{"id":1434,"date":"2026-06-08T22:37:50","date_gmt":"2026-06-08T22:37:50","guid":{"rendered":"https:\/\/uspropertymoves.com\/?p=1434"},"modified":"2026-06-08T22:37:50","modified_gmt":"2026-06-08T22:37:50","slug":"how-pinks-tony-awards-opening-came-together-with-lea-michele-megan-thee-stallion-and-aerial-stunts","status":"publish","type":"post","link":"https:\/\/uspropertymoves.com\/?p=1434","title":{"rendered":"How Pink\u2019s Tony Awards Opening Came Together With Lea Michele, Megan Thee Stallion and Aerial Stunts"},"content":{"rendered":"
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\n\tThe Tony Awards opening number Sunday saw Pink suspended from the rafters and lifting Neil Patrick Harris up in the air with her legs while belting, Megan Thee Stallion rapping about a best musical nominee and Lea Michele making jokes about not winning awards.\u00a0<\/p>\n

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\n\tAnd then there was the lyric now etched into popular culture: \u201cGitchie, gitchie Lesley Manville. Gitchie, gitchie Carrie Coon.\u201d<\/p>\n

\n\tMore than 170 performers filled the stage, alongside Tony Awards host Pink, as she guided them through the number, set to a rewritten \u201cLady Marmalade\u201d that honored Broadway\u2019s leading ladies and included cast members from the season\u2019s shows. This all came together as the brainchild of Dear Evan Hansen <\/em>and The Greatest Showman<\/em> composers Benj Pasek and Justin Paul and Mark Sonnenblick, composer of KPop Demon Hunters<\/em>\u2018 \u201cGolden.\u201d (Pasek and Paul also collaborated on last year\u2019s opening number for Cynthia Erivo.)<\/p>\n

\n\tThe three chatted with The Hollywood Reporter<\/em> about how they convinced nominees to participate (spoiler: it wasn\u2019t hard), that flying moment, getting certain jokes in the telecast and the complicated logistics of bringing it all together for the first time on Sunday.\u00a0<\/p>\n

\nIn the number you have Lea Michele singing the line \u201cWe don\u2019t do it for the awards,\u201d after she was not nominated for a Tony Award this season. Was that a tough sell for her, or how did you convince her to do that line?<\/strong><\/p>\n

\nBenj Pasek:<\/strong> She was so down, and she was really excited to be a part of the number. We had heard that she was willing to be a part of it, and we wanted to write a song that celebrated the leading ladies of the season and when we found out that she was willing to be a part of it, we wanted to come up with something that felt like it honored her incredible performance.\u00a0<\/p>\n

\nMark <\/strong>Sonnenblick:<\/strong> She was a huge leading lady this season. And I think part of it too is it\u2019s obviously there to set up the nominees and be about the Tonys, but also we were trying to celebrate a lot of other parts of Broadway too, and this whole 12-month period, and there\u2019s a lot of people who were not nominated and who don\u2019t do it for the awards, and so obviously, it made sense to have her sing that, but it was hopefully meaningful. We are not here doing theater to win a Tony, as amazing as it is to be in that position on a night like that night.<\/p>\n

\nJune Squibb also got a solo, where she sang the line, \u201cAll the parts I played \u2014 I slayed em.\u201d Where did that idea come from?\u00a0<\/strong><\/p>\n

\nPasek: <\/strong>The lyric had been written just to have Pink sing it, \u201cSquibby, Squibby, Squibby, June. All the parts she plays, she slays them,\u201d and then we put in a request being like, would June do it? Would she actually sing it herself?\u00a0<\/p>\n

\nPaul: <\/strong>We were like, wait a second, June Squibb, she was in the original company of Gypsy<\/em>. This woman has musical experience. She can nail a musical. Let\u2019s see if she\u2019s game. And the ask went out, and it came back that she was totally game, and she slayed it!<\/p>\n

\nSonnenblick: <\/strong>One of my favorite moments is just watching her do that with Lea and Pink and Hannah Cruz surrounding her, and then watching Danielle Brooks and Queen Latifah, who were sitting next to her, just be like, \u201cYes!\u201d She did slay it. It was so, so fun.<\/p>\n

