list":["post-40","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interesting","tag-cannes","tag-cannes-2026","tag-cannes-film-festival","tag-cannes-film-festival-reviews"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - 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