{"id":1412,"date":"2026-06-08T17:07:05","date_gmt":"2026-06-08T17:07:05","guid":{"rendered":"https:\/\/uspropertymoves.com\/?p=1412"},"modified":"2026-06-08T17:07:05","modified_gmt":"2026-06-08T17:07:05","slug":"john-fogerty-on-n-y-times-songwriter-list-snub-taylor-swift-and-why-there-arent-more-protest-songs","status":"publish","type":"post","link":"https:\/\/uspropertymoves.com\/?p=1412","title":{"rendered":"John Fogerty On N.Y. Times\u2019 Songwriter List Snub, Taylor Swift and Why There Aren\u2019t More Protest Songs"},"content":{"rendered":"<div>\n<!-- do not apply CSS styles to this element! --><\/p>\n<div>\n<div>\n<div>\n<div>\n<div>\n<p>\n\tThe American songbook would be incomplete without John Fogerty.<\/p>\n<p>\n\tOver just a four-year span from 1968 to 1972 with Creedence Clearwater Revival, Fogerty had one of the most legendary runs in music history, amassing a collection of hits it\u2019d take many songwriters a lifetime to write. Among the iconic songs he wrote during that period are \u201cProud Mary,\u201d \u201cBad Moon Rising,\u201d \u201cDown on the Corner,\u201d \u201cFortunate Son,\u201d \u201cHave You Ever Seen the Rain\u201d and \u201cSomeday Never Comes,\u201d to name just a few.<\/p>\n<p>Read more <a href=\"https:\/\/uspropertymoves.com\/?p=1410\">Edward Bluemel to Star in Young Hercule Poirot Series for BritBox, BBC<\/a><\/p>\n<p>\n\tIt\u2019s a catalog so prolific that as of this week, CCR\u2019s greatest hits album has spent its 800th week on <em>Billboard\u2019s <\/em>200 albums chart, a record for the fifth longest run in the chart\u2019s history. With that resume in mind, Fogerty was arguably the most notable snub from <em>The New York Times\u2019<\/em> 30 Greatest Living American Songwriters list, up there with the likes of Billy Joel, Tom Waits and Randy Newman. Surprisingly, it doesn\u2019t seem to bother Fogerty all that much.<\/p>\n<p>\n\t\u201cI mean, I would\u2019ve been shocked but a lot of people weren\u2019t mentioned,\u201d Fogerty says with a disarming calmness when asked about the snub on a recent phone call. \u201cThere\u2019s only 30, and you have to be alive. It\u2019s pretty tough.\u201d<\/p>\n<p>\n\tIt\u2019s a refreshingly even-keeled answer in a business practically built on legacy and ego. But Fogerty is at peace with his career at this point. <\/p>\n<p>\n\tIt also doesn\u2019t hurt that he\u2019s about to be honored with about as prestigious award a songwriter could possibly get this week, as the Songwriters Hall of Fame will bestow Fogerty with the Johnny Mercer award, the Hall\u2019s biggest honor and a distinction that all but confirms him as one of the most important songwriters of all time.<\/p>\n<p>\n\tAhead of that honor on Thursday, which will also induct the likes of Taylor Swift, Alanis Morissette and Kenny Loggins and more, Fogerty spoke with <em>The Hollywood Reporter<\/em> about how Swift inspired him to re-record his songs, pop\u2019s lack of protest songs today and why after his decades-long fight to win back the rights to his music, he may be willing to sell.<\/p>\n<p>\n<strong>So let\u2019s start with the Johnny Mercer award. Congrats. I know you\u2019ve received many honors in your time but I often hear recipients consider this one to be particularly special<\/strong>, <strong>it basically calls you one of the greatest songwriters ever. It\u2019s a prestigious award.<\/strong><\/p>\n<p>\n\tI didn\u2019t know there were any more awards. When they called, I happened to be on the tour bus, I was sitting at a little table looking straight at my wife. The Songwriters Hall of Fame told me about this highest honor, the Johnny Mercer award. It\u2019s everything, it\u2019s my whole life, it\u2019s all of it that I\u2019ve ever dreamed about, and they\u2019re giving me this award, basically saying \u201cyou did a good job.\u201d I admit that I looked at Julie, my wife, and my eyes started to tear up, I was really taken aback. It took my breath away.<\/p>\n<p>\n\tI grew up learning about all the songwriters that have come before me. Some people call it standing on the shoulders of giants, my mother had pointed songwriters out to me as a very young kid. We\u2019d talk about songwriters like Irving Berlin, Hoagy Carmichael. Then of course in my teen years I\u2019d learn about Lennon and McCartney, Carole King. <\/p>\n<p>\n<strong>I\u2019m sure getting an honor like this forces you to be introspective and look back on your work. What do you think is the best lyric you ever wrote?<\/strong><\/p>\n<p>\n\tThere\u2019s one I quote in my family, especially to my wife sometimes, I wrote a song called \u201cMystic Highway.\u201d It\u2019s all about the idea of a mystical highway out in the universe we\u2019re all traveling on. I picture a man on his family kind of weary. They\u2019re on this highway that leads you probably to the great light we\u2019re all seeking.