{"id":3305,"date":"2026-07-08T23:38:26","date_gmt":"2026-07-08T23:38:26","guid":{"rendered":"https:\/\/uspropertymoves.com\/?p=3305"},"modified":"2026-07-08T23:38:26","modified_gmt":"2026-07-08T23:38:26","slug":"hbo-chief-on-heated-rivalry-emmys-ineligibility-im-just-proud-to-have-season-2%e2%80%b3","status":"publish","type":"post","link":"https:\/\/uspropertymoves.com\/?p=3305","title":{"rendered":"HBO Chief on\u00a0\u2018Heated Rivalry\u2018\u00a0Emmys Ineligibility: \u201cI\u2019m Just Proud to Have Season 2\u2033"},"content":{"rendered":"
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\n\tUnder creative chief Casey Bloys, as his staff is quick to remind, HBO has been dominating the Emmys for a while now. In the decade since the former development exec ascended to the top entertainment role (current title: chair and CEO of HBO and Max Content), the platform has had more nominations than any other in all but three years.<\/p>\n

That trend continued\u00a0this year. Thanks to shows like\u00a0The Pitt\u00a0<\/em>and\u00a0Hacks<\/em>, which collected the most (25) and second-most (24) noms, HBO\u00a0garnered 122 total slots, eleven more than second-place Netflix, which some thought might take the 2026 crown.\u00a0<\/p>\n

AppleTV+ also had a\u00a0very strong year\u00a0\u2014 its 87 total noms were enough to lead combined drama and comedy categories \u2014 but it\u2019s hard to deny that HBO still rules the game. And that\u2019s without the platform\u2019s buzziest show,\u00a0Heated Rivalry,<\/em>\u00a0eligible for prizes. (The network acquired the Canadian series, and only U.S. productions are eligible.)<\/p>\n

Of course, things in television can change in a\u00a0Pitt<\/em>-like minute. And they well might, given that next year at this time HBO could be owned by David Ellison\u2019s Paramount.<\/p>\n

With all the success and all the uncertainty,\u00a0The Hollywood Reporter\u00a0<\/em>chatted with Bloys about where HBO has been and where it\u2019s going. Also, should\u00a0I Love LA<\/em>\u00a0have really gotten\u00a0nothing<\/em>?<\/p>\n

Read more \u2018Summer House\u2019: Lindsay Hubbard, Kyle Cooke and Carl Radke React to Show\u2019s \u201cSurreal\u201d Emmy Nom<\/a><\/p>\n

\nNominations morning is always a little crazy. Shows we thought would be in\u00a0are out\u00a0and the never-happenings are suddenly in. You got a lot of love for\u00a0The Gilded Age<\/em>, which few expected, but no love for\u00a0Industry<\/em>, which many expected.<\/strong><\/p>\n

It\u2019s a reminder every year that none of us know anything. It\u2019s nice to be surprised when shows we thought wouldn\u2019t be there are \u2014 it reminds us there\u2019s a lot of terrific work across the board.<\/p>\n

The love for\u00a0The Pitt<\/em>, which is only in its second season, and\u00a0Hacks<\/em>, which has come to the end of a pretty incredible run, have to feel satisfying. Two very different shows, both on HBO, going 1-2 in the nom count.<\/strong><\/p>\n

I think it speaks to how we can be successful in comedies and dramas, as well as of course limited and late night [Last Week Tonight With John Oliver<\/em>\u00a0has won its category ten years running and will try for an 11th].\u00a0in the face of unprecedented competition I couldn\u2019t be prouder of the team across all categories.<\/p>\n

Two shows that I think fans were really hoping for love for were\u00a0Task<\/em>, which got acting and writing and directing but not best drama, and\u00a0I Love LA<\/em>, which came away totally empty even though you submitted in 18 categories. Does that disappoint you?<\/strong><\/p>\n

Sometimes with the Emmys you need to keep trying. I\u2019m incredibly proud of both shows. And the good news is both are either shooting or about to shoot their second season.<\/p>\n

It\u2019s now been a decade since you ascended to this role. There have been a lot of Emmys noms in that time \u2014 1,208, which is a little mind-boggling. Does it feel harder now, given the tech entrants and all their money?<\/strong><\/p>\n

There has always been competition. There was Showtime and FX and everyone else in the early years doing such good work, and now all our competitors continuing to do their good work. What I look at is how experienced our team is \u2014 the shows we choose to develop and produce. I\u2019m very proud of the consistency.<\/p>\n