\nOne of the jokes in the number that stood out to me is Pink saying \u201cLost Boys and harnesses\u201d and then The Lost Boys<\/em>\u2019 Ali Louis Bourzgui<\/strong> saying, \u201cAnd not at the Eagle\u201d [referencing a well-known New York leather bar]. Were you surprised that that made it in? Was there any pushback on the jokes?<\/strong><\/p>\n

\nPasek:<\/strong>Honestly, that joke nobody flagged, and we were grateful that we got to have it.\u00a0<\/p>\n

\nSonnenblick: <\/strong>It\u2019s one of the producers\u2019 favorite jokes. We didn\u2019t really have pushback, other than who was willing, or with rehearsals, who could be in it, or who wasn\u2019t able to be in it.<\/p>\n

\nPaul:<\/strong> They weren\u2019t content editing, they were down for everything, which was so amazing.<\/p>\n

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\nHow much did you work with Pink on the opening number? I also wanted to ask about the moment where she lifts Neil Patrick Harris off the ground and is belting. Did that come from you, or from her?\u00a0<\/strong><\/p>\n

\nSonnenblick: <\/strong>That was her idea.\u00a0We worked with her so closely. <\/p>\n

\nPasek:<\/strong> She knew that she wanted to do something that was poking fun at herself right away, and she knew that everybody wanted her to fly, so we pitched the idea of her coming out as Peter Pan, and then she was like should I sing some other numbers? And then we\u2019re also close with Neil, and we got to chat with him and her about that, and then she actually sent us a voice memo, where she was like, \u201cHey, Willow [Pink\u2019s daughter] has a really funny idea. What if I actually sing the Elphaba riff somewhere?\u201d And we were like, \u201cOK, great.\u201d\u00a0<\/p>\n

\nPaul:<\/strong> Neil was like, \u201cI\u2019m willing to do something, if you want a stunt.\u201d<\/p>\n

\nSonnenblick:<\/strong> And Pink was like, \u201cOh, I\u2019ve got something.\u201d \u201cI\u2019ll do this move where I lock my knees\u2026\u201d<\/p>\n

\nPaul<\/strong>: I think someone does that to her in her shows. So then she was like, \u201cI know how to do it.\u201d<\/p>\n

\nAnd she was just using her legs to lift him off the ground into the air?\u00a0<\/strong><\/p>\n

\nSonnenblick: <\/strong>Literally her legs. It\u2019s so crazy.<\/p>\n

\nThe lyric \u201cGitchie, gitchie Lesley Manville. Gitchie, gitchie Carrie Coon,\u201d is really making the rounds online and in the theater community. How did those lyrics come to fruition?\u00a0<\/strong><\/p>\n

\nPasek: \u201c<\/strong>Leading Lady Marmalade\u201d was not the initial pitch. The initial pitch was just we\u2019re going to rewrite the lyrics to \u201cLady Marmalade,\u201d because it\u2019s a song I think people are going to go crazy if Pink sings the song, and Alecia [Pink\u2019s real name] really wanted to give a Pink opening that also really honored the Broadway community, so we\u2019re like, we\u2019ll rewrite the lyrics, but not knowing what the kind of actual song title was going to be, and we pitched around a lot of different things, but I feel like it locked in when it was like \u201cIt could it be \u2018Leading Lady Marmalade,\u2019 that\u2019s theatrical, but is it that funny? I don\u2019t know, it might be too basic. And then I think actually someone said \u201cGitchie, gitchie Laurie Metcalf\u201d first. And we were like \u201cThat is funny.\u201d\u00a0<\/p>\n

\nSonnenblick:<\/strong> The thrust of the number is really celebrating the leading ladies of the season, so would it be fun to call out some of the dames and some of the wonderful leading ladies in a really fun, sort of kitschy way? And we wanted to have that spirit of being sort of not serious, and having the voices that we had on it, of Pink, and Shoshana Bean and Christiani Pitts, and these incredible vocalists singing something that was sort of ridiculous over a pop style that had a musical theater lyric to it.<\/p>\n

