{"id":1153,"date":"2026-06-04T04:09:34","date_gmt":"2026-06-04T04:09:34","guid":{"rendered":"https:\/\/uspropertymoves.com\/?p=1153"},"modified":"2026-06-04T04:09:34","modified_gmt":"2026-06-04T04:09:34","slug":"earth-wind-fire-to-be-celestial-vs-thats-the-weight-of-the-world-review-questloves-tribeca-opener-is-a-vibrant-chronicle-of-a-bands-ups-and-downs","status":"publish","type":"post","link":"https:\/\/uspropertymoves.com\/?p=1153","title":{"rendered":"\u2018Earth, Wind & Fire (To Be Celestial vs. That\u2019s the Weight of the World)\u2019 Review: Questlove\u2019s Tribeca Opener Is a Vibrant Chronicle of a Band\u2019s Ups and Downs"},"content":{"rendered":"
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\n\tThe expansiveness of Questlove\u2019s contact list is in full evidence in his new documentary chronicling the lengthy career of the legendary band Earth, Wind & Fire. Besides the many past and present band members on display, the film includes commentary by such figures as Stevie Wonder, Lionel Richie, H.E.R. and Flea, among others, all attesting to the band\u2019s lasting influence. Oh, and there\u2019s also Barack and Michelle Obama, commenting on such weighty issues as the intricacies of slow dancing to the band\u2019s love songs.<\/p>\n

Read more Sharon Stone Reveals Physical Assault While Being Hit From Behind: \u201cI Didn\u2019t Know How I Got There\u201d<\/a><\/p>\n

\n\tThe musician\/filmmaker \u2014 who has demonstrated his cinematic bona fides with his Oscar-winning Summer of Soul<\/em> and Sly Lives!<\/em> \u2014 delivers another superb effort with the colorfully titled Earth, Wind & Fire (To Be Celestial vs. That\u2019s the Weight of the World<\/em>), receiving its world premiere as the opening night film of the Tribeca Film Festival days before airing on HBO.\u00a0<\/p>\n

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\t\t\t\t\tEarth, Wind & Fire (To Be Celestial vs. That’s the Weight of the World)\t\t<\/p>\n<\/h3>\n

\nThe Bottom Line<\/span>
\n<\/p>\n

\tA shining star of a music documentary.
\n\t<\/span>\n<\/div>\n<\/div>\n

\nVenue<\/strong>: Tribeca Film Festival (Gala)
Director<\/strong>: Ahmir \u201cQuestlove\u201d Thompson
\n
\n\t\t\t\t\t\t\t\t1 hour 59 minutes\t\t\t<\/span>\n<\/div>\n<\/div>\n<\/div>\n

\n\tWhat distinguishes Questlove\u2019s documentaries is not only his obvious knowledge of his subject matter but also his sheer enthusiasm. He approaches these projects with the energy and excitement of a true fan, which proves infectious.<\/p>\n

\n\tHe has plenty to delve into with this effort about the six-time Grammy-winning band that is still touring more than a half-century after its 1971 debut album. The group was formed by Maurice White, whose troubled childhood is recounted in the film\u2019s opening minutes. Growing up in racially segregated Memphis, he was raised by his grandmother when his single mother relocated to Chicago in order to find work. According to those who knew him, White never fully got over his feelings of abandonment.<\/p>\n

\n\tAfter serving as a session musician at Chess Records, he became the drummer for the hit-making Ramsey Lewis Trio. He left that jazz group at the height of its success to form his own band, its name inspired by elements of his astrological chart (the word \u201cwind\u201d sounded better than \u201cair\u201d). The band initially struggled commercially, and White, already demonstrating his ruthlessly pragmatic approach, fired its original members and formed a new group featuring younger musicians including vocalist Philip Bailey.<\/p>\n

\n\tThis incarnation jelled, and the band\u2019s fortunes started to take off when they were signed to Columbia Records by Clive Davis. After being overshadowed by George Clinton\u2019s Parliament-Funkadelic when Earth, Wind & Fire served as their opening band, White became determined to make the group funkier. Because of their exposure on the televised 1974 \u201cCalifornia Jam\u201d festival, they began to cross over to white audiences.<\/p>\n

\n\t\u201cHe was the visionary, and the power belongs to the visionary,\u201d Bailey says of the endlessly ambitious White, who soon added sophisticated orchestrations and theatricality to the band\u2019s mix. They had their first major pop hit with \u201cShining Star,\u201d which we learn began as a simple jam. Questlove shows us various interview subjects grooving to the song, including Stevie Wonder, who says that it led him to compose his classic \u201cI Wish.\u201d<\/p>\n

\n\t\u201cMy mind\u2019s blown!\u201d exclaims Questlove. \u201cI didn\u2019t see that coming!\u201d<\/p>\n

