{"id":1970,"date":"2026-06-17T09:05:52","date_gmt":"2026-06-17T09:05:52","guid":{"rendered":"https:\/\/uspropertymoves.com\/?p=1970"},"modified":"2026-06-17T09:05:52","modified_gmt":"2026-06-17T09:05:52","slug":"katie-dippold-discusses-her-two-decade-road-to-widows-bay-and-how-its-future-looks","status":"publish","type":"post","link":"https:\/\/uspropertymoves.com\/?p=1970","title":{"rendered":"Katie Dippold Discusses Her Two-Decade Road to \u2018Widow\u2019s Bay\u2019 \u2014\u00a0and How Its Future Looks"},"content":{"rendered":"
\n<\/p>\n
\n

\n\tScreenwriter Katie Dippold has done a lot. She\u2019s written for a hit sitcom (Parks & Recreation<\/em>). She penned a slew of feature films (The Heat, Ghostbusters, Snatched, Haunted Mansion<\/em>). She\u2019s even tried her hand at acting. And for almost the entirety of her career, she\u2019s been noodling on one project that she, most of the time, never thought would see the light of day.\u00a0<\/p>\n

Read more Zendaya\u2019s Best Press Tour Looks, From \u2018Dune\u2019 to \u2018Challengers\u2019 to \u2018The Drama\u2019<\/a><\/p>\n

\n\tWell, Widow\u2019s Bay<\/em>, the pilot script she just couldn\u2019t put down, is now the word-of-mouth hit of the year. Her dark Apple TV comedy is about an island town full of eccentrics who\u2019ve been besieged by a centuries-old curse. It\u2019s courted the internet\u2019s affection. It\u2019s already renewed for a season. And, after spending an entire career working in Hollywood, it\u2019s given Dippold a rare first: she\u2019s finally a showrunner. She\u2019s handling the exposure that comes with that the best that she can.<\/p>\n

\n\t\u201cIn my heart, I am a comedy writer, but now I\u2019m representing this bigger thing,\u201d says Dippold. \u201cI just want to do bits, but I know I have to speak in a professional way about a television show that people have put a lot of time and money into. That\u2019s an interesting dilemma, an extroverted introvert.\u201d<\/p>\n

\n\tBased on a conversation during a recent episode of The Hollywood Reporter<\/em>\u00a0podcast,\u00a0I\u2019m Having an Episode\u00a0<\/em>(Spotify,\u00a0Amazon Music,\u00a0Apple), Dippold might be handling her dilemma better than she thinks. Ahead of the June 17 season one finale, she spoke about how the original script changed over the years, what she most wants to explore in future episodes and why, no matter how scary things get, she sees her series as comedy.\u00a0<\/p>\n

\nObviously, you can get a lot from a script. But the tone of this show is so specific. How did you explain the way you wanted it to make viewers feel when you were trying to sell it?<\/strong><\/p>\n

\n\tThey had read the pilot, but I still felt it was important to make clear that the scary will be scary and the funny will be funny. We never want the scary to feel silly. We want real tension, because I never wanted this to feel like a spoof, to feel campy. There are moments where we break our own rules, but that was the main cell.<\/p>\n

\nIn straddling that, did you feel like you had to establish guardrails in the writers room?\u00a0\u00a0<\/strong><\/p>\n

\n\tI do think of it as a comedy, first and foremost. The amount of time that we spent in the writers room, thinking about the humor of this show. And that meant having to be brutal and cutting a lot of jokes and being strategic about where they\u2019re placed. It\u2019s not joke, joke, joke. We put a lot of care into the jokes that are in the show. Also, as a horror fan, I want to know that that stuff is being taken seriously. I want to feel like I could go to this island and it would be a real place and these are real characters you could talk to.<\/p>\n

\nA lot of the humor is ultimately derived from the fact that these are funny characters put into these tense scenarios.\u00a0<\/strong><\/p>\n