<\/p>\n<p>\n\tAnyway, this wasn\u2019t a big hit song or something, but it was an idea I\u2019d thought about for a long time and I finally put it on an album with <em>I Wrote a Song For Everyone.<\/em> The lyric on the song is \u201cwithout knowing where I\u2019m going, probably get there anyway.\u201d I just love that. I still see it that way, and it makes me chuckle.<\/p>\n<p>\n<strong>What do you think is your most overlooked song? <\/strong><\/p>\n<p>\n\tProbably \u201cWeeping in the Promised Land.\u201d I wrote the title to that song years and years ago in a song book I\u2019ve kept from the \u201960s, I wrote the title back then somewhere. It sounded really biblical to me, and it sounded really sad. I didn\u2019t know what to do with it until Covid and the lockdown and Trump-dot-one.<\/p>\n<p>\n<strong>It\u2019s a protest song, you reference George Floyd and \u201cI Can\u2019t Breathe\u201d there. A lot of folks ask these days why there aren\u2019t more protest songs anymore. I\u2019m curious your thoughts given you\u2019re responsible for a lot of the most iconic protest songs in pop culture. <\/strong><\/p>\n<p>\n\tThat\u2019s a very good question. I mean, obviously Bruce [Springsteen] is still doing it. But the way Donald Trump has handled his insecurities or deficiencies is he turns it into a big fear game. Instead of working on things like policy and maybe fixing the economy \u2014 healthcare, civil rights all that good stuff that needs repair \u2014 he punishes his enemies.<\/p>\n<p>\n\tIt puts people in fear of their job, I guess. I think there should be more young songwriters kind of expressing a carefree attitude about such things, you know, when you\u2019re young, you\u2019ve got a whole lifetime to make mistakes and still catch up. I don\u2019t know, maybe their record companies don\u2019t like them to, I don\u2019t really have an answer. <\/p>\n<p>\n<strong>It\u2019s an interesting phenomenon. Clearly you and Bruce have still felt you can. Those were the defining songs of a generation, I can\u2019t think of protest track that has been similarly defining now.<\/strong><\/p>\n<p>\n\tIt doesn\u2019t get embraced by society as a whole but the kids still know. I\u2019ll mention one aspect that ticks me off. When the Israeli government started really having pretty harsh treatment to the Palestinians in Gaza, the kids, the young people in our country, reacted. It was wonderful to see. It\u2019s great. Instinctively, they understood and they were filling spaces on college campuses where they could protest. This happened during the Biden administration of all things. I suppose we have a pretty ongoing connection with Israel, and our government chose to try to squelch the protests.<\/p>\n<p>\n<strong>I think of the protest songs of the \u201960s and \u201970s and of course would think of \u201cOhio\u201d and Kent State if we talk about protests on college campuses. Thankfully no one was killed this time. <\/strong><\/p>\n<p>Read more <a href=\"https:\/\/uspropertymoves.com\/?p=1408\">Netflix Sets \u2018Lupin\u2019 S4 Release Date<\/a><\/p>\n<p>\n\tThe kids could see something that was just really wrong. I\u2019m sure the young people in Israel probably felt the same way. The kids were right all along. Just because the leader of Israel chooses to use his government in a way that probably isn\u2019t reflective of his own population \u2026 I don\u2019t like our guy either.<\/p>\n<p>\n<strong>Going back to the songs, I was surprised you weren\u2019t listed on the <em>New York Times<\/em>\u2018 list of the 30 greatest living American songwriters. It was one of the most notable omissions. Do you have any thoughts?<\/strong><\/p>\n<p>\n\tThe funny thing is that everybody sees this through their own lens. There were all kinds of other really deserving people that weren\u2019t on that list either. It happens. <em>Rolling Stone<\/em> releases a list of the greatest records of all time. As time goes on, the records that I love or the artists that I love, more and more of them would be dropped away for newer things because the voters get younger and they vote for what they like. It\u2019s kind of a natural progression.<\/p>\n<p>\n<strong>Speaking further your peers, it\u2019s still so interesting that while so many hitmakers sold their catalogs, you bought yours. Obviously you had turmoil for years with your songs<\/strong>. <strong>When you see others selling for $200 million, does it make you wonder if you\u2019d sell now?<\/strong><\/p>\n<p>\n\tYeah, when you find out there\u2019s a number attached to something you have. Gosh, $200 million buys a lot of rice and beans. I had to live so much of my life not owning my own songs. It was of course a tragedy but it was a part of me. It was like a plaid shirt I had to wear. It was horrible. I felt so bad about that for so long, that I was hoodwinked. I felt like a fool. There was a big dishonest cheater at the center of it.