{"id":3319,"date":"2026-07-09T07:06:29","date_gmt":"2026-07-09T07:06:29","guid":{"rendered":"https:\/\/uspropertymoves.com\/?p=3319"},"modified":"2026-07-09T07:06:29","modified_gmt":"2026-07-09T07:06:29","slug":"little-house-on-the-prairie-review-netflixs-laura-ingalls-wilder-reboot-sparkles-with-appealingly-wholesome-sincerity","status":"publish","type":"post","link":"https:\/\/uspropertymoves.com\/?p=3319","title":{"rendered":"\u2018Little House on the Prairie\u2019 Review: Netflix\u2019s Laura Ingalls Wilder Reboot Sparkles With Appealingly Wholesome Sincerity"},"content":{"rendered":"
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\n\tAsk your average TV critic to list their favorite Netflix originals and you\u2019ll get a lot of BoJack Horseman<\/em> and Orange Is the New Black<\/em>, plus some votes for The Queen\u2019s Gambit<\/em> or Adolescence<\/em> from limited series fans, Dark<\/em> from twisty sci-fans, and maybe some Squid Game <\/em>or Stranger Things<\/em> love from folks who never finished either series.<\/p>\n

Read more \u2018Dancing With the Stars\u2019 Bosses, Dancers Celebrate Breaking Back Into Emmys Race: \u201cDeeply Grateful for This Recognition\u201d<\/a><\/p>\n

\n\tThere\u2019s a small subset of open-minded viewers, though, who would find some way to mention Rachel Shukert\u2019s adaptation of The Baby-Sitters Club<\/em>. It lacked overt prestige and, based on its abrupt cancellation after two seasons, apparently lacked wide viewership, but more than anything it suffered from the perceived stigma of being for and about young women and therefore somehow unworthy of celebration.<\/p>\n

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\t\t\t\t\tLittle House on the Prairie\t\t<\/p>\n<\/h3>\n

\nThe Bottom Line<\/span>
\n<\/p>\n

\tHeart-filled and honorable.
\n\t<\/span>\n<\/div>\n<\/div>\n

\nAirdate:<\/strong> Thursday, July 9 (Netflix)
Cast:<\/strong> Alice Halsey, Luke Bracey, Crosby Fitzgerald, Skywalker Hughes, Jocko Sims, Warren Christie, Wren Zhawenim Gotts, Barrett Doss
Creator:<\/strong> Rebecca Sonnenshine\t\t\t<\/p>\n<\/div>\n<\/div>\n<\/div>\n

\n\tThe truth is that The Baby-Sitters Club<\/em>, while for and about young women, was an almost flawless example of a series that aimed at a target and hit that target dead in the center. It was earnest and wholesome and warm and likable and perfectly cast, and even if it wasn\u2019t directed at me\u2026I\u2019m a grown-up capable of appreciating things of quality made for other people.<\/p>\n

\n\tRebecca Sonnenshine\u2019s adaptation of Laura Ingalls Wilder\u2019s timeless Little House on the Prairie<\/em> series isn\u2019t as fully realized as The Baby-Sitters Club<\/em>, but the things that the eight-episode first season accomplishes are similar. It\u2019s an honorable interpretation that\u2019s accommodating of Wilder\u2019s books and their spirit, sincere in purpose and respectful in execution.<\/p>\n

\n\tThese days, I\u2019m far from the target demographic for Little House on the Prairie<\/em>, but I found myself emotionally involved in the proficiently old-fashioned storytelling and rather wonderful ensemble, anchored by relative newcomers Alice Halsey and Skywalker Hughes and more established veterans Luke Bracey and Crosby Fitzgerald. Though the series has laggy spots at midseason, and there are elements that a show tailored specifically for me would have approached with an extra layer of nuance, Little House on the Prairie<\/em> nails its key moments and finds a way to carve a place outside the shadow of the beloved \u201970s and \u201980s version.<\/p>\n

