{"id":144,"date":"2026-05-18T12:39:13","date_gmt":"2026-05-18T12:39:13","guid":{"rendered":"https:\/\/uspropertymoves.com\/?p=144"},"modified":"2026-05-18T12:39:13","modified_gmt":"2026-05-18T12:39:13","slug":"cate-blanchett-reveals-mo-amer-bao-nguyen-palestine-36-director-annemarie-jacir-as-displacement-film-fund-recipients-in-cannes","status":"publish","type":"post","link":"https:\/\/uspropertymoves.com\/?p=144","title":{"rendered":"Cate Blanchett Reveals Mo Amer, Bao Nguyen, \u2018Palestine 36\u2019 Director Annemarie Jacir as Displacement Film Fund Recipients in Cannes"},"content":{"rendered":"<div>\n<!-- do not apply CSS styles to this element! --><\/p>\n<div>\n<p>\nCate Blanchett, during a panel event at the Cannes Film Festival on Monday, unveiled the five recipients and their projects of the second cycle of the\u00a0Displacement Film Fund (DFF)\u00a0short film grant scheme, including Bao Nguyen, Mohammed \u201cMo\u201d Amer and <em>Palestine 36<\/em> director Annemarie Jacir.<\/p>\n<p>Read more <a href=\"https:\/\/uspropertymoves.com\/?p=142\">ACM Awards: Ella Langley Tops Winners; Cody Johnson Named Entertainer of the Year<\/a><\/p>\n<p>\nRithy Panh and Akuol de Mabior round out the second-round list of recipients. Blanchett, star, producer and global Goodwill Ambassador for UNHCR, the UN Refugee Agency, launched the scheme with International Film Festival Rotterdam\u2019s (IFFR) Hubert Bals Fund.<\/p>\n<p>\n\tThe DFF, also backed by a coalition of film industry experts, creators, business leaders and philanthropists, was established in 2025 to \u201cchampion and fund the work of displaced filmmakers, or filmmakers with a proven track record in creating authentic storytelling about the experiences of displaced people.\u201d <\/p>\n<p>\n\tEach of the selected filmmakers will receive a production grant of \u20ac100,000 ($116,350), with their completed projects getting their world premieres at IFFR 2027, running Jan. 28-Feb. 7.<\/p>\n<p>\n\tFor the 2025 first edition of the DFF, Mohammad Rasoulof, Maryna Er Gorbach, Mo Harawe, Hasan Kattan, and Shahrbanoo Sadat were the recipients of the production grants.\u00a0Their films <em>Sense of Water<\/em>, <em>Rotation<\/em>,\u00a0<em>Whispers of a Burning Scent<\/em>,<em>\u00a0Allies in Exile<\/em>,\u00a0and\u00a0<em>Super Afghan Gym<\/em> had their world premieres at IFFR 2026.<\/p>\n<p>\n\tDuring the Cannes event, where Japan is the March\u00e9 du Film\u2019s 2026 Country of Honor, the DFF also unveiled that its inaugural collection of films will screen at Tokyo International Film Festival in October. Additionally, a theatrical screening has been confirmed at New York\u2019s Film Forum in the fall, which will qualify the five films for Academy Award consideration. <\/p>\n<p>\n\tSaid Blanchett, DFF co-founder and leader: \u201cThe short form is a fantastic medium for these narratives, and the way audiences are connecting with the first five films is extraordinary. I\u2019m heartened by the success of our first cohort and thrilled to be revealing the next group of artists to be supported.\u201d<\/p>\n<p>\n\tAdded Clare Stewart, managing director of IFFR, and Tamara Tatishvili, head of the Hubert Bals Fund:\u00a0\u201cIt is a privilege to return to Cannes with the Displacement Film Fund, following the remarkable journey we\u2019ve embarked on with the first cohort and the success of their premiere screenings at IFFR 2026. The recipients of our second cycle once again reflect an extraordinary breadth of filmmaking talent \u2013 with each navigating their own personal experiences of displacement, and we are proud to help bring their vital stories into the spotlight. At a time of ongoing global uncertainty, our commitment to maintaining this fund only deepens, alongside our belief in championing film as a powerful force for encouraging empathy and positive change.