{"id":2756,"date":"2026-06-30T05:06:23","date_gmt":"2026-06-30T05:06:23","guid":{"rendered":"https:\/\/uspropertymoves.com\/?p=2756"},"modified":"2026-06-30T05:06:23","modified_gmt":"2026-06-30T05:06:23","slug":"elle-review-amazons-cute-enough-legally-blonde-prequel-makes-no-sense-as-a-legally-blonde-prequel","status":"publish","type":"post","link":"https:\/\/uspropertymoves.com\/?p=2756","title":{"rendered":"\u2018Elle\u2019 Review: Amazon\u2019s Cute-Enough \u2018Legally Blonde\u2019 Prequel Makes No Sense as a \u2018Legally Blonde\u2019 Prequel"},"content":{"rendered":"<div>\n<!-- do not apply CSS styles to this element! --><\/p>\n<div>\n<p>\n\tIf you think of Elle Woods as a singular (albeit fictional) individual existing within a singular (albeit fictional) continuity, Amazon\u2019s new <em>Legally Blonde<\/em> prequel defies all narrative logic.<\/p>\n<p>Read more <a href=\"https:\/\/uspropertymoves.com\/?p=2754\">Josh Peck Reveals His \u2018Drake &amp; Josh\u2019 Pay After Four Seasons<\/a><\/p>\n<p>\n\tThe entire premise of the earlier film was that this California girl arrives at Harvard oblivious to life beyond boys, clothes and sorority sisterhood; <em>Elle<\/em>\u2019s reveal that she\u2019d previously spent her teen years amid the grunge rockers and activists of Seattle is a character inconsistency so gaping it\u2019d require a <em>Days of Our Lives<\/em>-level bout of amnesia to fill it.<\/p>\n<div>\n<div>\n<div>\n<h3>\n<p>\t\t\t\t\tElle\t\t<\/p>\n<\/h3>\n<div>\n<span>The Bottom Line<\/span><br \/>\n<span><\/p>\n<p>\tA for effort, B minus for execution.<br \/>\n\t<\/span>\n<\/div>\n<\/div>\n<div>\n<strong>Airdate:<\/strong> Wednesday, July 1 (Prime Video)<br \/><strong>Cast:<\/strong> Lexi Minetree, June Diane Raphael, Tom Everett Scott, Jacob Moskovitz, Gabrielle Policano, Chandler Kinney, Zac Looker<br \/><strong>Developed by:<\/strong> Laura Kittrell\t\t\t<\/p>\n<\/div>\n<\/div>\n<\/div>\n<p>\n\tBut if, on the other hand, you think of Elle Woods as an endlessly rebootable franchise IP \u00e0 la James Bond or Superman, and this latest adventure as a loose re-adaptation of Laura Brown\u2019s source novel rather than an expansion of it, <em>Elle<\/em> makes perfect sense from a business standpoint \u2014 though still only somewhat from a creative one. Amiable enough but nowhere near as charming as its cinematic predecessor, the new series does as much to highlight the limits of the <em>Legally Blonde<\/em> concept as its adaptability.<\/p>\n<p>\n\tAs you\u2019d expect, this Elle (Lexi Minetree) begins her story as a sheltered L.A. princess, though the choice to make her a rising high school junior in 1995, rather than a graduating college senior in 2001, makes her feel as much a kin to <em>Clueless<\/em>\u2018s Cher Horowitz as to the original Elle Woods. At the start, she\u2019s got it all: two loving parents (Tom Everett Scott\u2019s Wyatt and June Diane Raphael\u2019s Eva), an enormous Bel-Air mansion, a tight-knit group of gal pals, a cute boy waiting in the wings, even a three-point plan for conquering the social hierarchy in the new school year.<\/p>\n<p>\n\tThen, on the evening of her 16th birthday, Elle receives the devastating news that the Woodses are moving to Seattle. Suddenly, everything that made her so admired in L.A. \u2014 her girlishness, her bubbliness, her taste for Barbie-pink minidresses \u2014 makes her suspect to a student body so homogenously grungy that the requisite cafeteria clique tour just cuts from one table of kids in gray flannels and black Doc Martens to another.<\/p>\n<p>\n\tThis is, of course, in no way a fair portrayal of the Emerald City, and anyone who lived through the era or lived in the town is bound to roll their eyes at how cheesily stereotypical it feels. But <em>Elle<\/em>\u2018s tongue-in-cheek tone, soundtracked to nostalgic needle drops like Radiohead, Soundgarden and Garbage (the latter for the opening title sequence), is enough to keep it from feeling like a normie\u2019s affectionate fantasy of \u201990s anti-establishment cool rather than an insult to Seattle\u2019s robust population of people who like team sports just fine and do not dress exclusively in neutral-toned plaids.<\/p>\n<p>\n\tThe bigger issue is that the flatness of the show\u2019s setting contradicts its very premise. On the one hand, Seattle is all punky rebels marching to the beat of their own drums; on the other, all those individual drums are apparently synced to the exact same rhythm. Only Elle seems out of tune, and she\u2019s scorned for this \u201cconformity.