{"id":191,"date":"2026-05-19T04:35:09","date_gmt":"2026-05-19T04:35:09","guid":{"rendered":"https:\/\/uspropertymoves.com\/?p=191"},"modified":"2026-05-19T04:35:09","modified_gmt":"2026-05-19T04:35:09","slug":"fjord-review-sebastian-stan-and-renate-reinsve-in-cristian-mungius-absorbingly-thorny-account-of-parents-under-investigation","status":"publish","type":"post","link":"https:\/\/uspropertymoves.com\/?p=191","title":{"rendered":"\u2018Fjord\u2019 Review: Sebastian Stan and Renate Reinsve in Cristian Mungiu\u2019s Absorbingly Thorny Account of Parents Under Investigation"},"content":{"rendered":"
\n<\/p>\n
\n

\nCristian Mungiu\u2019s films invariably deal with social, cultural and moral divisions, uneasy truths, ethical dilemmas and unjust compromises. In his latest,\u00a0Fjord<\/em>, the Romanian New Wave auteur brings his needling focus and unvarnished realism to a knotty drama of parenting and education, in which a suspicion of possible child abuse escalates into a full inquisition during a head-spinning rush to judgement. It\u2019s also a nuanced reflection on otherness, and how anyone failing to conform to the values of a community invites distrust.<\/p>\n

Read more Mandy Moore Reacts to Toxic Mom Group Drama With Ashley Tisdale: \u201cVery Upsetting\u201d<\/a><\/p>\n

\n\tThe community in this case are the residents of a picturesque port town on the isolated West coast of Norway, nestled among snow-capped mountains. The locals are all welcoming smiles and warm handshakes when the devoutly religious Gheorghiu family relocates there from Bucarest \u2014 including Romanian Mihai (Sebastian Stan) his Norwegian wife Lisbet (Renate Reinsve) and their five children, the oldest of them teenage Elia (Vanessa Ceban). Lisbet was born in the village and the move there was prompted by her mother\u2019s offer to help with the kids.<\/p>\n

\n
\n
\n

\n

\t\t\t\t\tFjord\t\t<\/p>\n<\/h3>\n

\nThe Bottom Line<\/span>
\n<\/p>\n

\tCompellingly squirm-inducing, if far from the director\u2019s best.
\n\t<\/span>\n<\/div>\n<\/div>\n

\nVenue<\/strong>: Cannes Film Festival (Competition)
Cast<\/strong>: Sebastian Stan, Renate Reinsve, Lisa Carlehed, Ellen Dorrit Petersen, Lisa and warn Loven Kongsli, Henrikke Lund-Olsen, Vanessa Ceban, Christian Rubeck, Markus Scarth Tonseth
Director-screenwriter<\/strong>: Cristian Mungiu
\n
\n\t\t\t\t\t\t\t\t2 hours 26 minutes\t\t\t<\/span>\n<\/div>\n<\/div>\n<\/div>\n

\n\tThey seem to acclimate quickly. Both parents find employment, the children settle in at school, and they become friendly with their neighbors \u2014 headmaster Mats (Markus Scarth Tonseth), his attorney wife Mia (Lisa Carlehed) and their moody, rebellious daughter Noora (Henrikke Lund-Olsen). For impulsive reasons not made entirely clear, Noora ditches her best friend at school and adopts Elia, which leads to some aggressive moves on the wrestling mat in gym class.<\/p>\n

\n\tAt their new home on a small farm, the children are expected to help with chores and housework, plus put in hours of daily Bible study. The fact that they are not allowed phones or internet or modern music or dancing is brought up later as evidence that Mihai and Lisbet are unfit parents. Instead of regular kid entertainment, they learn hymns from their father or listen to his preachy pep talks about fairness and punishment.<\/p>\n

\n\tThe latter becomes a factor when Elia and one of her brothers get into a scuffle and almost scald the baby. As a result, they are forbidden to go to Noora\u2019s birthday party. But Noora encourages them to sneak out with her at night, taking them for a spin on her family\u2019s boat and giving them a taste of what youthful freedom feels like.<\/p>\n

\n\tAll this is Mungiu\u2019s sly misdirection in setting up the hardline conservative Christians as bad guys, depriving their kids of any joy. But it\u2019s when the sanctimonious, so-called progressive Norwegians start passing judgement on the Gheorghius\u2019 parenting methods that the villains of the piece are revealed.\u00a0<\/p>\n

\n\tAt times this borders on parody, for instance when a teacher recounts an incident in a gender studies class for 7-year-olds. One classmate self-identifies as a lesbian, prompting Elia\u2019s younger sister to inform her that her sexuality is a sin and a ticket straight to Hell.<\/p>\n

\n\tThe real trouble starts when a gym teacher notices a bruise on Elia\u2019s neck and feels duty-bound to report it to Principal Mats as well as counsellor Frida (Lisa Loven Kongsli), who keeps a vigilant eye on the students both in the playground and on the school bus that she drives. Mats advises them just to monitor the situation, but the two women are intransigent that protocol must be followed and Child Services contacted.\u00a0<\/p>\n

\n\tThey question Elia and her brother about physical discipline at home, and after a leading question or two, the siblings confess that they get an occasional smack on the butt when they step out of line. That represents a red flag to the school staffers, who go back and forth about the difference between a smack and a slap.<\/p>\n

\n\tBefore they even know what\u2019s happening, Mihai is taken to the police station for questioning while Lisbet is grilled at home by the quietly officious Gunda (Ellen Dorrit Petersen) and another woman from Child Services, who inform her that the children will be removed from her and her husband\u2019s custody for the duration of the investigation. That includes the infant, who is still being breastfed and will need to be examined for possible shaken baby syndrome.\u00a0<\/p>\n

