{"id":1243,"date":"2026-06-05T07:36:29","date_gmt":"2026-06-05T07:36:29","guid":{"rendered":"https:\/\/uspropertymoves.com\/?p=1243"},"modified":"2026-06-05T07:36:29","modified_gmt":"2026-06-05T07:36:29","slug":"backrooms-director-kane-parsons-what-to-know-about-the-20-year-old-behind-a24s-biggest-hit","status":"publish","type":"post","link":"https:\/\/uspropertymoves.com\/?p=1243","title":{"rendered":"\u2018Backrooms\u2019 Director Kane Parsons: What to Know About the 20-Year-Old Behind A24\u2019s Biggest Hit"},"content":{"rendered":"<div>\n<!-- do not apply CSS styles to this element! --><\/p>\n<div>\n<div>\n<svg><\/svg> <span>Logo text<\/span>\n<\/div>\n<p>\n\tIt\u2019s an exciting time to be a horror fan, especially for the younger generation of filmmakers reshaping the genre.<\/p>\n<p>Read more <a href=\"https:\/\/uspropertymoves.com\/?p=1241\">Late Actor Christian Oliver Wrapped a New Spiritual Documentary Weeks Before His Death<\/a><\/p>\n<p>\n\tThe talk of the town over the past several weeks has surrounded two breakout hits: <em>Obsession<\/em> and <em>Backrooms<\/em>. First to arrive was <em>Obsession<\/em>, released May 15 by 26-year-old filmmaker Curry Barker. Then came <em>Backrooms<\/em>, which hit theaters Friday and quickly made box office history, earning $97.7 million domestically and becoming A24\u2019s highest-grossing film ever in North America.<\/p>\n<p>\n\tWhat makes the achievement even more notable is that <em>Backrooms<\/em> director Kane Parsons is just 20 years old. Produced by A24 and Chernin Entertainment alongside Atomic Monster, Blumhouse and 21 Laps, the psychological found-footage horror film follows Mary (Renate Reinsve), who ventures into an alternative dimension after her patient, Clark (Chiwetel Ejiofor), disappears there. The movie marks Parsons\u2019 feature directorial debut, and he already has horror leaders Jason Blum and James Wan in his corner, with both recently praising the genre for helping \u201csave our industry.\u201d<\/p>\n<p>\n\tRead on to learn more about the rising star behind one of the year\u2019s biggest horror sensations.<\/p>\n<div>\n<div>\n<ul>\n<li>\n<article>\n<h2>What\u2019s Kane Parsons\u2019 Backstory?<\/h2>\n<p><!-- do not apply CSS styles to this element! --><\/p>\n<div>\n<div>\n<span>Logo text<\/span>\n<\/div>\n<p>\n\tBorn June 18, 2005, in Petaluma, California, Parsons taught himself video production as a child. He later attended Marin School of the Arts at Novato High School, where he studied film. In 2015, Parsons launched his YouTube channel, Kane Pixels, initially posting <em>Minecraft<\/em> videos and internet memes while continuing to expand his skills with software such as the 3D animation program Blender.<\/p>\n<p>\n\t\u201cI\u2019ve been a very online person most of my life,\u201d Parsons <em>IndieWire<\/em>. \u201cI started getting into VFX-driven channels that would help me realize it\u2019s accessible and something that I could go do,\u201d he said. \u201cI started with the resources I had, like a laptop, I would pirate VFX software and stuff when I was 11 or so and started learning After Effects.\u201d<\/p>\n<p>\n\tAt 13 years old, Parsons was diagnosed with Arthritis and could barely walk at times, which influenced his filmmaking career, as he built 3-D sets to immerse himself in.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li>\n<article>\n<h2>What Was the Inspiration for \u2018Backrooms\u2019?\u00a0<\/h2>\n<p><!-- do not apply CSS styles to this element! --><\/p>\n<div>\n<div>\n<span>Logo text<\/span>\n<\/div>\n<p>\n\tThe idea for the film originated from an internet urban legend that grew out of an eerie image posted online and became part of creepypasta lore. Inspired by the phenomenon, Parsons created his own found-footage take on the concept, uploading <em>The Backrooms (Found Footage)<\/em> to YouTube in 2022. Between 2022 and 2025, the series went viral, attracting the attention of studios interested in developing it into a feature film while Parsons was still in high school.<\/p>\n<p>\n\tWhile applying to colleges, Parsons began fielding offers to adapt the project into a movie. As interest continued to grow, A24 made an offer, and he postponed university to pursue <em>Backrooms<\/em>.