\u201d The framing awkwardly if unintentionally evokes the defensive reactionary position that rich, straight, feminine white women are the most oppressed of all, though the effect mellows as other individual characters become more fleshed out.<\/p>\n<p>Read more <a href=\"https:\/\/uspropertymoves.com\/?p=2752\">Will Ferrell Is Lonnie Hawkins in New Skims Campaign<\/a><\/p>\n<p>\n\tIn any case, despite the obstacles of her flaxen hair and trendy designer wardrobe \u2014 and the even bigger disadvantage of having <em>immediately<\/em> pissed off the most popular girl in school (Chandler Kinney\u2019s Kimberly) on her very first day \u2014 Elle begins to find her place. First it\u2019s by helping raise money for the school\u2019s underpaid support staff, then by campaigning to reinstate an unjustly fired member of said support staff (Amy Pietz as a messy but well-meaning secretary), then by investigating a larger conspiracy around these events that goes all the way to the top (i.e., a smarmy school principal played by Matt Oberg).<\/p>\n<p>\n\tMuch of <em>Elle<\/em>\u2019s initial draw rests on the lead performance by Minetree, which hews uncannily close to Reese Witherspoon\u2019s from the movie. Not only does Minetree look more like Witherspoon (who\u2019s credited as an EP) than Witherspoon\u2019s own daughter, she nails every vocal inflection and physical tic with sweet-as-pie precision. It\u2019s a turn impressive enough on a technical level and likable enough on an emotional one to have you wishing Minetree had actually been allowed to make the role her own.<\/p>\n<p>\n\tAs with any ongoing series, though, <em>Elle<\/em>\u2019s long-term sustainability will live or die by its ensemble. There, too, the results are promising but not yet spectacular. Scott has not much to do as the cheerfully dorky dad who takes to Seattle like a duck to water, but his very uselessness is part of the joke and then part of the plot. Raphael is very well cast as Eva, a comic-relief ditz who gradually transitions into a bittersweet journey of self-discovery to mirror Elle\u2019s after she befriends a local politician (the late James Van Der Beek in his very last role).<\/p>\n<p>\n\tOf the kids, Zac Looker is endearing as potential love interest Dustin, a stoner-skateboarder-activist who senses an unlikely kindred spirit in Elle, while Gabrielle Policano exudes a low-key cool as Liz, a shy musician Elle is drawn to. (Not like that. Unfortunately.) But characters like Elle\u2019s nice-boy crush Miles (Jacob Moskovitz) seem conceptualized primarily for what they represent to Elle \u2014 in this case, the mainstream jock-lite foil to Seattle\u2019s activists and artists \u2014 rather than uniquely interesting personalities in their own right.<\/p>\n<p>\n\tMeanwhile, though I\u2019ll give the show credit for not going totally overboard with the <em>Legally Blonde<\/em> Easter eggs, the ones it does indulge in range from delightful (I will never complain about seeing her chihuahua, Bruiser) to downright groanworthy (\u201cHey, Elle, have you ever considered becoming a lawyer one day?\u201d). It\u2019s hard to blame <em>Elle<\/em> for wanting to make those connections, since capitalizing on the lingering affection for <em>Legally Blonde<\/em> is the only reason it exists in the first place. But like its own heroine, it feels stuck somewhere between the show it thought it wanted to be and the show it has the potential to become.<\/p>\n<p>Read more <a href=\"https:\/\/uspropertymoves.com\/?p=2750\">Taylor Sheridan Gets Candid About Critics and Paramount Execs: \u201cI\u2019m Not Trying to Win Emmys\u201d<\/a><\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Amazon&#8217;s &#8216;Legally Blonde&#8217; prequel &#8216;Elle,&#8217; executive produced by Reese Witherspoon, is set during the character&#8217;s teen years in Seattle.<\/p>\n","protected":false},"author":1,"featured_media":2755,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[1296,1297],"class_list":["post-2756","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interesting","tag-elle","tag-legally-blonde"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - 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