{"id":2909,"date":"2026-07-02T09:37:15","date_gmt":"2026-07-02T09:37:15","guid":{"rendered":"https:\/\/uspropertymoves.com\/?p=2909"},"modified":"2026-07-02T09:37:15","modified_gmt":"2026-07-02T09:37:15","slug":"paris-paris-director-on-her-fiction-feature-debut-that-is-very-political-but-not-in-your-face","status":"publish","type":"post","link":"https:\/\/uspropertymoves.com\/?p=2909","title":{"rendered":"\u2018Paris Paris\u2019 Director on Her Fiction Feature Debut That Is \u201cVery Political, But Not in Your Face\u201d"},"content":{"rendered":"
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See Paris and die! See Paris Paris<\/em> and see the world differently!<\/p>\n

The title of the debut fiction feature of Belgian writer-director Isabelle Tollenaere (Battles<\/em>, Victoria<\/em>), which world premieres on Tuesday, July 7 in the Proxima competition program of the\u00a060th edition\u00a0of the\u00a0Karlovy Vary\u00a0International\u00a0Film Festival\u00a0(KVIFF), hints at what awaits audiences in the drama about home, the idea of home and displacement.<\/p>\n

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Repetition as a way of keeping one\u2019s memory of home alive, for example. And the fact that there is also a Paris, kind of, in China \u2013 Tianducheng, a huge residential development in Hangzhou, Zhejiang Province that mimics buildings, boulevards and fountains in the French capital and even a 354-foot replica of the Eiffel Tower.<\/p>\n

Paris Paris<\/em> follows three men, Yi-En from China, Junior from the Democratic Republic of Congo, and Hamzah from Palestine, who are undocumented immigrants and share a squatted apartment in a seemingly abandoned building in Paris. They share the experience of displacement, life in exile and the fleeting nature of possessions and relationships, as their current safe space comes under threat from outside forces.<\/p>\n

The KVIFF website calls the film an \u201callegory of searching, loss, displacement, and the discovery of new meanings and commonalities.\u201d It is set in \u201cone of Europe\u2019s great cities and in a replica of Paris built in China \u2013 a metaphor for the immigrants\u2019 old dream of life in a new home and its gradual transformation into a new dream about their old home.\u201d<\/p>\n

Tollenaere also edited Paris Paris<\/em>, whose cinematographer is Thomas Verijke. The cast is led by Yi-En Chen, David Mutamba and Mahmoud Beshtawi. Square Eyes\u00a0is handling international sales on the film from producers Bo de Group and Hans Everaert of Menuetto.<\/p>\n

Given her background in documentary, you may wonder if her doc work led Tollenaere to Paris Paris<\/em>. Back in 2014, she first read an article online about the replica of Paris in China, and \u201cI was immediately fascinated by this,\u201d the filmmaker recalls. \u201cIt set many thoughts in motion, and I almost immediately had this idea of doubling the same city in one single film, what this could entail, what could happen, what this could mean, and how I could connect these two places, besides their identical appearance.\u201d<\/p>\n

It also led her to spending three months in China. \u201cI was based in Shanghai, which is not that far from Tianducheng,\u201d she tells THR<\/em>. \u201cI was confronted with this huge construction fever, unlike anything I\u2019ve ever seen before. And then there seemed to be demolition happening everywhere I looked, and so I started to dig deeper into this drastically changing landscape and environment. I heard testimonies of people saying that, if they had left home for a while, when they came back, they couldn\u2019t recognize the place anymore, or they couldn\u2019t find their way home anymore. This is when the themes of loss, disappearance, memory, and the precariousness of home first started emerging.\u201d<\/p>\n

Originally, Tollenaere thought about filming a Chinese community in Paris, France, but gradually her approach shifted to a story featuring three protagonists, each coming from a very different place in the world.<\/p>\n

How did she cast the characters? It all started with Yi-En. \u201cWe were both at the same artist residency back in 2018. He\u2019s a dancer and choreographer, and I met him there,\u201d Tollenaere tells THR<\/em>. \u201cAt first, I didn\u2019t think of casting him for the film. I just really liked him, and we hung out, and it was only after a while that I realized that he would be really, really great for the film, so I asked him. He doesn\u2019t have any experience with acting. But from that point on, I continued writing the film with him in mind.\u201d<\/p>\n

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She met the two others \u201cmuch later, when I organized a casting for the film,\u201d the filmmaker shares. \u201cBut I wanted to cast people who had similar experiences as the characters in the film, Yi-En being the exception to that. Because I come from a documentary background, I\u2019ve always welcomed people helping shape a film. So there are many elements that come from the actors that I was allowed to include in the script.\u201d<\/p>\n

