{"id":3332,"date":"2026-07-09T11:38:38","date_gmt":"2026-07-09T11:38:38","guid":{"rendered":"https:\/\/uspropertymoves.com\/?p=3332"},"modified":"2026-07-09T11:38:38","modified_gmt":"2026-07-09T11:38:38","slug":"rain-catcher-is-an-immersive-u-k-psychological-thriller-with-iris-law-and-the-barbican-in-key-roles","status":"publish","type":"post","link":"https:\/\/uspropertymoves.com\/?p=3332","title":{"rendered":"\u2018Rain Catcher\u2019 Is an Immersive U.K. Psychological Thriller With Iris Law and the Barbican in Key Roles"},"content":{"rendered":"
\n<\/p>\n
\n

\n\tMiles regularly walks around the dark and rainy streets of London to photograph people in the city\u2019s hidden corners. He posts the images that result from his voyeuristic outings on social media under the pseudonym Rain Catcher, earning him a loyal following. But then, things take a twist and a turn or two \u2013 and his work and very existence come under threat. A neighbor seems to notice what the anonymous photographer is doing. And Miles starts to notice a mysterious woman in not just one of his photos. <\/p>\n

Read more Bonnie Tyler, Welsh Singing Superstar Behind \u201cTotal Eclipse of the Heart\u201d and \u201cHolding Out for a Hero,\u201d Dies at 75<\/a><\/p>\n

\n\tWhat is going on!? And is this one of the most commercially leaning new movies at the 60th edition\u00a0of the\u00a0Karlovy Vary\u00a0International\u00a0Film Festival\u00a0(KVIFF)? Well, you have to dive into the shadowy atmosphere and immersive cinematic experience that is Rain Catcher<\/em>, the feature directorial debut of Michele Fiascaris, which plays in the Czech festival\u2019s Proxima Competition program.<\/p>\n

\n\tBut know this: Dudley O\u2019Shaughnessy (Top Boy<\/em>) plays Miles, and you\u2019ll know or recognize other key cast members of the U.K. production as well. After all, the talent lineup includes Kate Dickie (Dept. Q<\/em>, The Day of the Jackal<\/em>, Everybody to Kenmure Street<\/em>), Jessie Mei Li (Shadow and Bone<\/em>) and Iris Law (yes, the model and daughter of Jude Law!). And London\u2019s famous Barbican, the Brutalist performance arts center and sprawling residential complex, is one of the stars of the film as well.<\/p>\n

\n\tAnd Karlovy Vary\u2019s mayor told THR<\/em> that Rain Catcher<\/em> was on her to-watch list for this year\u2019s double anniversary edition of the fest.<\/p>\n

\n\tFiascaris wrote the screenplay for Rain Catcher<\/em> with Filippo Polesel. The director of photography\u00a0is Evgeny Sinelnikov, and the editor\u00a0is Mike Pike.\u00a0James Kermack, Julien Loeffler and Polesel\u00a0produced the movie, on which\u00a0Cercamon is handling sales.<\/p>\n

\nTHR<\/em> talked to Fiascaris about what sparked the idea for his neo-noir thrill ride for eyes, ears and the mind, his role models, and how he brought together his cast and got to shoot at the Barbican.<\/p>\n

\nWhat was the inspiration for Rain Catcher<\/em>?<\/strong><\/p>\n

\n\tWe first shot a short film in 2018 [called Rain Catcher<\/em>]. The inception of that short was actually a random video that we found online, myself and Filippo, the producer and co-writer. It was this strange video of a very long lens shot \u2013 a videographer filming a square full of people from a distance. And then there was a guy in the crowd who suddenly turns around, starts looking into the camera, and he\u2019s looking quite angry. And then he starts walking towards the camera, and the videographer starts zooming back and zooming back and zooming back, and he\u2019s getting close. And when the guy is maybe 20 meters away, the cameraman packs up the camera and runs away. But it actually turns out that this man was not looking at him, but was looking at some monument behind him, maybe a building.<\/p>\n

\n\tSo it was about this idea of somebody who has been spied on realizing they have been spied on, and then turning the tables. They go from victim to perpetrator. So we came up with this idea of a voyeuristic photographer who then suddenly starts noticing a person in his photographs. We thought he could notice this person not once, but multiple times, without ever having realized they were there before. <\/p>\n

\nHow did the name and title Rain Catcher<\/em> come about?<\/strong><\/p>\n

\n\tIn the short film, there is actually a very specific payoff related to his name. The final twist of the short film is different from the feature\u2019s, but we kept the name because we liked how it sounds, and we like the fact that he basically catches the rain because he\u2019s often on rooftops, exposed to the weather, and in London, it\u2019s so rainy.<\/p>\n

\nHow did you cast Dudley in the lead role?
<\/strong>
When we did the short film, we met Dudley and he became the lead actor for the short. And we then also cast him for the feature. We brainstormed with him after meeting him and rehearsing, and so we got more ideas for the feature. The character was even molded a little bit on Dudley and his input himself, because he partially inspired the development of the character. Miles is a more introverted, quiet guy who looks at other people\u2019s lives, because he really doesn\u2019t have much of a social life himself. That\u2019s why he looks into windows and into other people\u2019s realities.<\/p>\n

\nHow did Iris Law come on board?<\/strong><\/p>\n

\n\tOur great casting director, Gary Davy, who has done so many great projects, such as Band of Brothers<\/em> and a lot of Steve McQueen\u2019s films. He was a big fan of Dudley, so Dudley connected us. Gary put together a list of possible actresses who could play Cassandra, and Iris was one of the names. Because Cassandra sings, he also proposed a few singers, but we felt we needed somebody who can act more, because the singing can be faked or dubbed.<\/p>\n

