{"id":2702,"date":"2026-06-29T11:06:10","date_gmt":"2026-06-29T11:06:10","guid":{"rendered":"https:\/\/uspropertymoves.com\/?p=2702"},"modified":"2026-06-29T11:06:10","modified_gmt":"2026-06-29T11:06:10","slug":"how-celyn-jones-lit-up-north-wales-with-the-fabulously-mad-madfabulous-its-not-a-moment-its-a-movement","status":"publish","type":"post","link":"https:\/\/uspropertymoves.com\/?p=2702","title":{"rendered":"How Celyn Jones Lit Up North Wales With the Fabulously Mad \u2018Madfabulous\u2019: \u201cIt\u2019s Not a Moment, It\u2019s a Movement\u201d"},"content":{"rendered":"
\n<\/p>\n
\n

\n\tCelyn Jones knew he wanted to make a film about Henry Paget, 5th Marquess of Anglesey, a long time ago.<\/p>\n

Read more Comcast to Split Into Two Companies via Spin-Off of NBCUniversal, Including Sky<\/a><\/p>\n

\n\t\u201cI think I knew the picture before I knew the story,\u201d begins Jones about the British peer, whose most famous photograph shows a man in an extravagant, embellished gown and an elaborate winged headpiece atop his head. He is draped across a chair, jewels on his hand glistening, and fur rugs lining the floor. \u201cI just assumed it was some sort of an album cover or glam rock image \u2014 it was Bowie-esque, a Marc Bolan-esque picture. And then when I realized it was 1890, it was Anglesey, and he was the Marquess.\u201d<\/p>\n

\n\tPaget, while Marquess of Anglesey \u2014\u00a0an island located just off the northwest coast of Wales \u2014\u00a0has been immortalized in history books as \u201cthe dancing marquess.\u201d His short life at the helm of his family\u2019s country seat, a castle on the water named Plas Newydd, was spent squandering the inheritance on lavish parties, garments and setting up his own theater company, at the center of which he would perform. Though well-liked by locals and notorious for his Butterfly Dancing in a transparent silk robe, Paget accumulated debts of over \u00a360 million ($68 million) in today\u2019s money and died at just 29 years old from complications of\u00a0tuberculosis in 1905. His lifestyle and the breakdown of his marriage to Lilian Florence Maud Chetwynd have prompted historical debate over Paget\u2019s sexuality \u2014\u00a0Welsh historian Norena Shopland noted: \u201cThere is little doubt that Henry must be included in the history of\u00a0gender identity.\u201d<\/p>\n

\nMadfabulous<\/em>, which premiered at the BFI Flare London LGBTIQ+ Film Festival in March and is in theaters across the U.K. during Pride Month, tells his story. \u201cI always think about the monster and the man, and the man and the monster,\u201d Jones continues to The Hollywood Reporter<\/em>. \u201cI think about what the inner life is and what the public life is. [For] Henry, what was the motivator, the drive? The need for acceptance, the need to be his authentic self \u2014\u00a0or have time to even find out what that is \u2014 in a time where the world was projecting all these rules on your shoulders, and you just wanted to experience the world in the way that you felt natural.\u201d<\/p>\n

\n\tAt last, Jones also thought, there was a chance to spotlight the dynamic between North Wales\u2018 working-class community and its aristocracy on the big screen, a corner of Britain\u2019s social history that has long been sidelined. Screenwriter Lisa Baker grabs at this opportunity with both hands: The product is a real love letter to the region.<\/p>\n

\n\tPaget is embodied with impish charm and affecting vulnerability by It\u2019s a Sin <\/em>breakout Callum Scott Howells, who was top of mind for producers. \u201cHe was the first person I thought of, and the first person I asked,\u201d explains Jones, whose production company, Mad as Birds, had signed onto the project early on. Jones, an actor and filmmaker best known for starring in ITV\u2019s crime drama Manhunt<\/em> and directing The Almond and the Seahorse<\/em>, was quite keen to nab the free director\u2019s chair, too.<\/p>\n