\n\tThat\u2019s kind of the way the actors approached it, too. They\u2019re in a drama. But that only works because, on top of being incredible actors, they are naturally funny. They know what\u2019s funny.<\/p>\n

\nYou\u2019d been working on some version of this pilot for almost two decades. It was your spec when you interviewed to get on Parks and Recreation<\/em>. How much did the idea change over time?\u00a0<\/strong><\/p>\n

\n\tIt\u2019s the same\u2026 but different. It made it easy for Mike Schur to get a sense of my humor and my joke writing. That got me that job. But there was no real tension in it. It wasn\u2019t as grounded. And it wasn\u2019t serialized. Even though now, there\u2019s a monster of the week element, there is still a larger story we\u2019re telling. So, I just spent years thinking about it because I didn\u2019t feel like it was right to do that show. I don\u2019t know that I would have watched that show if I\u2019m being honest.<\/p>\n

\n\tSo, it was just years of working on it, taking it apart, putting it back together, throwing things out, trying things. This is ridiculous, but whenever I went to New York, I\u2019d go to the Museum of Natural History. I\u2019d walk around and I would imagine what the Widow\u2019s Bay version of the display cases would look like. That, weirdly, opened things up for me. The more I thought about the history of this island, that made it feel like a real place.\u00a0<\/p>\n

Read more \u2018Awards Chatter\u2019 Pod: Ali Larter on \u2018Landman,\u2019 How It \u201cRaised Me to the Next Level\u201d and the \u201cFalse Narrative\u201d Around Taylor Sheridan<\/a><\/p>\n

\nIn all of that time, were you thinking \u201cI have to make this,\u201d or was it just an exercise for you?\u00a0<\/strong><\/p>\n

\n\tI didn\u2019t know if this would ever get made or if it would just be the fun thing I worked on on the side. But show business \u2014\u00a0am I the only person that calls it show business? \u2014 It\u2019s gotten harder over the years. It\u2019s gotten more fear-based. People just kind of want something that\u2019s like something else that was recently successful. I was just having a tough time. I was getting frustrated, so I thought I would take a swing at this. It still felt like a real long shot. I really didn\u2019t think it was going to sell or get made.<\/p>\n

\nDid you ever come close?
<\/strong>
I was never developing anywhere, but there was a period of time right after The Heat was made where I was taking it around \u2014\u00a0the old version\u00a0\u2014 and almost sold it somewhere. They were gonna put out an offer, but it just didn\u2019t feel like the right time. Ghostbusters<\/em> came up at the same time, and there are a couple of other things, but deep down, I just had this pit in my stomach. \u201cThis is not the right time.\u201d And it wouldn\u2019t have been. It would have been a very different show.<\/p>\n

\nSpending so much time with this on your own, does that make you more protective of it when you sort of surrender so much of it to the writers room?\u00a0<\/strong><\/p>\n

\n\tYou have to protect the story you want to tell and how you want it to feel. You have to know what you\u2019re trying to do. And this was the first time I\u2019ve ever show run before. When I don\u2019t know how to do something, you can see it in my face. I\u2019m not a \u201clean in\u201d person or \u201cfake it till you make it.\u201d\u00a0 But I really, really knew what I wanted this to feel like. If you can hang on to that, then it makes everything easier. So, the writer\u2019s room is just a gift. There\u2019s a world where I could write these 10 episodes all by myself, but I have a room of people and they understood the job and they want to help me make this show. I wish I could write movies that way.\u00a0<\/p>\n

\nHow did you approach populating this writers room, in terms of comedy and drama writers?\u00a0<\/strong><\/p>\n

