{"id":3271,"date":"2026-07-08T15:06:48","date_gmt":"2026-07-08T15:06:48","guid":{"rendered":"https:\/\/uspropertymoves.com\/?p=3271"},"modified":"2026-07-08T15:06:48","modified_gmt":"2026-07-08T15:06:48","slug":"moana-review-captivating-newcomer-catherine-lagaaia-and-a-game-dwayne-johnson-invigorate-one-of-disneys-better-live-action-remakes","status":"publish","type":"post","link":"https:\/\/uspropertymoves.com\/?p=3271","title":{"rendered":"\u2018Moana\u2019 Review: Captivating Newcomer Catherine Laga\u2019aia and a Game Dwayne Johnson Invigorate One of Disney\u2019s Better Live-Action Remakes"},"content":{"rendered":"
\n<\/p>\n
\n

Floating in like a refreshing Pacific island breeze, Moana<\/em> comes along a mere 10 years after the animated feature on which it\u2019s based, and while the live-action remake knows better than to tamper with the story\u2019s sturdy bones, this charming new iteration stands confidently on its own. Chalk that up to a winning turn in the title role by Australian newcomer Catherine Laga\u2019aia as a Disney princess with no need for a prince to figure out who she is or what she wants; and winking backup from a self-parodying Dwayne Johnson, fleshing out his voice role from the 2016 original, the egotistical trickster demigod of wind and sea, Maui.<\/p>\n

Read more Sharon Horgan Says It Would Be \u201cCrazy\u201d to \u201cInterfere\u201d With HBO After Paramount Deal<\/a><\/p>\n

I confess I\u2019ll always be skeptical about the need for Disney\u2019s live-action do-over assembly line as anything beyond a cash-grab regurgitation of proven screen properties. But at their best \u2014 say, Kenneth Branagh\u2019s Cinderella<\/em>, for one \u2014 they can put a fresh sparkle on beloved material, allowing for discovery by a new generation and the warm comfort of childhood memories for audiences old enough to have experienced them the first time around.<\/p>\n

\n
\n
\n

\n

\t\t\t\t\tMoana\t\t<\/p>\n<\/h3>\n

\nThe Bottom Line<\/span>
\n<\/p>\n

\tA buoyant surprise.
\n\t<\/span>\n<\/div>\n<\/div>\n

\nRelease date<\/strong>: Friday, July 10
Cast<\/strong>: Dwayne Johnson, Rena Owen, John Tui, Frankie Adams, Jemaine Clement, Catherine Laga\u2019aia
Director<\/strong>: Thomas Kail
Screenwriters<\/strong>: Jared Bush, Dana Ledoux Miller
\n
\n\t\t\t\t\t\t\t\t\tRated PG,
\n\t\t\t\t\t\t\t\t1 hour 55 minutes\t\t\t<\/span>\n<\/div>\n<\/div>\n<\/div>\n

Directed with verve and generosity of spirit by Thomas Kail, the film contains more CG-heavy elements \u2014 cute animal sidekicks, marauding coconut pirates, the magical powers of the ocean or the wrath of a volcanic demon \u2014 that do prompt the usual question: How is this any different from digital animation? But such concerns recede when a movie has this much heart and humor, not to mention respect for South Sea cultures, inventiveness with their mythology and an infectious sense of wonder for the miracles of nature. Does it bring new ideas to the material? No. Does that matter? Also no.<\/p>\n

Played at age four by Emma Puahi-Shapazian, at eight by Amaya Masoli and at 16 by Laga\u2019aia, Moana has been raised with love in the idyllic Polynesian community of Motonui by her parents Tui (John Tui) and Sina (Frankie Adams). But her deepest spiritual bond is with her grandmother, Tala (Rena Owen), who shares stories of their island ancestors and has an intuitive understanding of Moana\u2019s magnetic attraction to the ocean.<\/p>\n

Screenwriters Jared Bush and Dana Ledoux Miller briskly sketch in the legend that hovers like a stormcloud waiting to descend over life in the lush coconut groves and on the golden beaches. A thousand years ago, in a misguided effort to bestow the gift of creation on humanity, Maui stole the heart of the goddess of nature Te Fiti and then lost it at the bottom of the sea, along with the magic silver fishhook that enabled his shape-shifting powers. With Te Fiti gone, a terrible darkness began slowly taking hold of the islands and their surrounding waters.<\/p>\n

Motonui has long withstood that curse, but trouble catches up to them when disease spreads through the coconut trees and the fisherman report that their once plentiful catch has disappeared. Local lore forbids anyone from venturing beyond the reef, so when Moana volunteers to face that danger and go out into the ocean in search of a new food supply, Tui steps in, fiercely protective of the strong-willed daughter destined to succeed him as chief of Motonui.<\/p>\n