How foreign was writing a fiction feature instead of making a doc for Tollenaere? \u201cI always made reality-based films before. They were always hybrid films and had fiction involved, but stayed more on the documentary side of things, so I didn\u2019t really have any intention of making a fiction film,\u201d she recalls. \u201cThere were a few reasons why this shifted along the way, and it just happened really gradually. For example, some of the topics I was dealing with were not easy to access.\u201d<\/p>\n

The filmmaker had the title Paris Paris<\/em> from the very beginning. \u201cNormally, I have a working title that always changes, but with this one, it was there from the beginning,\u201d Tollenaere tells THR<\/em>. \u201cOn one level, obviously, it\u2019s about the two Parises. But also, repetition is used throughout the film as a way of remembering, so the title is very much linked to the theme of memory. The driving and opposing forces in the film are remembering and forgetting and repeating and disappearing.\u201d<\/p>\n

Language, and its power, is also a recurring theme in Paris Paris<\/em>, given how it is tied to the notion of \u201chome.\u201d \u201cWhen you leave your country and speak in your mother tongue, that gives you a very strong feeling of coming home,\u201d the writer-director explains. \u201cThe characters come home in different ways in the film \u2013 through language, through memories, through objects, because if you carry personal objects with you from the place you called home, it\u2019s like you\u2019re carrying a part of that with you.\u201d<\/p>\n

Paris Paris<\/em> shows characters learning French, a new language, which has almost the opposite effect of creating a sense of home. \u201cBecause the vocabulary is so limited in this language, and the phrases they learn in the language course are so generic and full of cliches of the new country, they become meaningless in a sense,\u201d Tollenaere highlights. \u201cThat really emphasizes their position as newcomers and their uncomfortable position and the experience of foreignness and alienation.\u201d<\/p>\n

Given the themes and topics explored in Paris Paris<\/em>, you may wonder if the filmmaker thinks of it as a political movie. \u201cYeah, to me, it\u2019s very much a political film,\u201d Tollenaere tells THR<\/em>. \u201cFirst of all, you have as the protagonists three undocumented immigrants, and you see their struggle and difficulties. I think the film is very political, but it\u2019s not a statement that\u2019s in your face. That\u2019s not my style.\u201d<\/p>\n

How about the fact that Hamzah is Palestinian? \u201cAt first, that was a coincidence, because the actual nationalities were left open in the script,\u201d the writer-director says. \u201cWhen I cast Mahmoud for the role, the fact that he\u2019s Palestinian became part of the film. It started as a coincidence, but I\u2019m really glad about that because this is such an urgent topic that we need to keep addressing. It\u2019s something that touches me a lot, and that makes me feel so powerless. So, I\u2019m really glad that it became part of the film, and even though it\u2019s not the main topic, we get to address it.\u201d<\/p>\n

Tollenaere returned to China with a small crew to shoot the Chinese take on Paris. \u201cWe were there for only a week, and I think we filmed for four or five days, because we only shot exterior scenes,\u201d she recalls. <\/p>\n

Beyond the visuals and the characters, the Belgian creative was focused on getting the tone of Paris Paris<\/em> right. There is drama, there is comedy, there is warmth and all sorts of other emotions. \u201cI was really seeking this balance between tragedy and comedy, or heaviness and lightheartedness,\u201d Tollenaere tells THR<\/em>. \u201cIt\u2019s political, but there\u2019s also lightness in the film. That was very important for me, because even if we experience grief and are in a very difficult situation, there\u2019s always humor. We need humor in order to survive and in order to function. Especially with this kind of subject matter, it\u2019s easy to show people only in their misery, but I really wanted to show them also in their strength and their humanness. They are humans in an inhuman situation, and I wanted to show them in their resilience and hopefulness.\u201d<\/p>\n

Read more Inside the PGA Tour\u2019s Made-For-TV Overhaul<\/a><\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

'Paris Paris' film director Isabelle Tollenaere discusses her political Karlovy Vary 2026 fiction feature debut about home, displacement, memory.<\/p>\n","protected":false},"author":1,"featured_media":2908,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[2,945,1212,1213],"class_list":["post-2909","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interesting","tag-international","tag-karlovy-vary-international-film-festival","tag-kviff","tag-kviff-2026"],"yoast_head":"\n\u2018Paris Paris\u2019 Director on Her Fiction Feature Debut That Is \u201cVery Political, But Not in Your Face\u201d - US Property Moves<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/uspropertymoves.com\/?p=2909\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u2018Paris Paris\u2019 Director on Her Fiction Feature Debut That Is \u201cVery Political, But Not in Your Face\u201d - 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