{"id":30,"date":"2026-05-16T17:06:52","date_gmt":"2026-05-16T17:06:52","guid":{"rendered":"https:\/\/uspropertymoves.com\/?p=30"},"modified":"2026-05-16T17:06:52","modified_gmt":"2026-05-16T17:06:52","slug":"inside-obsessions-ending-inde-navarrette-on-nikkis-fate-and-becoming-horrors-newest-scream-queen","status":"publish","type":"post","link":"https:\/\/uspropertymoves.com\/?p=30","title":{"rendered":"Inside \u2018Obsession\u2019s\u2019 Ending: Inde Navarrette on Nikki\u2019s Fate and Becoming Horror\u2019s Newest Scream Queen"},"content":{"rendered":"
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\n[This story contains spoilers from Obsession<\/em>.] <\/strong><\/p>\n

\n\tIt\u2019s a tale as old as time: Be careful what you wish for.<\/p>\n

\n\tIn Curry Barker\u2019s supernatural horror film Obsession<\/em>, Inde Navarrette\u2019s Nikki becomes the target of a dangerous wish when her shy friend Bear (Michael Johnston), desperate to escape the friendzone, wishes that she would love him more than anyone else in the world. To his surprise, it works \u2014 but not in the fairytale way he imagined. Instead, Nikki\u2019s love spirals into something violent, possessive and terrifying.<\/p>\n

Read more Box Office Thriller: \u2018Michael\u2019 Returns to No. 1 Thanks to Imax and Other Premium Screens, \u2018Obsession\u2019 Also a Win<\/a><\/p>\n

\n\tAs Nikki transforms from an ordinary young woman into an unhinged force willing to do anything to keep Bear to herself, Navarrette delivers a seamless and chilling performance that has quickly positioned her as one of horror\u2019s most exciting new talents.<\/p>\n

\n\tA major part of Obsession<\/em>\u2019s impact also comes from Barker\u2019s fresh voice as a writer-director. Following its buzzy premiere at the Toronto International Film Festival, Focus Features acquired the $750,000 indie for $15 million, with critics and audiences praising its bold take on supernatural horror. But at the center of it all is Navarrette, whose fearless turn grounds the film\u2019s shocking premise in something both heartbreaking and haunting.<\/p>\n

\n\t\u201cI think the horror world will be very happy,\u201d Navarrette tells The Hollywood Reporter<\/em> of Barker\u2019s future in the genre. \u201cIt\u2019s gonna be a lot better with Curry part of it, because he\u2019s a new and specific voice.\u201d<\/p>\n

\n\tRead on to find out how Navarrette pulled off that bonkers performance, whether Nikki and Bear ever could have worked if he\u2019d just told the truth, how she unpacked that devastating plea for death and what she believes really happens to Nikki after the film\u2019s shocking twist.<\/p>\n

\nI don\u2019t know how much you\u2019ve seen online, but everywhere I look, people are calling this one of the great horror performances. What<\/strong> has it been like stepping into horror in such a major way and already getting that kind of response from audiences, especially horror fans?<\/strong><\/p>\n

\n\tIt feels very surreal. I try not to look at a lot of comments, only because I really want to take in every moment. I mean, I\u2019m doing a press junket for the first time. I\u2019m doing a bunch of things for the first time. So, I really want to be present, but it feels really insane. I mean, it\u2019s nuts. It feels really, really good.<\/p>\n

\nYour chemistry with Michael is so central to making this story work. Did that connection feel immediate when you first read together?<\/strong><\/p>\n

\n\tYes, I felt like I understood Nikki more reading opposite Michael because the responses I was saying, the lines written down, became real and made sense. There\u2019s a different meaning to them. It was like a person-to-person conversation versus two actors reiterating what was on a page, and our chemistry was so immediate and specific. We have brother-sister chemistry, which is great, because then you look at them on screen and you go they should not be together, it feels gross and wrong on so many different levels. But one specific one being that Michael and I have chemistry that is not romantic, so I think that really adds to their relationship. <\/p>\n

\nEarly on, Nikki and Bear\u2019s relationship feels complicated and even confusing. One could argue she\u2019s sending mixed signals, but when Bear downplays his feelings and says they\u2019re just friends, Nikki looks like she\u2019s genuinely disappointed. If Bear had been honest from the start, do you think Nikki might\u2019ve been open to something more?<\/strong>\n<\/p>\n

\n\tI completely think so. Something Curry and I talked about in the beginning was that since the whole film is from Bear\u2019s perspective, we never leave that. We played with this idea of: Bear doesn\u2019t know how Nikki feels. Bear only knows that he really likes her. So we played with the performance aspect of Nikki, of having it be super ambiguous. Does she actually like him? Does she not? Because that\u2019s exactly how Bear feels. But I think, as the person who played Nikki, she definitely would have been open to the conversation if he had just said something, but he didn\u2019t. <\/p>\n