But Tala knows that the sea has chosen Moana to find Maui and force him to restore the heart of Te Fiti, saving the islands from devastation. She takes her granddaughter to a secret cave full of boats, revealing that their ancestors were once voyagers, until the disappearance of Te Fiti made the oceans unsafe. Moana sneaks away and sets sail, with the ocean guiding her at every step. Even when she\u2019s tossed about in a violent storm and washed up on a deserted island beach it\u2019s for good reason, taking her directly to Maui.<\/p>\n

Read more 2026 Emmy Nominations: Watch the Livestream<\/a><\/p>\n

Johnson is a great sport as the conceited demigod, popping his massive muscles and flipping his long, luxuriant curls while inviting the \u201ctiny human\u201d to worship him. Moana, however, is unimpressed. He considers her mission foolhardy and is fearful of going up against Te K\u0101, the demon of fire and earth that long ago rendered him powerless. Instead, he takes off in Moana\u2019s boat, but finds her impossible to shake.<\/p>\n

The movie could stand to shave off 10 minutes from its midsection on the ocean, which often suffers from too many flat, green-screen backgrounds. But much of the enjoyment comes from the scrappy rapport of the seemingly mismatched voyagers, as Maui keeps looking out for himself and Moana refuses to let him shirk his responsibility. She appeals to his vanity by talking up his potential to become a hero to mankind again; even the tattoos that cover his upper body and have a life of their own, like animated hieroglyphics, agree with her.<\/p>\n

Johnson and Laga\u2019aia are terrific together as the reluctant buddies, whether facing disaster or adventure, often breaking into catchy songs by Lin-Manuel Miranda, Opetaia Foa\u2019i of Oceanic music group Te Vaka, and Mark Mancina, who composed the score. Sure, many of the songs could almost be recycled melodies from Hamilton<\/em> \u2014 a celebrated previous collaboration of Miranda and Kail you might have heard of \u2014 but the actors inject so much personality into the numbers that it seems churlish to quibble. <\/p>\n

Among the standouts are Moana\u2019s lovely \u201cHow Far I\u2019ll Go,\u201d tweaking the traditional Disney princess \u201cI want\u201d song so that it\u2019s just as much an anthem of promise for the wayfinder and leader she will become; and Maui\u2019s vigorous expression of self-love, \u201cYou\u2019re Welcome,\u201d with its amusing rapper Rock interlude. As in the original film, one of the most fun musical moments is \u201cShiny,\u201d a cute glam-rock riff sung once again by Jemaine Clement as Tamatoa, a giant crab with a glitter fetish. High on top of the crustacean\u2019s mountain of treasures from the ocean floor sits Maui\u2019s lost hook.<\/p>\n

While the movie belongs to Laga\u2019aia (whose father is of Samoan descent) and Johnson, there are invaluable contributions from Tui and Adams as Moana\u2019s proud parents. It\u2019s a stirring touch that Sina recognizes and subtly encourages their daughter\u2019s formidable drive before the chief is willing to accept her independence. And Owen \u2014 the New Zealand actress who first gained attention as the victim of domestic violence in Lee Tamahori\u2019s grueling Once Were Warriors<\/em> \u2014 brings warmth and earthy wisdom to Tala, who provides a living link to the ancestors. <\/p>\n

There\u2019s been some online indignation \u2014 when isn\u2019t there? \u2014 about it being too soon to remake a widely adored film from 2016. In principle, I would agree, but the new Moana<\/em> is a captivating family entertainment that deserves to find an audience \u2014 brimming with visual interest, vibrant color, gorgeous design elements (the fine detailing in Liz McGregor\u2019s costumes is exquisite) and alluring tropical settings. Principal location shooting was done on O\u2019ahu, Hawaii\u2019s third-largest island. The joyfully moving final act almost makes it feel almost like a vacation there.<\/p>\n

Read more Chelsea Handler to Launch Podcast Network With New Show From Yamaneika Saunders (Exclusive)<\/a><\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Catherine Laga\u2019aia stars opposite Dwayne Johnson in 'Moana,' Disney's live-action reimagining of the 2016 animated feature about a Polynesian teen.<\/p>\n","protected":false},"author":1,"featured_media":3270,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[2402,169,2379,952,2403,2381,2384],"class_list":["post-3271","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interesting","tag-catherine-lagaaia","tag-disney","tag-dwayne-johnson","tag-jemaine-clement","tag-lin-manuel-miranda-2","tag-moana","tag-thomas-kail"],"yoast_head":"\n\u2018Moana\u2019 Review: Captivating Newcomer Catherine Laga\u2019aia and a Game Dwayne Johnson Invigorate One of Disney\u2019s Better Live-Action Remakes - US Property Moves<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/uspropertymoves.com\/?p=3271\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u2018Moana\u2019 Review: Captivating Newcomer Catherine Laga\u2019aia and a Game Dwayne Johnson Invigorate One of Disney\u2019s Better Live-Action Remakes - 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