{"id":3096,"date":"2026-07-06T10:06:49","date_gmt":"2026-07-06T10:06:49","guid":{"rendered":"https:\/\/uspropertymoves.com\/?p=3096"},"modified":"2026-07-06T10:06:49","modified_gmt":"2026-07-06T10:06:49","slug":"film-set-in-worlds-largest-female-exclusion-zone-among-queer-projects-in-development-in-karlovy-vary-spotlight","status":"publish","type":"post","link":"https:\/\/uspropertymoves.com\/?p=3096","title":{"rendered":"Film Set in World\u2019s Largest Female Exclusion Zone Among Queer Projects in Development in Karlovy Vary Spotlight"},"content":{"rendered":"
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The \u00a0Karlovy Vary\u00a0International\u00a0Film Festival\u00a0(KVIFF) international industry program kicked off on Monday with a focus on new film projects in development, including a spotlight on selected queer stories.<\/p>\n

Read more Kevin Costner\u2019s \u2018Dances With Wolves\u2019 Restored Extended Director\u2019s Cut to Premiere at Locarno<\/a><\/p>\n

In collaboration with the\u00a0Midpoint Institute\u2018s\u00a0Midpoint Focus Queer, a program supporting filmmakers exploring queer narratives, KVIFF Industry Days showcased four such films in the works, which cover a range of genres and geographies.<\/p>\n

Check out a closer look at the four queer film projects pitched on the KVIFF Industry Days stage on Monday.<\/p>\n

Nuusiku<\/em><\/strong>
Directing debut
Writer and director info: Laudika Yandangii Hamutenya, a Namibian filmmaker from Ohangwena whose work explores identity, masculinity, and belonging in contemporary Africa.
Producer: J\u00e9r\u00e9mie Palanque
Production company: Woooz Pictures (France)
Language: Oshiwambo
Genre: action, drama, queer romance
Countries: Namibia, France<\/p>\n

Synopsis:
Nekomba, a 21-year-old performance artist, attempts to recreate a childhood dance she once performed with her aunt, one believed to summon physical ancestors. She hopes this act will slowly reconnect her now westernised Owambo culture to its spiritual roots. Instead, she is transported to a precolonial village, where she encounters both the beauty and shock of a way of life vastly different from her own. There, she falls in love with Nuusiku, a young woman who embodies a sense of queer freedom within her culture. But this world holds contradictions: Nuusiku has been chosen to be sacrificed as a companion to a dying king. While Nuusiku accepts her fate, Nekomba struggles to save her, forcing her to confront the violence within a past she once romanticised.<\/p>\n

Creator\u2019s statement:
\u201cNuusiku<\/em>, meaning \u2018within the night\u2019 or \u2018born from the night\u2019 in Oshiwambo, is a deeply personal meditation on memory, longing, and the danger of romanticizing the past. As a queer Oshiwambo filmmaker raised between tradition and modernity, I am drawn to the tension between reclaiming culture and questioning it. Through Nekomba\u2019s journey, the film explores a pre-colonial world that is both beautiful and unsettling, where belonging and exclusion coexist. While she seeks spiritual truth, she is confronted with practices that challenge her ideals, including the sacrifice of the woman she loves. Nuusiku asks whether we would truly feel free in the past we glorify, and whether modern, often Western-influenced ideas, especially around queerness, have also created necessary space for us to exist. Ultimately, it is a reflection on culture as something evolving, not fixed.\u201d<\/p>\n

Selamlik<\/em><\/strong>
Writer and director info: director Jerry Carlsson, a Swedish director and screenwriter who has directed shorts and two episodes of Netflix\u2019s Young Royals<\/em> season 3; writer Khaled Alesmael
Producer: Frida M\u00e5rtensson
Production company: Verket Produktion (Sweden)
Languages: Arabic, English, Spanish, Swedish
Genre: drama
Countries: Sweden, Denmark<\/p>\n