One show that hit right at where the industry is right now is\u00a0The Comeback\u00a0<\/em>\u2014 just a searing take on the world we\u2019re fast approaching of AI generation, from Lisa [Kudrow, nominated for lead actress in a comedy] and Michael [Patrick King, nominated with Kudrow on writing in a comedy series]. What does it mean to have such a handmade show at a handmade network about the digital takeover \u2014 is it almost its own best rebuttal?<\/strong><\/p>\n

What I was really impressed was how Lisa and Michael looked at it, just in a very open-minded way. When you\u2019re going at a subject like [that] you need to make it feel real. And you can see somebody doing this thing very soon. That\u2019s what is so scary \u2014 it\u2019s not years away. It\u2019s entirely plausible. It would not surprise me if somebody announced this [idea of AI generating sitcom jokes] next month. This wasn\u2019t science fiction but a grounded look at what could happen in the industry.<\/p>\n

This is not new for them and the show over three seasons and 20 years \u2014 it almost feels like they come in once a decade to give us a temperature-read.<\/strong><\/p>\n

They\u2019ve been a pretty accurate barometer about the challenges facing the industry, almost like a sixth sense. Maybe others thought about these issues. But they can incorporate them into a very funny show.<\/p>\n

So you had a very minor, niche show that got no attention at all this year in\u00a0Heated Rivalry<\/em>.<\/strong><\/p>\n

(Laughs<\/em>.) None.<\/p>\n

And of course it wasn\u2019t eligible because it\u2019s not produced here. Does that stick in your craw at all or have you made your peace?<\/strong><\/p>\n

That is a proudly Canadian show and I\u2019m very happy we acquired it. The rules are what they are. They did well in their award season. I\u2019m just proud to have season two. I mean, Emmys would be nice, but this is first and foremost a Canadian show. They\u2019re gearing up for production and I\u2019m excited it will be on our platform.<\/p>\n

Did Connor [Storrie] getting a nomination for hosting\u00a0SNL<\/em>\u00a0feel like a laurel for the show?<\/strong><\/p>\n

(Laughs<\/em>.) If it\u2019s a laurel for us, I\u2019ll take it.<\/p>\n

One of the wilder stories this year has been you guys not submitting Brittany Allen for her arc as a terminal cancer patient on The Pitt,\u00a0<\/em>her deciding to go out and self-submit\u00a0\u2014\u00a0and then\u00a0landing\u00a0a guest-acting nomination today. Do you have any regrets about your decision on that?<\/strong><\/p>\n

The Pitt<\/em> has hundreds of performers and we simply, just strategically, can\u2019t submit everybody. It\u2019s just the reality. But we encourage people to self-submit and I love that she got nominated.<\/p>\n

One point that is hard to escape right now is the changing business landscape \u2014 David Ellison\u2019s Paramount is in the process of buying HBO as part of the Warner Bros. Discovery acquisition. Do the Emmys feel melancholy at all because your whole company could look different very soon?<\/strong><\/p>\n

Well, think about it this way. Over the last ten years we\u2019ve had the most nominations of any platform, and that\u2019s over two corporate mergers [AT&T and Discovery]. I don\u2019t automatically see a merger changing our performance. I just see our team continuing to deliver and putting out our best work.<\/p>\n

There is so much uncertainty in the industry, with AI and mergers and production slowdowns and changing consumer habits. But I think people treat HBO and you almost like flight attendants on a turbulent plane \u2014 if you\u2019re still up with the drinks cart, everything will be OK.<\/strong><\/p>\n

I\u2019m here, serving alcoholic beverages to everybody.<\/p>\n

Read more \u2018The Pitt\u2019s\u2019 Brittany Allen, Jeff Kober Earn Emmy Noms After Self-Submitting for Guest Star<\/a><\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Casey Bloys chats with THR about AI, the Emmys The Pitt, I Love LA, the merger and Heated Rivalry not being eligible for an Emmy nomination.<\/p>\n","protected":false},"author":1,"featured_media":3304,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[245,2415,826,2394,2395,936,827,1325,121,440,1158,869],"class_list":["post-3305","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interesting","tag-awards","tag-casey-bloys","tag-emmy-awards","tag-emmy-nominations","tag-emmy-nominations-2026","tag-emmys","tag-emmys-2026","tag-hacks","tag-hbo","tag-heated-rivalry","tag-television","tag-the-pitt"],"yoast_head":"\nHBO Chief on\u00a0\u2018Heated Rivalry\u2018\u00a0Emmys Ineligibility: \u201cI\u2019m Just Proud to Have Season 2\u2033 - US Property Moves<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/uspropertymoves.com\/?p=3305\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"HBO Chief on\u00a0\u2018Heated Rivalry\u2018\u00a0Emmys Ineligibility: \u201cI\u2019m Just Proud to Have Season 2\u2033 - 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