{"id":3295,"date":"2026-07-08T21:05:55","date_gmt":"2026-07-08T21:05:55","guid":{"rendered":"https:\/\/uspropertymoves.com\/?p=3295"},"modified":"2026-07-08T21:05:55","modified_gmt":"2026-07-08T21:05:55","slug":"2026-emmy-nominations-analysis-what-to-make-of-the-widows-bay-surge-taylor-sheridan-rejection-and-amazing-race-disappearance","status":"publish","type":"post","link":"https:\/\/uspropertymoves.com\/?p=3295","title":{"rendered":"2026 Emmy Nominations Analysis: What to Make of the \u2018Widow\u2019s Bay\u2019 Surge, Taylor Sheridan Rejection and \u2018Amazing Race\u2019 Disappearance"},"content":{"rendered":"
\n<\/p>\n
\n

\n\tOn Wednesday morning, 16 days after the close of voting to determine the nominees for the 78th Primetime Emmy Awards, the TV Academy announced its finalists across more than 100 categories, as selected by 27,000 voters who all got to weigh in on the program nominations (e.g. best drama, comedy, limited\/anthology, etc.),\u00a0as well as the category or categories that pertain to their specific \u201cpeer group\u201d (e.g. the performers peer group picks the acting nominees, the animation peer group picks the animation nominees, etc.). Their picks, which I have spent the morning studying, provide a ton of interesting clues \u2014\u00a0and perplexing questions \u2014\u00a0about which way the wind is blowing as we head toward final voting period (Aug. 17-26), followed by the Creative Arts Emmys ceremonies (Sept. 5-6) and the Primetime Emmys telecast (Sept. 14 on NBC).<\/p>\n

Read more Amazon MGM Studios Chief Peter Friedlander Unveils Another Big TV Reorganization<\/a><\/p>\n

\n\tOne fun development: Law & Order: SVU<\/em> vet Mariska Hargitay, who was named the host of the Primetime telecast yesterday, was today nominated for producing and directing the HBO documentary special My Mom Jayne<\/em>, a film about her late mother, Jayne Mansfield. Those categories will be presented at the Creative Arts ceremonies, meaning Hargitay won\u2019t be in the hot seat on the same night she hosts the Primetime ceremony. But if she wins at least one award at the former before heading to the latter \u2014 which seems quite possible, although she faces formidable competition in both categories \u2014 she will join an elite group of people who won<\/em> an Emmy and hosted<\/em> the Emmys in the same year: Neil Patrick Harris, David Letterman, Jon Stewart and Jimmy Kimmel.<\/p>\n

\n\tMeanwhile, as is the case almost every<\/em> year, HBO\/HBO Max and Netflix were the platforms with the most overall nominations \u2014 the former landed 122 and the latter 111 this year. They are also the only platforms to land at least one nom in each of the three highest-profile program categories: drama series, comedy series and limited\/anthology series. Netflix is represented by drama The Diplomat<\/em>, comedy Nobody Wants This<\/em> and limited\/anthology The Beast in Me<\/em> and Beef<\/em>, whereas HBO\/HBO Max has dramas The Gilded Age<\/em> and A Knight of the Seven Kingdoms<\/em>, comedy Hacks<\/em> and limited\/anthology DTF St. Louis<\/em>. (The Pitt<\/em>, Hacks<\/em> and Beef<\/em> seem likely to win.)<\/p>\n

\n\tApple TV scored considerably fewer total noms than those two platforms \u2014\u00a087, a company record \u2014 but arguably had the most impressive showing of all platforms in the major categories, claiming three<\/em> of the eight slots in both the drama series (Pluribus<\/em>, Slow Horses<\/em> and Your Friends & Neighbors<\/em>) and comedy series (Margo\u2019s Got Money Troubles<\/em>, Shrinking<\/em> and Widow\u2019s Bay<\/em>) categories, as well as 24 acting noms.<\/p>\n

\nWidow\u2019s Bay<\/em> is a particularly fascinating case: the rookie horror\/comedy wasn\u2019t even a part of the Emmys conversation until very late in the game \u2014 indeed, several of its episodes rolled out after the May 31 eligibility deadline \u2014 but it caught fire at just the right moment and wound up with 19 noms, more than all programs except for The Pitt<\/em> (which landed a field-leading 25 noms for its second season, up from 13 for its first) and Hacks<\/em> (24 noms for its fifth and final season, breaking the previous comedy series record of 23 noms in a single season set by The Bear<\/em> in 2024 and matched by The Studio<\/em> in 2025).<\/p>\n