\n\tNikki\u2019s an extremely free-spirited person, because she talks about quitting, she talks about leaving, she talks about wanting to become a writer. I think Nikki loves, and she loves to love. It was a little disappointing that he also thought they were friends, because I think she felt a vibe. <\/p>\n

\nYour physicality in this film is so unpredictable \u2014 sometimes terrifying, sometimes darkly funny \u2014 and certain moments even reminded me of classic possession performances like The Exorcist. <\/em>Did you look to any iconic horror performances for inspiration, or was Nikki\u2019s movement something you wanted to build from scratch?<\/strong><\/p>\n

\n\tNikki\u2019s movement was something that Curry and I built from scratch, not because we didn\u2019t want to take any inspiration. It was just as soon as we got attached to the project, we just really spearheaded. It was a fast track. We filmed it in 26 days, and it was an indie-budget film, so we didn\u2019t have a lot of things at our disposal. But that created this organic movement for me. I mean, I\u2019m not a movement person. I\u2019ve never really done that before. I used to dance, but Curry would be on the opposite side of me, mimicking something with his body, and then I would do it in a way, and be like, \u201cNo, no, like this.\u201d And so we would mirror each other. Technically, the choreographer would be Curry Barker. (Laughs.<\/em>)<\/p>\n

\nYour voice work and facial expressions are unsettling at times, especially in scenes like the party sequence. Were those screams and vocal shifts really all you, and how did you craft Nikki\u2019s voice once she begins to change?<\/strong><\/p>\n

\n\tYeah, everything in the movie, whether it\u2019s facials or vocals, are me. We didn\u2019t use any AI, or CGI. Everything was extremely practical. I do know that certain things were pitched up for an effect, to be in symphony with the sound design. But Curry and I had a lot of fun making voices. It was terrifying, especially during that really long monologue. That was an audition scene for me. I just remember being like, \u201cI\u2019m going to have so much fun with this, because who cares?\u201d You either have to send it or not go in at all. I remember doing the audition, and like my goal was to make everybody as uncomfortable as humanly possible, and [thinking], \u201cHow does that come out, and what do you do?\u201d So that voice came out of an urge for me trying to make everybody extremely uncomfortable.<\/p>\n

Read more \u2018The White Lotus\u2019 Has Found Its Perfect Hotel<\/a><\/p>\n

\nThe moment where Nikki appears asleep, but Bear hears her tell him to kill her. How did you interpret that scene \u2014 was that really Nikki herself breaking through?<\/strong><\/p>\n

\n\tYes, that really was Nikki breaking through. If you look closely during that scene, my body is convulsing. There were so many times when there was a physical nature to Nikki that my body also added. It was almost like my brain and body were completely disconnected, like the two Nikkis, where I would get really visceral shakes. Especially in that scene, you can see my body trembling, because you feel the physical anxiety. She\u2019s begging to be killed, because she knows that a person that should protect her and love her, her friend that she has been kind to, and listens to. At the bar scene, she goes back to him, like, \u201cNo, you were saying something.\u201d She really, really cares about Bear. And how gut-wrenching that is to watch him do everything that he\u2019s doing. That scene in the film really shows how much it affects the quote-unquote real Nikki, how much damage she\u2019s taking and how traumatizing this experience is for her. She just wants to end it all, because she doesn\u2019t have another option.<\/p>\n

\nWhen she becomes so much more violent as the film goes on, do you think that that\u2019s because she has some deep resentment for Bear for making that wish?<\/strong><\/p>\n

\n\tI never thought about that, but I love it when things like that come up, because I mean, we never distinctly tell the audience how to feel. We allow them to feel what they\u2019re feeling. And it\u2019s great hearing the feedback, because it\u2019s like, yeah, that makes sense. It makes complete sense, but also at the same time, Nikki\u2019s always at a 10 from the second act on, so whenever you feel jealousy, what is a 10 version of jealousy look like? I mean, there\u2019s crimes of passion, there\u2019s murders that come out of passion and Nikki is just extremely passionate. (Laughs.<\/em>) I think it was the dichotomy of both, but I don\u2019t think the violence stemmed from resentment, because Nikki is so<\/em> in love with Bear. She\u2019s obsessed with him, so it\u2019s just the heightened versions, and what does that heighten look like? <\/p>\n

\nThe film\u2019s third act is already intense, but I know the TIFF cut was even more graphic before some material was removed to avoid an NC-17 rating. How different was that earlier version, and what can you share about what audiences didn\u2019t end up seeing?<\/strong><\/p>\n

\n\tHonestly, it\u2019s not that different. It\u2019s just whenever I kill Sarah, we reduced the amount of head smashes because it was too long. I really loved the response at TIFF, because people really liked how long it is and how aggressive Nikki is. It shows how obsessed she is, what she\u2019s willing to do for Bear and how far she\u2019s willing to take it. It\u2019s just really intense. Also, what was cut was the aftermath. Curry wanted to play with the idea of what does a human body do after that sort of smashes, like there\u2019s gurgles come out, so there was gurgles, there was like human sounds that might have been too gruesome for an R rating, so they kind of downsized it. TIFF definitely got a really gruesome, gruesome version, but it sounded like they liked it. Yeah, they definitely got a sneak peek. (Laughs.<\/em>)<\/p>\n

