{"id":1896,"date":"2026-06-16T07:35:14","date_gmt":"2026-06-16T07:35:14","guid":{"rendered":"https:\/\/uspropertymoves.com\/?p=1896"},"modified":"2026-06-16T07:35:14","modified_gmt":"2026-06-16T07:35:14","slug":"the-four-seasons-star-erika-henningsen-on-ginnys-season-2-journey-and-her-tina-fey-throughline","status":"publish","type":"post","link":"https:\/\/uspropertymoves.com\/?p=1896","title":{"rendered":"\u2018The Four Seasons\u2019 Star Erika Henningsen on Ginny\u2019s Season 2 Journey and Her Tina Fey \u201cThroughline\u201d"},"content":{"rendered":"
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\nErika Henningsen didn\u2019t always see a clear path for her Four Seasons<\/em> character, Ginny, in season two.<\/p>\n

Read more In \u2018Black Money for White Nights,\u2019 Russia\u2019s Ukraine Invasion Messes With an Aging Couple\u2019s Dreams (Exclusive Clips)<\/a><\/p>\n

\n\t\u201cI thought I would maybe have to say goodbye to this lovely show after season one,\u201d Henningsen tells The Hollywood Reporter<\/em> on a recent Zoom call from her Los Angeles home. <\/p>\n

\n\tSeason one ended with the tragic death of Ginny\u2019s boyfriend, Nick (Steve Carell), and the reveal that Ginny was pregnant with their child. \u201cTo have that cliffhanger and to know that the writers were going to use that to incorporate me into the friend group beyond just as the girlfriend of Steve Carell\u2019s character was so exciting,\u201d Henningsen says.<\/p>\n

\n\tIn season two, Ginny\u2019s still with The Four Seasons<\/em> gang. The series, which follows a tight-knit group of friends, was created by Tina Fey, Lang Fisher and Tracey Wigfield. Netflix just announced it\u2019s been renewed for a third season.<\/p>\n

\n\tIt\u2019s fair for Henningsen not to see a clear path back in for her character \u2014 the show, after all, is about a friend group, and Ginny was an outsider for most of season one. But Ginny is working through motherhood and the complicated, at times codependent relationship she\u2019s developed with her late boyfriend\u2019s ex-wife, Anne, played by Kerri Kenney-Silver.<\/p>\n

\n\tBelow, Henningsen digs into Ginny\u2019s season two journey, why she loved the Anne and Ginny storyline, continuing to work with Tina Fey and her hopes for season three. <\/p>\n

\nHow did you feel coming into ths season? Obviously, you knew things were going to be different.<\/strong><\/p>\n

\n\tWe were all just so happy to come back. This is a great cast. It\u2019s a great thing to be on. My managers joke about this all the time. They\u2019re like, \u201cWe\u2019ve never had a client not call us from set with a problem. This is very rare that every time we call you, you\u2019re just like, we\u2019re on time. Everybody\u2019s happy. I\u2019m having a ball.\u201d It\u2019s really enjoyable. This season was super fun because I think season one was so much about Ginny being just the young, fun one, which I definitely identify with, but having a baby added a bit more gravitas and chaos to the character, which I really enjoyed.<\/p>\n

\nYou mentioned in another interview that she was just thrown into adulthood and motherhood and had no choice about it. How do you tackle that mindset? It\u2019s almost like a new character in a way.<\/strong><\/p>\n

\n\tOh my gosh, I totally agree with you. I watched the Ginny that shows up in the first two episodes of season two, and I\u2019m like, oh my gosh, I hope people still like me. I feel like she\u2019s behaving with such fire within her. She\u2019s got some flint. First off, we\u2019re given the best words ever, so we don\u2019t have to do a ton of work, but I guess where I have a blind spot is I\u2019m not a mom. I haven\u2019t been eight to nine months pregnant. I remember getting the script for that big confrontation scene with Anne and being like, \u201cOh my God, I can\u2019t say this to her. She\u2019s also lost somebody. She\u2019s struggling. I can\u2019t say this. People are going to hate me.\u201d<\/p>\n