\n\tIn the best drama race, The Pitt<\/em>, Pluribus<\/em>, Slow Horses<\/em>, The Diplomat<\/em> and Hulu\u2019s Paradise<\/em> were sure-things,\u00a0but the same could not be said for the three shows that ended up nominated alongside them: HBO\u2019s The Gilded Age<\/em>, for its third season (its second season was nominated but in an unusually thin year coming out of the COVID-19 pandemic); HBO\u2019s A Knight of the Seven Kingdoms<\/em>, for its first season; and, for its second season, the aforementioned Your Friends & Neighbors<\/em>. Your Friends & Neighbors<\/em> received just one nom for its first season and again for its second, but the nom for its first season was for best main title theme music, while the nom for its second was for the top prize for which it was eligible. (Conversely, HBO\u2019s Task<\/em>, for its first season, received six noms, including one for directing, one for writing and two for acting but didn\u2019t crack the best drama category. Go figure.)<\/p>\n

\n\tMeanwhile, the final seasons of Prime Video\u2019s The Boys<\/em>, HBO\u2019s Euphoria<\/em> and Netflix\u2019s Stranger Things<\/em> \u2014 all of which were nominated for best drama for prior seasons \u2014 failed to make the cut in their last cycle of eligibility (though each got several other noms, most notably Euphoria<\/em>\u2019s Zendaya for best drama actress). And Emmys voters once again rejected Taylor Sheridan\u2018s large portfolio of hit Paramount+ shows, including the sophomore season of Landman<\/em>, which had received a best drama ensemble Actor Award nom, and the rookie season of The Madison<\/em>, for which Michelle Pfeiffer was in contention. (Tulsa King<\/em> landed a single nom, in the category of best stunt coordination for comedy programming.) Landman<\/em>, in particular, had a strong argument for some noms, and its stars hit the trail on its behalf, but apparently that wasn\u2019t enough for the TV Academy; voters aren\u2019t sure about Sheridan himself, and Sheridan has made no effort to court them, so I wouldn\u2019t expect a different result unless\/until he does.<\/p>\n

\n\tThe best comedy category unfolded just as I forecasted, with noms for Hacks<\/em>, Widow\u2019s Bay<\/em>, Shrinking<\/em>, Margo\u2019s Got Money Troubles<\/em>, Nobody Wants This<\/em>, ABC\u2019s Abbott Elementary<\/em>, Hulu\u2019s Only Murders in the Building<\/em> and FX\/Hulu\u2019s The Bear<\/em>. The Bear<\/em>, which took home the prize for its first season before losing to Hacks<\/em> and Apple TV\u2019s The Studio<\/em> for its next two, seems to have barely hung on to a nom for its fourth, given that it landed only eight total noms (down from 13, a then-record 23 and 13 for its respective prior seasons), with Ayo Edebiri its only series regular to land an acting nom.<\/p>\n

\n\tShows that were probably within striking distance include HBO\u2019s The Comeback<\/em>, for its third and final season; for their second seasons, Prime Video\u2019s Jury Duty<\/em> (a best comedy nominee for its first) and Netflix\u2019s The Four Seasons<\/em> (Colman Domingo got an acting nom for both); and, for its first, HBO\u2019s The Chair Company<\/em> (which landed unexpected directing and writing noms). Two solid first-year comedies,\u00a0FX\u2019s The Lowdown<\/em> and HBO\u2019s I Love LA<\/em>, were completely shut out, as was network TV\u2019s best hope other than Abbott Elementary<\/em>, NBC\u2019s The Fall and Rise of Reggie Dinkins<\/em>.<\/p>\n

Read more \u2018The Cheetah Girls: Next Gen\u2019 Movie Greenlit at Disney; Raven-Symon\u00e9, Adrienne Bailon Return Alongside New Cast<\/a><\/p>\n

\n\tThe best limited\/anthology series category was filled out with Beef<\/em> (the prior installment of which won the category), FX\/Hulu\u2019s Love Story<\/em>, Netflix\u2019s The Beast in Me<\/em>, HBO\u2019s DTF St. Louis<\/em> and Peacock\u2019s All Her Fault<\/em>. Beef<\/em> is the most nominated limited\/anthology series of the year \u2014\u00a0its 16 noms are three more than the next most nominated \u2014 and the only one, other than DTF St. Louis<\/em>, to land at least one nom in the directing and writing categories, which makes it extra shocking to me that the member of its principal cast who gave the strongest performance, in my view, Cailee Spaeny, was the only one who was not<\/em> nominated. I don\u2019t understand what happened there.<\/p>\n

\n\tLimited\/anthology series that couldn\u2019t have missed by much \u2014 particularly given the underperformance of Love Story<\/em>, which landed just six noms\u00a0\u2014 include Netflix\u2019s Black Rabbit<\/em> (which scored a directing nom for Jason Bateman, one of his four spread between that show and DTF St. Louis<\/em>), Death by Lightning<\/em> (nominated for its writing and Nick Offerman\u2019s supporting turn) and Monster: The Ed Gein Story<\/em> (Charlie Hunnam and Laurie Metcalf got noms).<\/p>\n

