{"id":1376,"date":"2026-06-08T07:35:31","date_gmt":"2026-06-08T07:35:31","guid":{"rendered":"https:\/\/uspropertymoves.com\/?p=1376"},"modified":"2026-06-08T07:35:31","modified_gmt":"2026-06-08T07:35:31","slug":"tony-awards-analysis-a-strange-broadway-season-ends-with-recognition-for-both-hollywood-heavyweights-and-theater-troupers","status":"publish","type":"post","link":"https:\/\/uspropertymoves.com\/?p=1376","title":{"rendered":"Tony Awards Analysis: A Strange Broadway Season Ends with Recognition for Both Hollywood Heavyweights and Theater Troupers"},"content":{"rendered":"
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\n\tThe 2025-2026 Broadway season \u2014 the highest-grossing in history at $1.9 billion, even though it included only six new musicals, which are usually what drive ticket sales \u2014\u00a0came to an end on Sunday night with the 79th Tony Awards at Radio City Music Hall in New York. The verdict of the 831 voters? 10 shows were worthy of recognition in at least one category: Becky Shaw<\/em>, Cats: The Jellicle Ball<\/em>, Death of a Salesman<\/em>, Giant<\/em>, Fallen Angels<\/em>, Liberation<\/em>, The Lost Boys<\/em>, Oedipus<\/em>, Ragtime<\/em> and Schmigadoon!<\/em>.<\/p>\n

Read more \u2018Lesbian Lines\u2019 Doc Shines a Light on Irish History Not Taught in School \u2013 and the Power of Listening<\/a><\/p>\n

\n\tBest musical, the one Tony that tends to result in a meaningful box-office boost for its winner, went to Schmigadoon!<\/em>, a Lorne Michaels-backed sendup of golden age Broadway musicals, over The Lost Boys<\/em>, a show that appealed to a younger demo. It was a battle of screen adaptations \u2014 Schmigadoon!<\/em> was inspired by the Apple TV series of the same name, while The Lost Boys<\/em> is a musical spin on the 1987 film of the same name \u2014\u00a0which shared the distinction of most Tony noms of any show this season, 12.<\/p>\n

\n\tIn what was seen as a similarly close contest, Lincoln Center\u2019s production of Ragtime<\/em>, the first on Broadway since the show first ran from 1998 through 2000, won best revival of a musical over Cats: The Jellicle Ball<\/em>, an edgy reimagining of the polarizing show that ran on the Great White Way from 1982 through 2000.<\/p>\n

\n\tThe remaining musical awards, which consider both new productions and revivals alongside each other, were spread fairly evenly between the aforementioned four shows. Best direction went to Cats<\/em> (specifically to the team of Zhailon Levingston and Bill Rauch), as did best choreography and costume design (making Qween Jean the first openly trans person to win a Tony). Best actor and actress went to Ragtime<\/em>\u2019s Joshua Henry and Caissie Levy, respectively, and the show was also recognized for best sound design. The Lost Boys<\/em> claimed best featured actor and featured actress for, respectively, 26-year-old Ali Louis Bourzgui, who upset Cats\u2019 Andr\u00e9 De Shields, and veteran trouper Shoshana Bean, as well as lighting design of a musical and scenic design of a musical. (The legendary De Shields, 80, won seven years ago for Hadestown<\/em>.) And Schmigadoon!<\/em> also took home best book, original score and orchestrations. (Its wins made Apple TV the fastest streamer to an EGOT, just six-and-a-half years after its launch.)<\/p>\n

\nLiberation<\/em>, a memory play about 1970s feminism, which started off Broadway and was awarded the Pulitzer Prize for drama last month, was chosen for the best play Tony over Giant<\/em>, a troubling portrait of children\u2019s author Roald Dahl at the moment when he was first facing accusations of antisemitism \u2014 this despite the fact that the former closed back in February, while the latter is still running and a huge box office hit, having recouped its $5.6 million capitalization in just 10 weeks.<\/p>\n