\n\tWhat\u2019s most astonishing about the drama is the speed with which the children are placed with foster families despite no tangible evidence, let alone proof, of abuse beyond the light disciplinary measures that the scrupulously honest Lisbet and Mihai freely admit.\u00a0<\/p>\n

Read more Mark Fuhrman, Former LAPD Detective Involved in O.J. Simpson Murder Trial, Dies at 78<\/a><\/p>\n

\n\tLegal counsel advises them that they will be separated from their children for weeks, possibly months, while dates for both civil and criminal trials are pending. It\u2019s around this point that any half-sensible audience member will be canceling their Norwegian Cruise Line vacation.<\/p>\n

\n\tThe Gheorghius\u2019 attorney (Maria Bock) quits at the first sign of bristling frustration from Mihai, but Lisbet convinces Mia to represent them. The red tape required even for a supervised visit with their eldest children is maddening, as is the insistence that the bonding process of the younger kids with their foster parents must not be interrupted. That alone indicates that their guilt has already been decided, and the children are not expected to be released back into their parents\u2019 care. Or at least not for long.<\/p>\n

\n\tThere are parallels here with Danish director Thomas Vinterberg\u2019s superb\u00a0The Hunt<\/em>, in which Mads Mikkelsen played a divorced former teacher whose life is nearly destroyed by an accusation of child sexual abuse built on an impulsive lie. That 2012 film trafficked in a more heightened vein of suspense, whereas Mungiu\u2019s approach tends to be dryer, at times to a fault. But the Romanian director has a knack for tying a knot in the viewer\u2019s stomach and then mercilessly tightening it until what we are left with is speechless outrage.\u00a0<\/p>\n

\nFjord<\/em>\u00a0doesn\u2019t come close to the prolonged anxiety attack of Mungiu\u2019s best film,\u00a04 Months, 3 Weeks and 2 Days<\/em>, the abortion drama that won the Palme d\u2019Or at Cannes in 2007, and nor do its somewhat clinical courtroom scenes measure up to, say, the volatile town hall meeting in 2022\u2019s terrific slow-burn small-town drama\u00a0R.M.N.<\/em>\u00a0The new film does, however, provide the satisfaction of a punchable face in the smug, annoyingly handsome prosecuting attorney Jacobsen (Christian Rubeck).<\/p>\n

\n\tJacobsen is one of several characters who are effectively putting the Gheorghius\u2019 beliefs on trial, dismissing Mihai\u2019s Romanian cultural background as irrelevant. A quick smack on the ass is probably the least severe form of punishment given to errant kids growing up under the\u00a0Ceau\u0219escu\u00a0Communist regime.\u00a0<\/p>\n

\n\tWhat the Norwegians seem to be saying with passive-aggressive firmness is: \u201cYour beliefs do not align with ours, so therefore, you are not to be trusted.\u201d These are townsfolk who shrug off the almost daily threat of avalanches engulfing the village but clutch their pearls in horror over unfortunate children deprived of their screen time.<\/p>\n

\n\tAs has often been the case with Mungiu, the real strength of his work is its restraint, a quality echoed to perfection by his gifted leads. There are no histrionics here, no bellowing rage. Reinsve\u2019s Lisbet is shellshocked and reeling for much of the film but gives the character a depth of compassion that speaks volumes about her love for her family and the certainty that she would never harm them. <\/p>\n

\n\tBut the most attention-grabbing performance comes from Stan, an actor whose considerable range is too rarely acknowledged, working here in a mix of English and his mother tongue, Romanian.<\/p>\n

\n\tAlmost unrecognizable with thick geek glasses, a beard and a bald dome \u2014 shame about that skull stubble in a couple scenes though; that\u2019s not how male pattern baldness works \u2014 Stan never tries to disguise the fact that Mihai is an arrogant, self-righteous man, simmering with bottled-up anger while being careful to keep that valve closed. Where the actor really shines, though, is in showing that despite Mihai\u2019s rigidly old-fashioned views, he is a decent man, who, like his wife, is completely devoted to their children.<\/p>\n

\n\tMungiu has pulled off what might be considered by most arthouse audiences to be almost a subversive act in this age of rightward drift and intolerance \u2014 just by making the conservative Christians unimpeachable compared to the insufferably holier-than-thou finger-pointing liberals.<\/p>\n

Read more Spencer Pratt Says He\u2019s Non-Partisan. But GOP Operatives Are Behind His Campaign.<\/a><\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Sebastian Stan and Renate Reinsve get caught in a dizzying rush to judgement in ‘Fjord,’ Cristian Mungiu\u2019s unflinching account of parents on trial.<\/p>\n","protected":false},"author":1,"featured_media":190,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[24,8,13,25,202,171,172],"class_list":["post-191","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interesting","tag-cannes","tag-cannes-2026","tag-cannes-film-festival","tag-cannes-film-festival-reviews","tag-cristian-mungiu","tag-renate-reinsve","tag-sebastian-stan"],"yoast_head":"\n\u2018Fjord\u2019 Review: Sebastian Stan and Renate Reinsve in Cristian Mungiu\u2019s Absorbingly Thorny Account of Parents Under Investigation - US Property Moves<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/uspropertymoves.com\/?p=191\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u2018Fjord\u2019 Review: Sebastian Stan and Renate Reinsve in Cristian Mungiu\u2019s Absorbingly Thorny Account of Parents Under Investigation - 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