\n\tHe continues about Howell\u2019s performance: \u201cWe needed an actor that, on paper, could be a bit of a dick. He spends all the money and seems to not care about the consequences. [But] I felt the story was not going to be that,\u201d says Jones. \u201cI think we\u2019re dealing with addiction, I think we\u2019re dealing with neglect. All those things that make us human. So we needed an actor who not only had range and ability, [but] who could move, who could dance, who could be quiet, who could be bold, who could be theatrical, who could be cinematic, who had a range of emotions and charisma. Callum has it all, and he\u2019s Welsh.\u201d<\/p>\n

\n\tAdmittedly, Jones isn\u2019t a big fan of auditions \u2014\u00a0adding that it\u2019s often a real roll of the dice whether you audition someone 100 times or give them a straight offer \u2014\u00a0but when Bridgerton <\/em>and Lockwood & Co. <\/em>star Ruby Stokes came in for the role of Paget\u2019s cousin and wife, Lily, he was eager to watch all of her work. \u201cIt was a quality of an actress who could go from a young girl to a woman,\u201d he recalls. \u201cShe just has that charisma and that ability and that joie de vivre.\u201d<\/p>\n

\n\tThen came some much-welcomed star power in British acting legend Rupert Everett, whose casting as Paget\u2019s doting, aging butler, Gelert, is inspired. \u201cThere are so many different levels to Rupert,\u201d says Jones. \u201cI love the idea of the older, leading man, who\u2019s been across the industry, been in our lives, introducing to the world a new leading man [in Howells]. They\u2019re very open about their sexuality [\u2026] so there\u2019s a whole meta quality with Rupert and Callum, that sort of guidance and authenticity.\u201d Everett came in and floored everyone with his ideas, including playing Gelert as much older than his 67-year-old self. \u201cHe wanted that stoic survivor. The last thing he\u2019ll do is stoop in front of his master, and then when the door closes, he\u2019ll sit down and rub his knees. So when you see him crumpled in a chair, you really feel it as an audience: \u2018Oh my gosh, even Gelert is broken down by this addiction.’\u201d<\/p>\n

Read more David Letterman to Make Just For Laughs Montreal Debut With Will Arnett (Exclusive)<\/a><\/p>\n

\n\tIt\u2019s a movie in which the blend of English and Welsh talent is on top form, including Paul Rhys, Louis Hynes, Louise Brealey, Tom Rhys Harries, Siobh\u00e1n McSweeney, Guillaume Gallienne, Steve Speirs, Kevin Eldon, Ian Puleston-Davies, Roger Evans, Lisa J\u00ean Brown and Leisa Gwenllian, who star in supporting roles. This extends to the costume department, led by Francisco Rodriguez-Weil, as well as cinematographer Laurie Rose, production designer Keith Dunne, and Oscar-winning makeup and hair artist Nadia Stacey (Poor Things<\/em>).<\/p>\n

\n\tJones felt it was important that the movie honor its heritage. It was filmed on Paget\u2019s real estate, Plas Newydd, and a distant relative of the Marquess, Clara Paget, plays the head of his theater company. The filmmaker says he couldn\u2019t have predicted the impact it\u2019s had in and around his native Wales: \u201cWhat\u2019s so beautiful \u2014\u00a0it\u2019s so gorgeous \u2014\u00a0[is] when we started this film years ago, Henry Paget was a photograph next to the toilets in Plas Newydd. Now, we\u2019ve filled a bedroom with the costumes from the film. He\u2019s back in the house, he\u2019s celebrated, and people are going to see [the movie].\u201d<\/p>\n