\n\tRather remarkably, Liberation<\/em> scribe Bess Wohl became the first female American playwright in 38 years to win the best play Tony, following the late Wendy Wasserstein, who was awarded it for The Heidi Chronicles<\/em>. Oddly enough, though, that high honor was the only win of the night for Liberation<\/em>, while Giant<\/em> claimed its sole trophy for its lead actor John Lithgow, marking his third Tony win, 53 years after his first.<\/p>\n

Read more Scott Rudin Wins Tony Award After Leaving Industry Due to Bullying Claims<\/a><\/p>\n

\n\tMost of the awards for plays, though, went to a universally-acclaimed production of Arthur Miller\u2019s \u201cGreat American Play,\u201d Death of a Salesman<\/em>. Its sixth remounting on Broadway since the 1949 original\u00a0was recognized with best revival, direction (Joe Mantello\u2019s third Tony for directing, after the play Take Me Out<\/em> in 2003 and the musical Assassins<\/em> in 2004), featured actress (Laurie Metcalf\u2019s third win, all in the last decade, after A Doll\u2019s House, Part 2<\/em> in 2017 and Three Tall Women<\/em> in 2018), lighting design, scenic design and sound design. Indeed, no show of any genre was recognized with more Tonys this year than the six for Death of a Salesman<\/em>.<\/p>\n

\n\tAlas, the show\u2019s heartbreaking Willy Loman, Nathan Lane, was stopped short of a fourth Tony win by Lithgow, in what was probably the most closely-watched race of the night; and Biff Loman, 40-year-old Christopher Abbott, was upset by a fellow young thespian who is also known for screen work, 36-year-old Alden Ehrenreich for Becky Shaw<\/em>, a revival of a dark comedy in which Ehrenreich portrays a truly toxic male.<\/p>\n

\n\tEhrenreich\u2019s win was the only one for Becky Shaw<\/em>. This year\u2019s two other shows with one-off wins were Oedipus<\/em>, for which Lesley Manville won best actress in a play in recognition of her Broadway debut at age 70 (the show closed back in February); and Fallen Angels<\/em>, the first Broadway revival in 70 years of a lesser-known Noel Coward comedy (it closed earlier on Sunday), which snagged best costume design for a play.<\/p>\n

\n\tMeanwhile, 14 Tony-nominated shows went home completely emptyhanded: Two Strangers (Carry a Cake Across New York)<\/em>, The Balusters<\/em>, Little Bear Ridge Road<\/em>, Titan\u00edque<\/em>, Richard O\u2019Brien\u2019s The Rocky Horror Show<\/em>, Every Brilliant Thing<\/em>, Punch<\/em>, Bug<\/em>, Chess<\/em>, Marjorie Prime<\/em>, Waiting for Godot<\/em>, Joe Turner\u2019s Come and Gone<\/em>, Dog Day Afternoon<\/em> and The Fear of 13<\/em>.<\/p>\n

\n\tFun fact: three of the six Tony-nominated performers who appeared on this year\u2019s THR<\/em> Tonys Roundtable \u2014\u00a0Bean, Henry and Lithgow \u2014\u00a0took home hardware.<\/p>\n

Read more 2026 Tony Awards: Complete Winners List<\/a><\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

The Hollywood Reporter’s executive editor of awards coverage Scott Feinberg dissects the 2026 Tony Awards.<\/p>\n","protected":false},"author":1,"featured_media":1375,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[153,154,955],"class_list":["post-1376","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interesting","tag-broadway","tag-theater","tag-tonys-2026"],"yoast_head":"\nTony Awards Analysis: A Strange Broadway Season Ends with Recognition for Both Hollywood Heavyweights and Theater Troupers - US Property Moves<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/uspropertymoves.com\/?p=1376\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Tony Awards Analysis: A Strange Broadway Season Ends with Recognition for Both Hollywood Heavyweights and Theater Troupers - 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