\u201d<\/p>\n<p>Read more <a href=\"https:\/\/uspropertymoves.com\/?p=141\">Ella Langley Performs \u201cBe Her\u201d at 2026 ACM Awards<\/a><\/p>\n<p>\n\tCheck out more details on the five grant recipients of the second cycle of the DFF and their projects:<\/p>\n<p>\n<strong>Mohammed \u201cMo\u201d Amer <\/strong><br \/>The award-winning Palestinian-American comedian\/writer\/director is the star of Netflix\u2019s\u00a0<em>MO<\/em>, a semi-autobiographical series.\u00a0<br \/>Project: <em>Return to Sender\u00a0<\/em>(working title) (Palestine\/U.S.)<br \/>\u201cAfter receiving his refugee travel document, a Palestinian stand-up comedian embarks on the world tour of his dreams, but each new country presents increasingly absurd immigration hurdles that test his emotional and mental resolve.\u201d<\/p>\n<p>\n<strong>Annemarie Jacir<\/strong><br \/>The Palestinian director, writer and producer has seen all four of her feature films being selected as Palestine\u2019s Oscar submissions. <br \/>Project: <em>Deconstruction<\/em>(working title) (Palestine)<br \/>\u201cSet in Haifa \u2013 a city built on layers of presence and absence, memory and reinvention \u2013 the short film <em>Deconstruction<\/em>\u00a0follows a man navigating the in-between as the past is uncovered, rearranged, sold, and made new.\u201d<\/p>\n<p>\n<strong>Akuol de Mabior<\/strong><br \/>The South Sudanese filmmaker grew up in Kenya and was born in Cuba. <em>No Simple Way Home<\/em>\u00a0(2022), her feature-directorial debut, was the first South Sudanese film to screen at the Berlin International Film Festival. <br \/>Project: <em>Traces of a Broken Line\u00a0<\/em>(working title) (South Africa\/South Sudan)<br \/>\u201cWar breaks a lineage, forcing a mother to preserve what she can no longer pass down.\u201d<\/p>\n<p>\n<strong>Bao Nguyen<\/strong> <br \/>The Vietnamese-American filmmaker and founding partner of East Films, is known for his directorial work, including\u00a0<em>The Stringer<\/em>,\u00a0<em>Be Water<\/em>,\u00a0<em>The Greatest Night in Pop<\/em> and\u00a0<em>BTS: The Return<\/em>.<br \/>Project: <em>How to Ride a Bike\u00a0<\/em>(working title) (U.S.\/Vietnam)<br \/>\u201cA Vietnamese refugee father who never learned to ride a bike tries to teach his young son, and when he fails, begins learning in secret, confronting a lifelong shame he has carried since boyhood.\u201d<\/p>\n<p>\n<strong>Rithy Panh<\/strong> <br \/>The acclaimed Cambodian director, writer, and producer has explored memory, trauma and the legacy of the Khmer Rouge regime in his films, including\u00a0<em>The Rice People<\/em>,\u00a0<em>The Missing Picture<\/em>,\u00a0<em>Graves Without a Name<\/em>, and\u00a0<em>Everything Will Be OK<\/em>. <em>The Missing Picture<\/em>\u00a0won the Un Certain Regard prize at Cannes and received an Academy Award nomination.<br \/>Project: <em>Time\u2026 Speak\u00a0<\/em>(working title) (France\/Germany)<br \/>\u201cAn exiled filmmaker returns to the broken fragments of his memory \u2013 shattered figurines, archives, and silences \u2013 to reconstruct through cinema a form of life in which the disappeared continue to speak.\u201d<\/p>\n<p>Read more <a href=\"https:\/\/uspropertymoves.com\/?p=139\">\u2018Another Day\u2019 Review: Ad\u00e8le Exarchopoulos Shines as a Woman Under the Influence in an Otherwise Loose-Limbed Portrait of a Functioning Alcoholic<\/a><\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Cate Blanchett, at Cannes, revealed Bao Nguyen, Mohammed Amer, &#8216;Palestine 36&#8217; director Annemarie Jacir, Rithy Panh for the Displacement Film Fund.<\/p>\n","protected":false},"author":1,"featured_media":143,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[148,8,149,150,2,151,152],"class_list":["post-144","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interesting","tag-bao-nguyen","tag-cannes-2026","tag-cate-blanchett","tag-iffr","tag-international","tag-international-film-festival-rotterdam","tag-mo-amer"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - 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