\n\tThere was definitely a version of the show that could have been me and seven other comedy writers. That could have worked, because comedy writers are also very good at story. They\u2019re very smart people. But for some reason, I did this a little differently because I think the show is just so strange. I knew it needed a mythology and a lore and a sense of deep time. I just wanted to find the most interesting brains and put together this ensemble. I had a couple of people that were from WandaVision<\/em>. One of them had a spec that was hilarious. The other one had one of the darkest scripts I\u2019ve ever read in my entire life. It was so specific and so sharp. I really think this show needs. And even if some episodes lean more comedic and some get a little bit scarier and some or some go deeper into the lore, it should still feel like one tone.\u00a0<\/p>\n

\nYou mentioned you\u2019re an extroverted introvert. You famously dressed as the Babadook for a Halloween party where no one else wore a costume. A photo of it went viral, annually. Do you think that\u2019s a good indicator of your personality?\u00a0<\/strong><\/p>\n

\n\tOne time, I did Kiefer Sutherland\u2019s character from The Lost Boys<\/em>, which really worked on me. We have the same coloring, especially when my hair is highlighted. (Laughs.<\/em>) But that was almost too much, because I went to a Halloween store in Burbank and they did the makeup and the prosthetics and I had to drive home like that \u2014\u00a0which felt insane. That night, I did an improv show and I made everyone dress up. It was almost another Babadook<\/em> situation because I ended up doing improv scenes where I just happened to be dressed like Kiefer Sutherland in The Lost Boys<\/em>. That kind of thing happens to me a lot.<\/p>\n

\nDo you organize Halloween events every year?\u00a0<\/strong><\/p>\n

\n\tEvery year. I have 15 or 20 old comedy friends from New York that all live in L.A. now. They\u2019ll come over, and we\u2019ll do a horror movie night. Every year I\u2019ll say, \u201cListen, we\u2019re going keep it light.\u201d But then, every year, I\u2019ll do something like hire a man dressed as Michael Myers to lurk in the yard and terrorize them as they come inside. When they leave, he\u2019s still out there waiting for them.<\/p>\n

\nIt\u2019s been a minute since you made a feature. With all of this energy around Widow\u2019s Bay<\/em>, an original idea, is there a script you\u2019re ready to put out there?\u00a0<\/strong><\/p>\n

As long as I\u2019m showrunning the show, there\u2019s really not much else I can do. But I still love writing movies. I would love to do it again.<\/p>\n

\nIf you had your druthers, how much Widow\u2019s Bay<\/em> is there in you?<\/strong><\/p>\n

\n\tA big part of the fun in the writers room was that we thought a lot about the history of the island and what\u2019s been going on since the founder up until today. There was a lot of stuff that we couldn\u2019t do or just decided to not do yet. Between that and characters that we have, there\u2019s a lot. I would love to do a Rosemary episode for Dale Dickey, a Dale episode with Jeff Hiller. There\u2019s so many characters to get to know more. I always wanted it to feel like there\u2019s a lot to explore in the island. Little nooks and crannies full of terror that you haven\u2019t seen yet. And I really want to get more into Bashir, Kevin Carroll\u2019s character. There would be a lot more to do.<\/p>\n

Read more The Sphere\u2019s Next Big Movie After \u2018Oz\u2019 to Be \u2018Rocky Horror Picture Show\u2019<\/a><\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Widow’s Bay showrunner and creator talks about the two-decade journey to bring her script to screen, what’s next and her elaborate Halloween parties.<\/p>\n","protected":false},"author":1,"featured_media":1969,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[361,1448,1192,1637,1602],"class_list":["post-1970","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interesting","tag-apple-tv","tag-katie-dippold","tag-matthew-rhys","tag-parks-and-recreation","tag-widows-bay-2"],"yoast_head":"\nKatie Dippold Discusses Her Two-Decade Road to \u2018Widow\u2019s Bay\u2019 \u2014\u00a0and How Its Future Looks - US Property Moves<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/uspropertymoves.com\/?p=1970\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Katie Dippold Discusses Her Two-Decade Road to \u2018Widow\u2019s Bay\u2019 \u2014\u00a0and How Its Future Looks - 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