\n\tWe meet the Ingalls family as they make their way from the Big Woods of Wisconsin to the newly established town of Independence in Kansas. Young Laura (Halsey) is an enthusiastic storyteller and slingshot-wielding tomboy, apple of Pa\u2019s (Bracey\u2019s Charles) eye. Her older sister Mary (Hughes) is a passionate reader, lover of fine ribbons and is just beginning to notice boys. Ma (Fitzgerald\u2019s Caroline), a teacher in their old life, is strong and determined, hiding a new pregnancy out of concerns about inhospitable terrain and the uncertainty of medical assistance. Their dog, Jack, is a good dog.<\/p>\n

\n\tIndependence doesn\u2019t have a post office or a church yet, but railroad man Eli (Michael Hough) and busybody wife Jemma (Mary Holland) have big plans for the town, and welcome the Ingalls clan with open arms.<\/p>\n

\n\tThe community includes kindly doctor George Tann (Jocko Sims), generous store owner Emily Henderson (Barrett Doss) and gruff, whiskey-loving hermit John Edwards (Warren Christie). Everybody in Independence is eying a new life and new opportunities, while facing the adversity of the frontier.<\/p>\n

\n\tA lot of said adversity will be familiar in either specifics or generalities to readers of Wilder\u2019s semi-autobiographical works: economic hardship, unpredictable winters, wolves, fevers. Some elements have been expanded or embellished for the show, including Pa\u2019s discovery that the land he was told was open for settlement was actually owned by the local Osage tribes, who aren\u2019t happy with the encroachment, much less the deal offered by the government for property they\u2019d occupied for generations.<\/p>\n

\n\tIt\u2019s here that I must warn you that the worst people you know are probably going to complain that Little House on the Prairie<\/em> is \u201cwoke.\u201d This complaint will be based on the idea that the Black doctor featured briefly in previous versions of the tale now has a more dimensionalized character, with a love interest and backstory, and that the region\u2019s indigenous population now has representative characters who articulate the discomfort of being forced off their land in the name of Manifest Destiny. Laura makes friends with an Osage peer (Wren Zhawenim Gotts\u2019 Good Eagle), whose parents (Meegwun Fairbrother\u2019s Mitchell and Alyssa Wapanat\u00e2hk\u2019s White Sun) are featured and allowed to articulate their thoughts as well.<\/p>\n

Read more All the Actors Who Earned Double 2026 Emmy Acting Noms: Jason Bateman, Colman Domingo, Laurie Metcalf, More<\/a><\/p>\n

\n\tAnd I guess if that makes Little House on the Prairie<\/em> \u201cwoke,\u201d so be it, though I\u2019d note that the Ingalls remain the undisputed heroes of the series and they remain fundamentally decent and empathetic people. Actually, most of the series\u2019 settler characters are fundamentally decent and empathetic \u2014 and Christian \u2014 people, recognizing the irony of living in a town called Independence when their very existence depends on family and community. This, incidentally, is thoroughly the theme of Wilder\u2019s books as well. Sonnenshine and her team of writers and directors \u2014 all women, starting with Sarah Adina Smith and concluding with Reservation Dogs<\/em> veteran Sydney Freeland \u2014 are just expanding the world and bringing it to life in a way that doesn\u2019t deny its basic truths.<\/p>\n

\n\tReally, though, I know that Little House on the Prairie<\/em> isn\u2019t woke, because if the series were being made specifically for me, it would spend even more time with the Osage and more time on the realities of being a Black doctor and a Black store owner in the post-Civil-War frontier. But this is not that series.<\/p>\n

\n\tThis is not the gritty or ultra-realistic take on Little House on the Prairie<\/em>. Laura and Mary\u2019s greatest joy is still peppermint sticks; they still believe in Santa Claus, or at least in the idyllic perfection of Christmas; tragedies and misadventures are still around every bend, but warm-fuzzies are every bit as plentiful.<\/p>\n