\nHow did you work through that?<\/strong><\/p>\n

\n\tI talked to some of my friends who are moms and they were like, I don\u2019t understand. When you\u2019re that pregnant, all you care about \u2014 and really all you care about after you\u2019re pregnant and the baby\u2019s there \u2014 is your kid. You will be antagonistic, and you will be aggressive in order to protect that child. That was the backbone from which everything sprang forth, was this allowance to be a little messy and to fight, because Ginny tries to be the peacekeeper in season one. She really wants to smooth over the edges that her presence has created. In this [season], she\u2019s like, \u201cI\u2019ve got a kid now. I got to square up.\u201d<\/p>\n

\nObviously the relationship with Anne was so interesting. Can you tell me a bit about finding that?<\/strong><\/p>\n

\n\tThey are these weird sister wives for a second there. The odd couple is what I kept calling us. I feel like the biggest thing that Kerri and I agreed on, and what our writers did a great job crafting, was this can\u2019t feel like Ginny\u2019s taking advantage of Anne\u2019s kindness. There\u2019s a great thing that Anne says: \u201cI\u2019m 55 years old. I\u2019m not good at dating, but you know what I\u2019m good at? I\u2019m good at raising a kid.\u201d The nature of the show is we skip forward in time a lot, so there are some gaps we have to fill in. A big question for me is like, why is Ginny with them and not her friends?<\/p>\n

Read more Cate Blanchett Heading Back to Class in Surprising New Career Move as She Calls it a \u201cCreative Rumpus\u201d<\/a><\/p>\n

\nTotally.<\/strong><\/p>\n

\n\tI don\u2019t know if you remember the friends from season one, but those people are not ready to have a baby at their bottomless brunch. For Kerri and I, so much was crafting this mutual respect and need for the other person. I obviously need her and her wisdom as a mother. She needed Ginny and Gino for a direction. I think we come full circle from sort of [being] at a standoff, and then we become almost too enmeshed. But by the end, I think we come around to an actual friendship because my character is so grateful for what her character has done. But then Ginny, in her own sort of younger way, says to Anne, \u201cYou can still be the wild person you were.\u201d I think that is the gift that Ginny gives Anne at the end, so that this doesn\u2019t feel like a one-way street.<\/p>\n

\nWhat about that moment stuck out?<\/strong><\/p>\n

\n\tI remember getting that scene and being like, \u201cOh, that\u2019s a sweet moment.\u201d But then when I saw it all put together, I realized that moment\u2019s so important because you see Ginny gives back to Anne just by holding up the mirror and saying, \u201cIt ain\u2019t over. Your story\u2019s not done.\u201d I\u2019m really happy that it would be so easy for one of the other characters to say that to her, because I know they all believe it, but I think hearing it from this younger generation who sees her not as a story ending but a new chapter beginning, I think that is so powerful for her character and my character\u2019s arc.<\/p>\n

\nI like hearing about the importance of making sure it doesn\u2019t feel like a one-way street. It\u2019s such an exceedingly complicated relationship, of course, no matter what.<\/strong><\/p>\n

\n\tTotally. [It\u2019s] so complicated and so weird. I love that it\u2019s weird. I love that we have the couples and the couples are dealing with problems that every couple has seen. And then I love that we have this odd little duo of her and I that\u2019s so chaotic and bizarre. But I love that we\u2019re getting problems that are not marital, but more about motherhood and trusting your intuition. They both need help trusting their inner voice \u2014 Ginny\u2019s with being a mother, and with Anne, knowing that she still has so much ahead of her.<\/p>\n

\nWhen did it become apparent to you that you were necessary to the season two plot?<\/strong><\/p>\n