\nWhat was your reaction to the ending and Bear\u2019s decision to sacrifice himself to undo the wish? How did you process that for Nikki, and was there ever talk about her dying, too?<\/strong><\/p>\n

\n\tWhenever I first got the script, I tried not to read any scenes Bear had alone, because I really wanted to see this fully from Nikki\u2019s perspective. So, the first time that I ever saw that scene was at TIFF, and I just started crying, because I was like, \u201cHoly shit, he goes from this innocent boy to making a wish out of desperation, not knowing if it will work, and then it does work, and then he gets what he wants, but then he realizes how damaging it is to her, and that he doesn\u2019t want it anymore, so he does make that decision. But what I thought was cool is Michael asked Curry if he could try and throw up the pills after he ingests all of them, because he\u2019s too coward at the end of the day, he doesn\u2019t want to die, he thinks of himself. So, the moment where he actually goes to throw all of them up, and then you hear Nikki making the wish that he would be more in love with her, that\u2019s the reason why he dies, because he actually doesn\u2019t have time to throw them all up, because then a wish overtakes him.<\/p>\n

\n\tIn terms of what potentially could have been my death scene in the ending, the original ending was that I was going to choose that I didn\u2019t want to live that way anymore, after all of the trauma and pain. Last second, they were like, \u201cLet\u2019s just try this one thing,\u201d and from other people\u2019s perspective, which is high praise for me, and I really, really appreciate it, they did one take, they felt like it was magical and electric, and they knew that that was the ending. At the end of all of this, it was such a release to get all of what I felt like Nikki was experiencing out of my body. I\u2019m really glad that she didn\u2019t die. I\u2019m really glad that she\u2019s considered a horror final girl, that I think is the sickest title ever.<\/p>\n

\nDo you have a horror icon or Scream Queen you look up to?<\/strong><\/p>\n

\n\tOh my God. Well, I\u2019ve never said this before publicly, but I\u2019m a really big fan of Jennifer\u2019s Body. <\/em>Megan Fox\u2019s performance in that film, I think, was groundbreaking, was so stark different than anything she had ever done before. I love her performance. She really twists it. Now that I\u2019m thinking about it, the roles are kind of very similar to a certain extent. So, I would say Jennifer\u2019s Body<\/em> is a Scream Queen that I\u2019ve definitely loved throughout time. A more modern day version of that is I am just in awe of Mia Goth. I think she is so wonderful in the horror genre, because she is so incredibly grounded and human, which adds just another layer to horror that I love.<\/p>\n

\nOnce Nikki returns to herself, she\u2019s still left with extreme trauma and consequences, given that the possessed version of her murdered two people. Where do you imagine she goes from there?<\/strong><\/p>\n

\n\tI think she starts a grieving process. There\u2019s jokes about her going to jail, because obviously, where else is she gonna go? (Laughs<\/em>.) She\u2019s kind of done it all, and nobody believes that the wish is real. But I think in her personal journey, she just starts grieving. I mean, we all go through traumatic events, and so I think, similar to Nikki\u2019s, you just start the grieving process.<\/p>\n

\nBecause Nikki\u2019s future is left so open-ended, it feels like there\u2019s more story to tell. Could you see yourself revisiting this world for a sequel?<\/strong><\/p>\n

\n\tI absolutely would, but I really love the idea that it\u2019s kind of left there. It\u2019s like a memory, whenever you look back to yourself at like 24, 23, 22 those are all chunks, and they begin and end at a certain point. I think that\u2019s kind of like this story. It begins and it ends, and then it\u2019s new Nikki, if you will. (Laughs.<\/em>)<\/p>\n

\n\t***<\/p>\n

\n\tObsession is now playing in theaters<\/em>.\u00a0Check out all of\u00a0<\/em>The Hollywood Reporter\u2018s\u00a0coverage here<\/em><\/em>.<\/p>\n

Read more Welcome to \u2018The Station,\u201d Where the Rules Are: \u201cNo Men. No Weapons. No Politics.\u201d<\/a><\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

‘Obsession’ star Inde Navarrette breaks down Nikki’s biggest moments \u2014 from whether she and Bear ever had a real chance to that plea for death.<\/p>\n","protected":false},"author":1,"featured_media":29,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[22,16,23,20],"class_list":["post-30","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interesting","tag-blumhouse","tag-curry-barker","tag-focus-features","tag-obsession"],"yoast_head":"\nInside \u2018Obsession\u2019s\u2019 Ending: Inde Navarrette on Nikki\u2019s Fate and Becoming Horror\u2019s Newest Scream Queen - US Property Moves<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/uspropertymoves.com\/?p=30\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Inside \u2018Obsession\u2019s\u2019 Ending: Inde Navarrette on Nikki\u2019s Fate and Becoming Horror\u2019s Newest Scream Queen - 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