<\/p>\n<p>\n\tNow that I do own it, people started calling me right away asking if I\u2019d sell. It was like \u201cNo! I\u2019d tried so hard to own it all these years!\u201d I think Bob Dylan had a really good take on it, he seemed to not want his kids fighting over a song. It\u2019s too awful to have your kids struggling over. It\u2019s a lot simpler to cash it out and put the money somewhere, hopefully some estate planning. It\u2019s hard enough for the guy who wrote it himself.<\/p>\n<p>\n<strong>So in your lifetime, is that what you see yourself doing too?<\/strong><\/p>\n<p>\n\tYeah, and that\u2019d be the main motivation. Also, I have a very good life, don\u2019t get me wrong. I ended up with a golden ticket, I have no right to complain. But it\u2019d probably be a good idea for me as a family man to sell the stuff while I still have time to enjoy the benefits of such a big nest egg.<\/p>\n<p>\n<strong>And this time you can choose who a good steward for the music would be instead of that decision being made for you. <\/strong><\/p>\n<p>\n\tExactly. You can tell by the way I talk about it, it\u2019s rather professorial, it\u2019s kind of an academic exercise. I\u2019m not running around having a fire sale. \u201cProud Mary\u201d is still very personal to me, but having watched other very famous and great songwriters sell their catalogs and to see them go on with their life, they still sing their songs, they still enjoy them.<\/p>\n<p>\n\tThose songs are still attached emotionally to them, that sort of gives you the model of how it goes.<\/p>\n<p>\n<strong>Going back to the ceremony, you\u2019re getting your honor the same night as Taylor Swift\u2019s induction. I know that the tactics with Taylor\u2019s versions have played at least some influence on you doing the re-records last year<\/strong>, <strong>she had the drama with her catalog too. Have you ever spoken to her about all this? Would you want to when you\u2019re both in New York? <\/strong><\/p>\n<p>\n\tI have felt very close to Taylor for years and years because I have a daughter, Kelsey, who was, 7, 8, 9 years old early in in Taylor\u2019s career. Taylor is something I shared with my daughter, countless hours of listening and marveling over the wonderful songs. Every time a new album would come, we would listen and I\u2019d shake my head, so many great songs.<\/p>\n<p>\n\tWe\u2019ve gone to a few Taylor concerts together and got to meet her together at a meet and greet. We\u2019ve talked about music that way, but I wasn\u2019t specific with Taylor Swift. I didn\u2019t talk it with over with her. But I sure understood her re-records, and I also felt her pain and the motivation for doing them in the first place. She was quite able to purchase the ownership of the masters, and somebody very capriciously sold them to someone else, and that was terrible. I understand. It\u2019s great she got them back. Doing my re-records now was a pretty wonderful thing for me, and of course, the inspiration was certainly partly because of what Taylor did.<\/p>\n<p>\n<strong>You sounded great on the re-records by the way. Replicating \u201960s John Fogerty isn\u2019t easy but I thought it was impressive. <\/strong><\/p>\n<p>\n\tThe blessed thing about this was that I got to do it with my two boys. It was a whole family affair, my daughters were around and of course Julie was in the studio watching this. My son Shane, who\u2019s an awesome guitar player, I had him play the iconic licks I had done way back when. It was a sharing thing.<\/p>\n<p>\n<strong>Especially after all the drama, I\u2019m sure that\u2019s relieving. It\u2019s like you get to see the end of your own biopic in a way with this Hollywood ending. You couldn\u2019t write a better coda. <\/strong><\/p>\n<p>\n\tThat\u2019s very perceptive. Julie was really the instigator in all that. She understood somehow way down instinctively what would come if we did this. It certainly gave me a much happier and mellower frame of reference now for all these songs. Hearing them on the radio and understanding their place in culture I suppose. I certainly feel really good about it now. When I look at her, I just think \u201cdid she know this all along?\u201d It\u2019s one of those mystical things that comes about in a marriage.<\/p>\n<p>Read more <a href=\"https:\/\/uspropertymoves.com\/?p=1406\">Nicholas Duvernay on \u2018Not Suitable For Work\u2019 and How \u2018White Lotus\u2019 Changed Things For Him<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>In a new interview with THR, John Fogerty spoke with THR about winning back his catalog, Taylor Swift and why there aren\u2019t more protest songs today.<\/p>\n","protected":false},"author":1,"featured_media":1411,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[1240],"class_list":["post-1412","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interesting","tag-john-fogerty"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>John Fogerty On N.Y. 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