\n\tInspired by his explorations into religion, philosophy, metaphysics and Afrofuturism, among other things, White kept expanding the band\u2019s horizons. He added a horn section and elaborate costuming, hired Tony-winning choreographer George Faison (The Wiz<\/em>) to stage their tour and magician Doug Henning to create illusions.\u00a0\u00a0<\/p>\n

\n\t\u201cIt wasn\u2019t a show, it was musical theater,\u201d comments a still-awed Lionel Richie. Mesmerizing footage from one concert shows bassist Verdine White (Maurice\u2019s brother) not missing a note as he becomes levitated and continues playing his instrument while sideways.<\/p>\n

\n\tEventually, White\u2019s ambitions got the better of him. He opened his own studio and production complex at a tremendous cost, and the band\u2019s tours became so elaborate that they consistently lost money. Seeking hits, he embraced such trends as disco, with \u201cBoogie Wonderland\u201d as a result. The record did well, but not everyone was a fan.<\/p>\n

\n\t\u201cIt\u2019s not that I didn\u2019t like it,\u201d says songwriter\/producer Jimmy Jam. \u201cBut it didn\u2019t go into my soul <\/em>like their music usually did.\u201d<\/p>\n

Read more Prime Video Joins Netflix in Releasing Weekly Top 10 Rankings<\/a><\/p>\n

\n\tWhite also recruited David Foster as a collaborator, resulting in a more pop sound. But the move alienated the band\u2019s members, who felt squeezed out, as if they were mere session musicians.<\/p>\n

\n\t\u201cThe idea of a democracy is an illusion in our band,\u201d Bailey says.<\/p>\n

\n\tThe film praises White\u2019s musical genius without neglecting his faults, including serial adultery that resulted in several children with women other than his longtime partner, Marilyn White.<\/p>\n

\n\t\u201cI\u2019m Maurice\u2019s youngest son,\u201d Eden White introduces himself, before adding with a laugh, \u201cthat we know about.\u201d When Marilyn confronted Maurice about his infidelities, he excused his behavior by saying, \u201cI\u2019m a star.\u201d<\/p>\n

\n\tDarker times for the band followed in the 1980s, when musical tastes changed and record buyers gravitated to the likes of Michael Jackson and Prince. White treated his bandmates badly, denying them royalties and underpaying them. The quality of the music suffered, several of the members quit, and in 1984 he suddenly dissolved the band.<\/p>\n

\n\t\u201cHe did to them what was done to him as a child,\u201d White\u2019s son KB (one of the film\u2019s executive producers) explains.<\/p>\n

\n\tWhite\u2019s solo album Stand by Me<\/em> failed, while Bailey achieved new heights with a solo career that included the smash hit collaboration with Phil Collins, \u201cEasy Lover.\u201d At the urging of his record label, White reformed a smaller version of the band a few years later, including five of the original members. But the power dynamics had shifted. \u201cI said I would work with him, not for him,\u201d Bailey says.<\/p>\n

\n\tAudiences had moved on, however, and a subsequent tour flopped. The band found themselves playing in smaller and smaller venues, but they persevered. And thanks to their music being featured extensively in films and hip-hop samples, they\u2019ve been performing ever since in what is essentially a decades-long victory lap. White, suffering from Parkinson\u2019s disease, retired from touring and died in 2016.<\/p>\n

\n\tUsing a well-edited combination of vintage and recent interviews and copious amounts of archival footage, the documentary recounts the band\u2019s story in compelling fashion, with Questlove providing enough imaginative stylistic flourishes to prevent it from feeling like an extended Behind the<\/em> Music<\/em> episode.<\/p>\n

\n\tMost of all, the film vividly conveys the brilliance of the band\u2019s innovative music, culminating with a joyous celebration of their hit \u201cSeptember\u201d that will have HBO viewers rising from their couches to get up and dance.<\/p>\n

Read more Hasbro Launching an AI Studio That Will Let Companies License Its Stable of Characters<\/a><\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

With his doc ‘Earth, Wind & Fire’ (To Be Celestial vs.<\/p>\n","protected":false},"author":1,"featured_media":1152,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[1031,1032,1033,1034,1035,1036,1037,1038],"class_list":["post-1153","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interesting","tag-ahmir-questlove-thompson","tag-flea","tag-lionel-richie","tag-sly-lives","tag-stevie-wonder","tag-summer-of-soul","tag-tribeca-2026","tag-tribeca-film-festival"],"yoast_head":"\n\u2018Earth, Wind & Fire (To Be Celestial vs. That\u2019s the Weight of the World)\u2019 Review: Questlove\u2019s Tribeca Opener Is a Vibrant Chronicle of a Band\u2019s Ups and Downs - US Property Moves<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/uspropertymoves.com\/?p=1153\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u2018Earth, Wind & Fire (To Be Celestial vs. That\u2019s the Weight of the World)\u2019 Review: Questlove\u2019s Tribeca Opener Is a Vibrant Chronicle of a Band\u2019s Ups and Downs - 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