\n\t\u201cThe audience around North Wales, [they\u2019re] on fire at the moment for the film,\u201d he continues. \u201cThey\u2019re so in love with it, and if you take your cinema ticket, you can go and see the costumes for free at Plas Newydd. In Bangor alone, it\u2019s been the best-selling film since Barbie <\/em>\u2014\u00a0over 3,000 people have seen it in a small cinema in Bangor in about two-and-a-half weeks.\u201d<\/p>\n

\n\tWhat\u2019s moved him even more is the interactions with these fans at Q&As around the U.K. \u201c[A man] wanted to ask a question, and his husband was holding his hand, and he couldn\u2019t get through the question without crying every time, so we had to keep coming back to them. You can\u2019t write that, you can\u2019t sit in a production office and go, \u2018This is what I wanted to create!\u2019 You don\u2019t know what\u2019s going to happen,\u201d he says, \u201cBut [hearing] somebody say, \u2018I wish this film existed when I was a young man\u201d\u2026 The Madfabulous <\/em>filmmaker is still at a loss for words.<\/p>\n

\n\tMaybe it\u2019s even prompted something of a moment for Welsh film, THR <\/em>suggests. But Jones disagrees: \u201cIt\u2019s not a moment, it\u2019s a movement<\/em>. That\u2019s what it is.\u201d At a time when British independent film continues to struggle, this feature is keeping the cynics at bay. \u201cAs long as there are some mad people out there like myself who go, \u2018I\u2019m going to tell this story. I\u2019m going to do it that way,\u2019 the more work there is for people, the more entertainment there is for people and therefore, more representation,\u201d he adds.<\/p>\n

\n\tRiding the wave of the unprecedented enthusiasm and passion for Madfab<\/em>, Jones is just about to start production on his next feature, The Hollywood Reporter <\/em>can reveal, a film called Mountain<\/em>. \u201cIt\u2019s a coming-of-age story set in the \u201980s, and even though it\u2019s a fiction, it feels very, very personal. That\u2019s about as much as I\u2019m allowed to say right now,\u201d he teases.<\/p>\n

\n\tHe\u2019ll be juggling that with more festival appearances for Madfabulous<\/em> following the film\u2019s raucous response at Flare and, on June 21, at its U.S. premiere (it bowed at the world\u2019s oldest and biggest queer film festival, San Francisco\u2019s Frameline LGBTQ+ Festival). It has another major European film fest appearance booked in for September, one we\u2019re not permitted to know about yet, and Jones even has some unrelated acting gigs lined up, including with Anthony Hopkins and Catherine Zeta-Jones in A Visit to Grandpa\u2019s <\/em>and Rhys Marc Jones\u2019 Black Church Bay <\/em>with Tom Cullen and Joe Locke.<\/p>\n

\n\tMany more adventures await, but this Pride Month, Jones is just thankful for the Madfab<\/em> cast and crew, Welsh audiences, and a certain dancing marquess: \u201cI think Henry was for the people, and I think the film is for the people.\u201d<\/p>\n

Read more James Norton to Take on \u2018Hamlet\u2019 in Thomas Ostermeier\u2019s Next West End Production<\/a><\/p>\n

\n\tMadfabulous is in U.K. theaters now<\/em>.<\/p>\n

\n<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Celyn Jones, director of ‘Madfabulous’ with Callum Scott Howells, discusses the wild success of his film about Henry Paget, 5th Marquess of Anglesey.<\/p>\n","protected":false},"author":1,"featured_media":2701,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[2087,2,98,1528],"class_list":["post-2702","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interesting","tag-bfi-flare","tag-international","tag-united-kingdom","tag-wales"],"yoast_head":"\nHow Celyn Jones Lit Up North Wales With the Fabulously Mad \u2018Madfabulous\u2019: \u201cIt\u2019s Not a Moment, It\u2019s a Movement\u201d - US Property Moves<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/uspropertymoves.com\/?p=2702\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"How Celyn Jones Lit Up North Wales With the Fabulously Mad \u2018Madfabulous\u2019: \u201cIt\u2019s Not a Moment, It\u2019s a Movement\u201d - 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