\n\tIt\u2019s another year of Peak TV in which the acting categories \u2014 lead, supporting and guest\u00a0\u2014 were dominated by a small handful of shows: The Pitt<\/em> (13), Hacks<\/em> (10), Widow\u2019s Bay<\/em> (6), Shrinking<\/em> (6), DTF St. Louis<\/em> (5) and Pluribus<\/em> (5). Is that more a reflection on the strength of those shows\u2019 performances or the fact that TV Academy members are only watching a relatively small number of shows? Perhaps both. Regardless, the fact that several lower-profile shows still mustered an acting nom \u2014\u00a0e.g. Riz Ahmed for Prime Video\u2019s Bait<\/em>, Chase Infiniti for Hulu\u2019s The Testaments<\/em>, Richard Gadd for HBO\u2019s Half Man<\/em>, Steve Carell for HBO\u2019s Rooster<\/em> and Yahya Abdul-Matteen II for Disney+\u2019s Wonder Man<\/em> \u2014\u00a0is encouraging, I suppose.<\/p>\n

\n\tIn other news\u2026<\/p>\n

\n\tIt\u2019s a big year for pop stars. Taylor Swift, presumably on her honeymoon, got a belated wedding gift from the TV Academy, as Disney+\u2019s Taylor Swift: The Eras Tour: The Final Show<\/em> landed five noms, including one for its namesake, as a credited producer, in the category of best variety special (pre-recorded). Her competition includes Disney+\u2019s The Muppet Show<\/em>, in which Sabrina Carpenter appears, and for which Carpenter is nominated as an EP, and NBC\u2019s Wicked: One Wonderful Night<\/em>, which stars Ariana Grande, who didn\u2019t take a producing credit. Meanwhile, in the category of best variety special (live), Bad Bunny \u2014 under his birth name, Benito Antonio Mart\u00ednez Ocasio\u00a0\u2014 is nominated\u00a0as a producer, alongside Jay-Z, of The Apple Music Super Bowl LX Halftime Show Starring Bad Bunny<\/em>.<\/p>\n

\n\tJoining the Super Bowl halftime show in the variety special (live) category are four awards shows. The 2026 Oscars, hosted by Conan O\u2019Brien, which was recognized with nine total noms, tying the best Emmys showing ever for an Oscars telecast (2013 and 2020); the 2026 Golden Globes, hosted by the aforementioned Nikki Glaser, marking the Globes\u2019 first showing in the category since 2020; the 2026 Grammys, hosted by Trevor Noah; and the 2025 Tonys, hosted by Cynthia Erivo.<\/p>\n

\n\tMegan Stalter, who was overlooked for her scene-stealing turn as Kayla in prior seasons of Hacks<\/em>, scored got a nom for the show\u2019s last season \u2014 just two days after debuting on Broadway in Oh, Mary!<\/em> \u2014 which was nice to see.<\/p>\n

\n\tActress-turned-director Salli Richardson-Whitfield made Emmy history, becoming the first Black woman ever to receive two noms in the same year for best directing for a drama \u2014\u00a0she\u2019s up for both an episode of The Gilded Age<\/em> and the most impressive episode of Task<\/em>, which we recently discussed \u2014\u00a0and, as an EP of The Gilded Age<\/em>, she\u2019s nominated for best drama too.<\/p>\n

\n\tAnd lastly, the makeup of the reality competition category rarely changes, which makes it all the more notable that ABC\u2019s Dancing with the Stars<\/em> was included as a nominee for the first time since 2016, and that CBS\u2019s The Amazing Race<\/em> \u2014 which has more nominations (22) and wins (10) than any other show in the category\u2019s history\u00a0\u2014 was not<\/em> included as a nominee. The Amazing Race<\/em> was nominated for every season for which it has been eligible since the inception of the category in 2003 \u2014 until now. Was the show hurt by atypically bad reviews, did voters tire of it, or did they like it but were simply more enthusiastic about five other shows? Probably a combination of all three.<\/p>\n

Read more Connor Storrie Reflects on \u201cIncredibly Surreal\u201d First Emmy Nomination for \u2018SNL\u2019 Hosting Gig: \u201cI\u2019m so Grateful\u201d<\/a><\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

The 2026 Emmy Awards nominations analyzed, including the Taylor Sheridan snub and 'Widow's Bay' surge, by The Hollywood Reporter's Scott Feinberg.<\/p>\n","protected":false},"author":1,"featured_media":3294,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[245,826,2394,2395,936,827,968,2412],"class_list":["post-3295","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interesting","tag-awards","tag-emmy-awards","tag-emmy-nominations","tag-emmy-nominations-2026","tag-emmys","tag-emmys-2026","tag-taylor-sheridan","tag-the-amazing-race"],"yoast_head":"\n2026 Emmy Nominations Analysis: What to Make of the \u2018Widow\u2019s Bay\u2019 Surge, Taylor Sheridan Rejection and \u2018Amazing Race\u2019 Disappearance - US Property Moves<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/uspropertymoves.com\/?p=3295\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"2026 Emmy Nominations Analysis: What to Make of the \u2018Widow\u2019s Bay\u2019 Surge, Taylor Sheridan Rejection and \u2018Amazing Race\u2019 Disappearance - 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