<\/p>\n<p>\n\t\u201cIt very much felt like, boom, suddenly there\u2019s a new avenue that is still risky. It\u2019s not stable at all. And I was assuming this will come and this will go, this will be over quickly. This is just what happens, and this is neat, but I\u2019m going to try not to get too caught up in it because I see that happen to people all the time, and it usually turns into nothing. I was cautious of that,\u201d Parsons told <em>IndieWire<\/em><em>.<\/em> \u201cAnd I was still applying to colleges and whatnot. And it wasn\u2019t until we were actually pitching the thing to studios in fall of 2022 that I was making my decision about school. And I decided to pick that I was going to really hold on. It was after we went with A24 and they optioned the thing.\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li>\n<article>\n<h2>What Are Critics Saying?<\/h2>\n<p><!-- do not apply CSS styles to this element! --><\/p>\n<div>\n<div>\n<span>Logo text<\/span>\n<\/div>\n<p>\n\tThe film, which stars Ejiofor, Reinsve, Finn Bennett and Lukita Maxwell, with a script penned by Will Soodikan and Wan and Osgood Perkins among its producers, sits at an 89 percent on Rotten Tomatoes.<\/p>\n<p>\n<em>The Hollywood Reporter\u2019s<\/em>\u00a0Angie Han\u00a0wrote in her review, \u201cEeriness for its own sake has its limits. The longer we spend exploring the Backrooms, the less frightening and more random these oddities start to feel. They seem designed not according to some internal logic of this universe or psychology of these characters but simply as an attempt to keep us guessing; it works only until it becomes apparent that there are no meaningful answers forthcoming.\u201d<\/p>\n<p>Read more <a href=\"https:\/\/uspropertymoves.com\/?p=1239\">Rupert Everett Says He \u201cRuined\u201d Himself Trying to Attain Perfect Body for Roles<\/a><\/p>\n<p>\nClick here to find out what more critics are saying. <\/p>\n<\/div>\n<\/article>\n<\/li>\n<li>\n<article>\n<h2>And Yes, Parsons Did Actually Direct It<\/h2>\n<p><!-- do not apply CSS styles to this element! --><\/p>\n<div>\n<div>\n<span>Logo text<\/span>\n<\/div>\n<p>\n\tAfter online haters began stirring up rumors that Parsons couldn\u2019t have actually directed <em>Backrooms<\/em> because of his age, one of the film\u2019s cast members, Mark Duplass, quickly came to his defense.<\/p>\n<p>\n\t\u201cHmmm, with all due respect I don\u2019t remember seeing you on set. When I was there, Kane was 100% in control. More so than many directors 3x his age,\u201d Duplass responded to an X user who claimed, \u201cKane Parsons absolutely didn\u2019t direct this movie.\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li>\n<article>\n<h2>He Wore Several Hats on \u2018Backrooms\u2019<\/h2>\n<p><!-- do not apply CSS styles to this element! --><\/p>\n<div>\n<div>\n<span>Logo text<\/span>\n<\/div>\n<p>\n\tParsons also contributed to creating the <em>Backrooms <\/em>score with Edo Van Breemen.<\/p>\n<p>\n\t\u201cI ended up getting a little bit too much on my plate,\u201d he told <em>The New York Times, <\/em>adding that he had \u201cself-imposed\u201d 21-hour workdays to perfect his feature. \u201cI definitely abused my nervous system to the fullest degree I possibly could.\u201d<\/p>\n<p><\/p>\n<\/div>\n<\/article>\n<\/li>\n<li>\n<article>\n<h2>What Records Has Parsons Broken?<\/h2>\n<p><!-- do not apply CSS styles to this element! --><\/p>\n<div>\n<div>\n<span>Logo text<\/span>\n<\/div>\n<p>\n\tIn addition to being the youngest director A24 has ever had and the youngest to have a No.1 film at the worldwide box office, in less than a week, Parsons has become the youngest filmmaker to top the domestic box office, crossing $100 million on a $10 million budget. <em>Backrooms<\/em> is also A24\u2019s highest-grossing film of all time in North America. The title previously went to Josh Safdie\u2019s <em>Marty Supreme<\/em>, starring Timoth\u00e9e Chalamet, which grossed $96 million domestically and was the studio\u2019s most pricey production.