\n\tI think by the time we got to Thanksgiving. From [episodes] one through four, I kept thinking they\u2019re doing such a good job, they must be doing this good a job because I\u2019m going to say goodbye. The arc from one to four is Ginny taking her first steps of being independent as a mom. It\u2019s so beautiful, but of course nobody nails motherhood in five months. When I showed up for the Thanksgiving episode and honestly, I think there\u2019s like a beautiful parallel between in that episode, Kerri Kenney-Silver\u2019s character and her daughter\u2019s home from college, and her daughter is like, \u201cI\u2019m ready to fly.\u201d I feel like I\u2019m kind of the daughter who\u2019s afraid to leave the proverbial nest, the freeloader, if you will. I think by the time we got to that episode and you also sort of see how Ginny is enmeshed with not just Anne but Claude [Marco Calvani], and as a part of the Thanksgiving experience. She\u2019s somehow become a part of this weird chosen family, and I\u2019m excited. I feel like there\u2019s so much to unpack with the way the generations speak to one another.<\/p>\n

\nWhat do you hope going forward?<\/strong><\/p>\n

\n\tI have no idea if we\u2019ll get to do another season. [This conversation took place before season three was announced<\/em>.] I have no idea if I\u2019ll be a part of it, but I think we created a great foundation for how all these people can still interact outside of their marriages. I love the scenes that I have with Claude in this season because I just love Marco Calvani. I mean, I love everybody, but Marco is my buddy. Everybody wants that person at the dinner table that they can look at and be like, \u201cCan you believe this happening right now?\u201d I think in the friend group, he is that for her. They operate as sort of outsiders, him because he is an immigrant and her because she is younger, and yet they still find themselves a part of it. So I\u2019m excited to see Ginny, Claude and Gino take a road trip.<\/p>\n

\nWhat has your partnership with Tina been like? It\u2019s nice to see how it\u2019s grown from the Mean Girls<\/em> [musical] days.<\/strong><\/p>\n

\n\tI think the girl who watched Mean Girls<\/em> once a week in high school would be kind of shocked that the throughline in my career is Elizabeth Stamatina Fey. It\u2019s changed so much. I still put her, and she will hate this, on a pedestal. I still desperately want to make her proud and impress her and never embarrass her or her project or anything she\u2019s working on, because I met her when I was 24 years old. That little person will still live inside me. But I have felt more confident. I feel like I\u2019m finally sort of hearing the message that she\u2019s tried to instill in me since I was 24, which that nobody\u2019s giving out favors in this business. You\u2019re here because you\u2019re meant to be here, and you earned it. Especially because Tina is a woman who has earned everything that she has worked for, it\u2019s really important, as a young woman who keeps finding my way into her projects, that she really wants me to understand that I am here for a reason. The reason is because of me and my work, and they just happen to be Tina Fey projects. That being said, I still can\u2019t find the words to thank her because if she didn\u2019t make these projects, and if she didn\u2019t sign on the dotted line when my name comes across her desk, I would not be doing them.<\/p>\n

\nHas the relationship changed at all?<\/strong><\/p>\n

\n\tNow that we have worked together as collaborators and peers, and not like boss to employee, I just know a lot more about her. She\u2019s such a paradox. She is such an extrovert when you watch her in things. I was watching her in Sisters<\/em>, which is truly one of my favorite Tina and Amy [Poehler] performances. She\u2019s so extroverted, so crazy and so funny. But what she really wants to do is to sit with a lavender candle and a mug of tea and have people over on the couch. She\u2019s just this wonderful mix of somebody who can keep all the plates spinning at once, but is eager to have a dinner reservation that\u2019s at 5:30 p.m., so we can all be in our jammies with our families at 8 p.m.<\/p>\n

\n\tLook, I love these shows like Overcompensating<\/em> and Euphoria<\/em>. I love these young shows. Even I Love LA<\/em>, I love that show. I don\u2019t know if I\u2019m cool enough to be on those. I am right where I\u2019m supposed to be with these 50-year-olds because they\u2019re my speed. They\u2019re my style, and I just love them. Part of that is because their resting heart rate is 12 years old. They really do all just want to have fun and be silly and be goofy. I love getting to see that side of Tina. I love getting to see the girl who grew up doing theater in Philadelphia, who wants to sing. I\u2019ve got a video of her and Colman [Domingo] singing Cabaret<\/em>. Colman also comes from theater, and anytime he starts singing, Tina is like right there. I love that about her.<\/p>\n

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