\nPaul:<\/strong> It was sort of just putting the puzzle together, of like, OK who are the big, fabulous names that we can put into the puzzle pieces that are the the four syllable names to go with \u201cGitchie. gitchie Laurie Metcalf\u201d or \u201cGitchie, gitchie Lesley Manville\u201d and then what are the three syllable ones? Carrie Coon. And it\u2019s just filling those in and having fun, and seeing what rhymes, and setting up Betsy Aidem to rhyme with \u201cThe parts I played \u2013 I slayed \u2019em.\u201d<\/p>\n

\nDid you take inspiration from any prior opening numbers?\u00a0<\/strong><\/p>\n

\nPasek<\/strong>: I think that \u201cBigger\u201d [Neil Patrick Harris\u2019s 2013 Tonys opening number] certainly looms large in everybody\u2019s mind, and the choreographer that we worked with, Sarah O\u2019Gleby helped choreograph that number. She helped bring this entire number to life, and she was so helpful in having the vision that every show would be represented, and having 170 people on stage. And so we kind of worked backwards from how she was thinking about staging it.<\/p>\n

\nHow long was the rehearsal process?\u00a0<\/strong><\/p>\n

\nSonnenblick:<\/strong> It all came together really, really quickly, as these things, I guess, tend to do. Sarah O\u2019Gleby is such a hero, because had to rehearse every single section of it on different schedules, with different people, and it was really section by section. We weren\u2019t really able to put it all together until Sunday morning, and they rehearsed it three times through, and every time, everybody was giving notes, and Pink was so down to get changes and notes and things that could improve it. But it really was like drinking from a fire hose in a lot of ways. It was so fast and furious. Everybody rehearsed it with such limited time, because they come in and they do like the rehearsal for the Ragtime<\/em> number or the Schmigadoon<\/em> rehearsal, and then Sarah could grab them for like 10 minutes at the end of that rehearsal to put together whatever needed to happen.<\/p>\n

\nPaul:\u00a0<\/strong>There was a rehearsal where things started to get put together, but everyone in the number was not present at a rehearsal until the morning of the Tonys.<\/p>\n

\nPasek: <\/strong>Even then not everyone was there.\u00a0<\/p>\n

\nPaul:<\/strong> Actually, there was never a rehearsal with everyone in the number until literally what you\u2019re watching on the Tonys. And I just want to shout out all those casts, because I feel like the number really became a microcosm of the spirit of the night, which is all these companies coming together, celebrating inclusivity, being together. It\u2019s an extra ask for them, it\u2019s an extra burden to be in this opening number, but you could just tell that their spirit was wanting to be together, be on stage, celebrate the community, and deliver something for the audience at home, the audience at Radio City.<\/p>\n

\nPasek:<\/strong> It was also so cool to have Megan Thee Stallion rap lyrics that we wrote, and also agree to say, \u201cI don\u2019t know, these guys, they\u2019re two strangers carrying some cake,\u201d delivered in the best way. We couldn\u2019t believe that dream actually came true.<\/p>\n

\nSonnenblick:<\/strong> All of the cameos, in that way, it was just of like I guess we\u2019ll pitch this and see what people say. And then June Squibb says yes, and then Lea says yes, and then Megan Thee Stallion is entering during a Ragtime <\/em>section\u2026That\u2019s just the joy, everything you\u2019re saying, Justin. That love for the community, came through from everybody, and we were just grateful.<\/p>\n

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\nThis conversation was edited for length and clarity. <\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

How Pink’s 2026 Tony Awards opening number with Lea Michele, Megan Thee Stallion and aerial stunts came together.<\/p>\n","protected":false},"author":1,"featured_media":1433,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[245,153,154,305,306,955],"class_list":["post-1434","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interesting","tag-awards","tag-broadway","tag-theater","tag-tony-awards","tag-tony-awards-2026","tag-tonys-2026"],"yoast_head":"\nHow Pink\u2019s Tony Awards Opening Came Together With Lea Michele, Megan Thee Stallion and Aerial Stunts - US Property Moves<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/uspropertymoves.com\/?p=1434\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"How Pink\u2019s Tony Awards Opening Came Together With Lea Michele, Megan Thee Stallion and Aerial Stunts - 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