Pitch highlights:
\u201cWhen I was at Damascus one night, the war xxxxx<\/strong> to the edge of our apartment,\u201d Alesmael shared. \u201cMy boyfriend and were not afraid to die. We were afraid not to see each other again, not to be together. Also, we were afraid \u2026 everyone and queer people [would] forget about our story, \u2026 so we grabbed our phone and started taking photos of ourselves and recorded a video kissing. Really, in that moment, we wanted our love to survive.\u201d<\/p>\n

Carlsson told the audience: \u201cWhen Khaled shared this story with me, I immediately connected with the shared queer experience of searching for love, freedom, finding a place in the world to call home.\u201d And he explained that the end of the film would take audiences to \u201cNew Year\u2019s Eve 2011, at the dawn of the Arab Spring, the night when [th etwo] first meet each other, filled with young love and this great hope for freedom and a possible future.\u201d<\/p>\n

Read more Why Maria Bakalova and Rebekah Fortune Fell in Love With \u2018Learning to Breathe Under Water\u2019 and What\u2019s Up With That Shark on the Roof<\/a><\/p>\n

Synopsis:
In Damascus, two men hide beneath their bed, not afraid to die but afraid to die apart. After years of separation, Furat (37), now a writer exiled in Sweden, travels to C\u00f3rdoba to reunite with Pierre (27), the love of his life whom he left behind when fleeing the war in Syria. Furat hopes to revive the love they once shared. But Pierre arrives guarded, carrying a secret that will change everything. During this tense and intimate weekend, memories of their relationship begin to resurface: their farewell, their shared home, a beloved dog, demonstrations for freedom and the night they first met at the dawn of the Arab Spring, when love and freedom still seemed possible. As past and present close in around them, they must face the truth: their love is still alive, but they are no longer the people who once dreamed of freedom together.<\/p>\n

Creator\u2019s statement:
\u201cFurat and Pierre exist between who they once were and who exile has turned them into. Furat lives in Sweden and Pierre in Canada, yet neither fully belongs to the lives they have built. They reunite in Spain, carrying different versions of the same loss. C\u00f3rdoba holds this tension in its stones. Built by old Syrians, it is the closest living echo of a home that no longer exists as they knew it. The city mirrors displacement, beauty and loss, making it the only possible setting for this story. The film unfolds across two timelines: a reunion in present-day C\u00f3rdoba and a love story in Damascus told in reverse. The structure reflects how trauma works: we return obsessively to the last moment, then unravel what came before. As C\u00f3rdoba moves toward goodbye, Damascus moves back toward the night they first met, when freedom and a future still felt possible. It is a love story told forward and backward, about what remains when love survives but the lovers do not.\u201d<\/p>\n

Skeeter<\/em><\/strong>
Writer and director info: Dylan Mitro, a queer independent filmmaker based in London, Ontario, Canada.
Producer: Taylor Nodrick
Production company: Ghoul Nexus (Canada)
Language: English
Genre: queer horror
Country: Canada<\/p>\n

Synopsis:
Davey (27), a charismatic go-go dancer, is caring for his sick roommate Joe. Joe (31) was an outspoken gay activist but has been in and out of the hospital, suffering from several HIV complications including memory loss. After losing many friends to AIDS, Davey fears Joe is next. Seeking escape from this fate, Davey brings their chosen family together for one last weekend getaway to a remote lake cabin in the forest. The group arrives at the lake during mosquito season, triggering a buzz of paranoia amongst the local lake residents, fearing that Davey\u2019s friends will expose them to contracting HIV from a mosquito bite. In the isolation of the cabin the group tries to find some peace,but when Joe goes missing in the woods, the group need to decide where they find help, testing what lengths they will have to go to for the ones they love.<\/p>\n