\n\tThe series\u2019 primary visual language is dominated by impeccably photographed sunsets and sunrises, by rays of light broken up by amber waves of grain, by images that are taken straight from the pages of books I haven\u2019t read in 40 years \u2014 jars of hard candy, Ma\u2019s porcelain doll over the nightstand, stealing a loaf of cornbread fresh from the oven \u2014 that immediately sprung to mind as I watched. It\u2019s beautifully shot, primarily in Winnipeg, perfectly accompanied by Dan Romer\u2019s score, and somehow it jerks tears aplenty, happy and sad, without ever feeling overbearing or mawkish.<\/p>\n

\n\tMuch of the show\u2019s success is attributable to casting directors Rachel Tenner and Rick Messina and a young cast that walks the line right up to precocity without ever sacrificing what has always made these characters so endearingly imperfect. Halsey is remarkable, broadly expressive in a way that allows for Laura to be plucky yet vulnerable, openly youthful yet wise, instantly relatable in her insecurities, her brattiness and her everyday pluck. She\u2019s balanced by Hughes, who projects as slightly more modern in affect but remains believably on the cusp between childlike and mature, which lends sweetness to her flirtations with Kowen Cadorath\u2019s Caleb, an orphaned shop-boy. Laura and Mary\u2019s sisterly bond and bickering is convincingly captured by the two leads, with Gotts providing a good complement in her scenes with the Ingalls girls.<\/p>\n

\n\tIs Bracey, whom I vaguely recall from his brief star-making moment in G.I. Joe: Retaliation<\/em>, Michael Landon? No, he is not. But he projects the necessary earthy nobility and melts in his scenes with Halsey (even if I wish Netflix hadn\u2019t originally described Pa as a \u201cgirl dad,\u201d since it implies an anachronistic spirit the show doesn\u2019t possess). Fitzgerald, who has the tougher part and plays it well, and Bracey have the requisite chemistry to embody characters who have chosen discomfort and a life together over simpler and safer options.<\/p>\n

\n\tChristie\u2019s soulful torment, Doss\u2019 bright-eyed spunk and Holland\u2019s meddlesome prissiness all stand out, as does the presence of Shoresy<\/em> favorite Maclean \u201cJory Jordan\u201d Fish as a young settler named, confusion-be-damned, Adam Scott.<\/p>\n

\n\tOver eight episodes, most running under 50 minutes but never dull even in the longer installments, Little House on the Prairie<\/em> captures a tumultuous year in the life of the Ingalls family, a year with danger, romance, heroism and the learning of many important lessons. I don\u2019t gravitate toward \u201cwholesome\u201d or \u201cearnest\u201d as attributes in most of my favorite shows, but I bought into Little House on the Prairie<\/em> and I\u2019m relieved that Netflix has already renewed it for a second season.<\/p>\n

\n\tHopefully, people won\u2019t kick up too much of a fuss about small changes to the text and will embrace its admirable intent. I don\u2019t want a repeat of The Baby-Sitters Club<\/em> and its premature cancellation.<\/p>\n

Read more \u2018Love Island USA\u2019 Host Ariana Madix Reacts to First Emmy Nomination: \u201cI\u2019m So Over the Moon\u201d<\/a><\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

The Ingalls family returns to television in Netflix's eight-episode adaptation of 'Little House on the Prairie.'<\/p>\n","protected":false},"author":1,"featured_media":3318,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[2424,1779,2425,65,2426,2427],"class_list":["post-3319","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interesting","tag-alice-halsey","tag-little-house-on-the-prairie","tag-luke-bracey","tag-netflix","tag-skywalker-hughes","tag-warren-christie"],"yoast_head":"\n\u2018Little House on the Prairie\u2019 Review: Netflix\u2019s Laura Ingalls Wilder Reboot Sparkles With Appealingly Wholesome Sincerity - US Property Moves<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/uspropertymoves.com\/?p=3319\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u2018Little House on the Prairie\u2019 Review: Netflix\u2019s Laura Ingalls Wilder Reboot Sparkles With Appealingly Wholesome Sincerity - 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