\n\tWe saw Iris, and we felt, \u201cWow, she looks so interesting and magnetic,\u201d and really unique. We didn\u2019t realize straight away who she was, in terms of her family or anything. We just thought this girl looks really interesting. She relt right for this role and delivered a really good performance, even in terms of body language. For her young age, and this being one of her first movies, she was very confident and understood the whole dynamic, so she was just great.<\/p>\n

\nTell me a bit more about the other cast members. I mean how did you get Kate Dickie?<\/strong><\/p>\n

Read more TF1 Says Its Netflix Deal Has Already Paid Off<\/a><\/p>\n

\n\tOur co-producers had made a film with her, and they recommended her. She was just perfect for this role. Her presence is just so strong. She doesn\u2019t have many lines until the end, so the thing we needed was somebody with a strong presence and somebody who could intimidate Miles, whose strong and very agile. So, we were looking for somebody with strong charisma and screen presence. So, Kate was perfect. And she was so cool to work with. <\/p>\n

\n\tAnd Jessie also did such an amazing job. She was really great. We approached her and wrote this character, and it turns out she\u2019s exactly like that. Her natural vibe is exactly what we needed. She was just perfect.<\/p>\n

\nThe Barbican almost feels like another character in Rain Catcher<\/em>\u2026<\/strong><\/p>\n

\n\tWe immediately thought that this was the place. It is just perfect, because first of all, it\u2019s like a labyrinth. There are so many windows, there are thousands of apartments, and there are three towers that are perfect viewpoints. So we knew Miles should be living in one of these and looking all around London. You can see everything when you are in those towers. You almost see London like a LEGO city underneath you. It\u2019s surreal.<\/p>\n

\nAnd its Brutalist look adds to the atmosphere! <\/strong><\/p>\n

\n\tIt was a really pioneering building and very futuristic with so many levels. They had these utopian ideas of how to build it, and they wanted to make it a three-dimensional city that was self-sufficient.<\/p>\n

\nI felt Rain Catcher<\/em> is all about immersive atmosphere. Who or what are your inspirations? And how would you describe the film to people who haven\u2019t seen it yet?<\/strong><\/p>\n

\n\tWe had a very clear idea of what we wanted. And I have clear film references in my mind. For example, David Fincher was a big inspiration for me, even growing up and in university. I did my final thesis about David Fincher, so Seven<\/em> was always on my mind when we showed the short film. I was thinking of Seven<\/em> in terms of the color palette and the whole directing style. But over the years, I also started looking at other filmmakers, such as Brian De Palma. I also love Martin Scorsese.<\/p>\n

\n\tFor the feature, we built on the style of the short and expanded the color palette with more colors, such as the reds and the blues. We wanted this very dark neo-noir with a neon-lit city, giving you the feeling of the underbelly, and also discovering like the city from above.<\/p>\n

\n\tI describe it as elevated genre. It\u2019s a psychological thriller. In my mind, it\u2019s a neo-noir thriller, but I know that people are not necessarily very familiar with all these terms.<\/p>\n

\nIs all the rain in Rain Catcher<\/em> real,<\/em> or did you need to use any CGI?<\/strong>\n<\/p>\n

\n\tWe didn\u2019t need much CGI, only mainly for some rain in certain scenes. But in the rainy opening sequence, that\u2019s all real rain.<\/p>\n

\n\tAnd that was really heavy rain, so it was challenging in terms of the camera, the crew and the cast. The crew had a Steadicam and this massive umbrella, with everybody following and pulling focus. But they are a really great crew and really tough, so they didn\u2019t mind the rain or cold. We all just powered through it.<\/p>\n

\n\tOther rainy scenes have the cast in the car, also with real rain, but nobody\u2019s actually exposed to it. But it was a big deal, and since we shot at night in the rain, it gets colder as well. We mostly were really lucky with the weather.<\/p>\n

\nDo you know what you want to do next?<\/strong><\/p>\n

\n\tWe are thinking of a body horror, more of a body thriller that focuses on body transformations. It focuses on how in modern times, even just this year, there is all this talk of looksmaxxing and modifying your body, and all this crazy stuff that people think they can do through the advancement of medicine. They think they can just modify everything they are not happy with. This film would be an extreme of that in a future that is very close to our present. It\u2019s about a specific surgery that I don\u2019t want to reveal more about yet. But it would be a very dramatic and mind-bending surgery for body transformation.<\/p>\n

Read more Hong Sang-soo, Albert Serra, Vincent Grashaw Films Set for Locarno Lineup<\/a><\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

The Karlovy Vary 2026 film 'Rain Catcher' is a psychological thriller with Iris Law, the Barbican.<\/p>\n","protected":false},"author":1,"featured_media":3331,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[2435,2,1699,945,1212,1213],"class_list":["post-3332","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interesting","tag-barbican","tag-international","tag-iris-law","tag-karlovy-vary-international-film-festival","tag-kviff","tag-kviff-2026"],"yoast_head":"\n\u2018Rain Catcher\u2019 Is an Immersive U.K. Psychological Thriller With Iris Law and the Barbican in Key Roles - US Property Moves<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/uspropertymoves.com\/?p=3332\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u2018Rain Catcher\u2019 Is an Immersive U.K. Psychological Thriller With Iris Law and the Barbican in Key Roles - 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