Creator\u2019s statement:
\u201cFor Skeeter<\/em>, the story emerged from my investigative research in Canada\u2019s 2SLGBTQIA+ archives, diving into real life accounts of what it was like to be a homosexual on the front lines of the AIDS crisis in the 1990s, and how the gay community took care of each other and fought for survival, to still live life to the fullest. Between funerals, rallies, parties, and community organizing, I want their triumphs celebrated, and their struggles to be remembered. For Skeeter<\/em>, I was drawn to exploring the classic horror trope structure of the \u2019Fate of death by a monster in the woods,\u2019 to critique and flip on its head. The mosquito becomes a vessel to symbolize the connection between the buzzing of the characters\u2019 internal fears about death with their external fear of being viewed as a threatening monster.\u201d<\/p>\n

Unholy<\/em><\/strong>
Writer and director info: Phaedra Vokali, the former editor-in-chief of Cinema Magazine, head of programming at Athens International Film Festival and general director of the Hellenic Film Academy is now turning her attention to her first feature.
Producer: Hermione Efstratiadou
Production company: Foss Productions (Greece)
Language: Greek
Genre: comedy
Country: Greece<\/p>\n

Pitch highlights:
\u201cI grew up in a conservative religious family,\u201d Vokali shared, highlighting that the film is set in Mount Athos in northern Greece, a 130-square-mile autonomous monastic state that is \u201cthe world\u2019s largest female exclusion zone.\u201d She called it \u201ca place that will not change in another thousand years.\u201d<\/p>\n

\u201cWe are not allowed to film in the actual peninsula,\u201d but are the first-ever feature filming around Mount Athos, explained Efstratiadou.<\/p>\n

Synopsis:
Irene has spent her life saying yes to everyone. Until her father\u2013 the guy who left them ages ago to become a monk\u2013 drops off the map with her life savings. Irene\u2019s solution? She shaves her head, buys a mustache and practices her deepest \u201cblessings, brother.\u201d Her destination? Mount Athos: the only place on Earth where women\u2013 and female animals\u2013 have been banned for over a thousand years. Her boyfriend comes along because he is terrible at saying no. Her estranged sister and her girlfriend invite themselves for the chaos. This drag fellowship begins to wreak havoc in the secluded state that echoes medieval times. Inside the labyrinthine monasteries, Irene finds not just a missing dad but the absurd rulebook of patriarchy itself. To get her money and her life back, this people-pleaser must finally become the woman they never saw coming.<\/p>\n

Creator\u2019s statement:
\u201cUnholy<\/em> uses a high concept to ask: what happens when a woman stops following the rules? Mount Athos, where women have been banned for a millennium, becomes the perfect setting for Irene\u2019s rebellion. Blending comedy, drama, and mystery, the film mirrors its protagonist\u2019s journey, refusing to sit still: It steals from heist movies, then wanders into a forest where time slows down. It borrows the rhythm of a screwball comedy, then stops for a quiet confession. It turns laughter into silence and then cracks open into something tender. This is not genre-bending for its own sake. It is the only way to tell a story about a woman who has never been allowed to be her whole self. My personal history with Orthodox Christianity informs every frame, as does my belief that liberation is funnier, messier, and more sacred than any sermon.\u201d<\/p>\n

Read more \u20183 Weeks After\u2019 Is a Timely Film About Peer Violence and \u201cViolence Itself, How It Is Learned, Tolerated\u201d<\/a><\/p>\n

<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Queer films in development took the Karlovy Vary KVIFF Industry Days spotlight.<\/p>\n","protected":false},"author":1,"featured_media":3095,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[2,945,1212,1213,926],"class_list":["post-3096","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interesting","tag-international","tag-karlovy-vary-international-film-festival","tag-kviff","tag-kviff-2026","tag-lgbtq-2"],"yoast_head":"\nFilm Set in World\u2019s Largest Female Exclusion Zone Among Queer Projects in Development in Karlovy Vary Spotlight - US Property Moves<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/uspropertymoves.com\/?p=3096\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Film Set in World\u2019s Largest Female Exclusion Zone Among Queer Projects in Development in Karlovy Vary Spotlight - 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