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li>\n<article>\n<h2>Will There Be a Sequel?\u00a0<\/h2>\n<p><!-- do not apply CSS styles to this element! --><\/p>\n<div>\n<div>\n<span>Logo text<\/span>\n<\/div>\n<p>\n\tDespite reports that Parsons was looking for a writer for a <em>Backrooms<\/em> sequel, the filmmaker denied those conversations during a Thursday episode of <em>The Town with Matthew Belloni<\/em> podcast. \u201cI\u2019m not sure where that got out; that seems more like a hallucination based off of a notion that I am very open to continuing this project. There\u2019s no meaningful movement on that currently, though.\u201d<\/p>\n<p>\n\tSo, it seems unclear what Parsons will do next. However, it\u2019s hard to believe that a sequel won\u2019t ever happen, given how well the movie is performing. I guess we\u2019ll have to wait and see.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li>\n<article>\n<h2>Parsons Is Very Against AI<\/h2>\n<p><!-- do not apply CSS styles to this element! --><\/p>\n<div>\n<div>\n<span>Logo text<\/span>\n<\/div>\n<p>\n\tAs AI continues to expand in Hollywood, Parsons is making it clear he doesn\u2019t want to be a part of that. <\/p>\n<p>\n\t\u201cArt is a way of processing life. That\u2019s inherently what it\u2019s supposed to be for most people,\u201d he told Gayle King on <em>CBS Mornings<\/em> Thursday. \u201cI don\u2019t see the value in outsourcing any element of that. And when I\u2019m looking at someone else\u2019s project, if I see an element of the environment, they use generative fill or whatever to to change something about the scene, even if it just shuts off the part of my brain that wants to know more about that world and wants to look for details because I would assume if they\u2019re willing to make an arbitrary choice literally anything.\u201d <\/p>\n<\/div>\n<\/article>\n<\/li>\n<li>\n<article>\n<h2>Who Else Is on the YouTuber to Filmmaker Pipeline?<\/h2>\n<p><!-- do not apply CSS styles to this element! --><\/p>\n<div>\n<div>\n<span>Logo text<\/span>\n<\/div>\n<p>\n<em>Obsessions<\/em>\u2018 Barker also got his start on YouTube, posting shorts with his collaborator Cooper Tomlinson (who also stars in <em>Obsession<\/em>). With his feature having a much smaller budget of $750,000 and selling to Focus Features for around $15 million, the film has also become a hit at the box office, sitting at $111 million-plus in its third week of release.<\/p>\n<p>\n<em>THR <\/em>called insiders to find out predictions on who else could be on track to follow in the young filmmakers\u2019 footsteps. One of them was Dylan Clark, who is set to direct a <em>Blair Witch Project<\/em> reboot for Lionsgate. (Click here to see the rest.)<\/p>\n<p>\n\t\u201cTheir hope and desire and dream is to make cool movies,\u201d Jason Blum recently said of young creatives going from YouTube to film. \u201c<em>Backrooms <\/em>and <em>Obsession<\/em> are edgy and weird and fucking nuts. And to me, there\u2019s almost this feeling of the \u201970s, of a new generation of young people making edgy movies that are connecting in theaters in a crazy way. So many young people grew up in a time when they couldn\u2019t go to the movies, and they haven\u2019t had something made for them that gets them off their iPad and into theaters. Suddenly, they have two movies.\u201d<\/p>\n<p>Read more <a href=\"https:\/\/uspropertymoves.com\/?p=1237\">\u2018Office Romance\u2019 Review: Jennifer Lopez and Brett Goldstein in a Netflix Rom-Com That\u2019s Too Much Work and Not Enough Play<\/a><\/p>\n<\/div>\n<\/article>\n<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Here&#8217;s everything to know about &#8216;Backrooms&#8217; director Kane Parsons, the 20-year-old filmmaker behind A24&#8217;s biggest box office hit.<\/p>\n","protected":false},"author":1,"featured_media":1242,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[142,679,22,682],"class_list":["post-1243","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interesting","tag-a24","tag-backrooms","tag-blumhouse","tag-kane-parsons"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - 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