{"id":3592,"date":"2026-07-14T15:09:30","date_gmt":"2026-07-14T15:09:30","guid":{"rendered":"https:\/\/uspropertymoves.com\/?p=3592"},"modified":"2026-07-14T15:09:30","modified_gmt":"2026-07-14T15:09:30","slug":"andrew-lloyd-webber-on-cats-early-closure-broadway-risks-rivalling-hollywoods-empty-soundstages","status":"publish","type":"post","link":"https:\/\/uspropertymoves.com\/?p=3592","title":{"rendered":"Andrew Lloyd Webber on \u2018Cats\u2019 Early Closure: \u201cBroadway Risks Rivalling Hollywood\u2019s Empty Soundstages\u201d"},"content":{"rendered":"
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\n\tAndrew Lloyd Webber is speaking out against the untenable costs of Broadway after the early closure of Cats: The Jellicle Ball<\/em>.\u00a0<\/p>\n

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\n\t\u201cThe painful truth is that, with things as they are, bringing almost any new show to Broadway makes little financial sense,\u201d the Cats<\/em> composer wrote on X Tuesday. \u201cThe costs are immense. Creators, writers and directors are often forced to accept minimal royalties simply to get work staged.\u201d<\/p>\n

\n\t\u201cWithout action, Broadway risks rivalling Hollywood\u2019s empty soundstages: increasingly dark theatres where bold new work once lived,\u201d he warned.\u00a0<\/p>\n

\nCats: The Jellicle Ball<\/em>, a reimagined revival of Lloyd Webber\u2019s \u201880s classic in the style of a ballroom competition, announced Monday that it would play its final performance Aug. 8, after only about five months on Broadway. The news has sparked outcry among cast and company members and across the industry, as the show was well-reviewed and appeared to be healthy on paper, with high attendance and weekly grosses around $1 million. But this could not compete with the high weekly running costs of Broadway musicals, which have been increasing in the past years.\u00a0<\/p>\n

\n\t\u201cOne of the last things the great Hal Prince said to me was that it broke his heart to see what Broadway was becoming,\u201d Lloyd Webber wrote of the late \u2018Phantom of the Opera\u2019 and \u2018Evita\u2019 director.\u00a0\u201cHal believed it had become almost impossible for genuinely new, daring work to originate on Broadway. I fear he was right.\u201d<\/p>\n

\n\tIn his posts on social media, Lloyd Webber said the current Broadway financial landscape \u201cbreaks my heart.\u201d He said that many creatives are reliant on a fixed weekly fee, rather than sharing in the profits, which he said he believes will hurt the next generation of writers and composers.\u00a0<\/p>\n

\n\t\u201cHow can the next generation build a life in theatre under those conditions? Young creatives cannot live on goodwill alone,\u201d he wrote.<\/p>\n

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\n\t\u201cThe situation is scarcely better for investors. Many count themselves fortunate if they recover even part of their money. Without investors willing to take risks, and artists able to make a living, where will Broadway\u2019s next generation of shows come from?\u201d he continued.\u00a0<\/p>\n

\n\tLloyd Webber has brought many shows to Broadway, including the original Cats<\/em>, which opened in 1982 and ran for 18 years, as well as The Phantom of the Opera,<\/em> which ran for 35 years, after opening in 1988, and closed in 2023. His work has continued on Broadway in recent years, in the case of the reimagined Cats: The Jellicle Ball,<\/em> last season\u2019s Sunset Blvd <\/em>and the upcoming Evita<\/em>, as well as Masquerade<\/em>, the immersive version of Phantom that runs Off-Broadway. He pointed to the continued success of the \u201cestablished hits,\u201d such as The Lion King<\/em> and Wicked<\/em>, and the harsher financials for new works. <\/p>\n

\n\t\u201cOf course, Broadway\u2019s established hits remain profitable. But Broadway cannot survive creatively or commercially on three old shows. New and daring work must have a future\u2014whether on Broadway itself or in new forms such as Masquerade, now nearing a year in New York,\u201d he wrote.\u00a0<\/p>\n

\n\tLloyd Webber, who was also a big part of the West End\u2019s reopening efforts after the pandemic, called on the industry to find a solution.<\/p>\n

\n\t\u201cI am still as in love with Broadway as I was as a teenager. I want future generations to experience that same sense of possibility. Theatre owners, unions and producers must come together urgently. Every part of the industry has a stake in finding a solution,\u201d he continued. <\/p>\n

Read more RoseBerry Launches \u2018Epis,\u2019 a Premium Vertical Global Streaming Service<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Andrew Lloyd Webber is speaking out about the early closure of 'Cats: The Jellicle Ball' and calling for the industry solution to the high costs.<\/p>\n","protected":false},"author":1,"featured_media":3591,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[153,154],"class_list":["post-3592","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interesting","tag-broadway","tag-theater"],"yoast_head":"\nAndrew Lloyd Webber on \u2018Cats\u2019 Early Closure: \u201cBroadway Risks Rivalling Hollywood\u2019s Empty Soundstages\u201d - US Property Moves<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/uspropertymoves.com\/?p=3592\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Andrew Lloyd Webber on \u2018Cats\u2019 Early Closure: \u201cBroadway Risks Rivalling Hollywood\u2019s Empty Soundstages\u201d - 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