Steven Spielberg
All 35 of Steven Spielberg’s Movies, Ranked From Worst to Best
A list of all 35 of Steven Spielberg’s movies, ranked from worst to best.
Winners & Losers: ‘Social Reckoning’ Trailer Misfires, Emily Blunt Saves ‘Disclosure Day’
Aaron Sorkin sequel draws snickers.
Steven Spielberg Says James Bond Franchise “Can’t Afford Me” Now After Previously Rejecting Him
Oscar winner Steven Spielberg revealed that he was rejected multiple times after asking to direct a James Bond movie.
Steven Spielberg’s Advice for ‘Obsession’ and ‘Backrooms’ Directors: “Don’t Let Success Go to Your Heads”
Steven Spielberg offers advice for ‘Obsession’ and ‘Backrooms’ directors, Curry Barker and Kane Parsons: ‘Don’t let success go to your heads.
Steven Spielberg’s ‘Disclosure Day’: What the Critics Are Saying
Critics are raving about Steven Spielberg’s Disclosure Day, which stars Emily Blunt, Josh O’Connor and features a score by John Williams.
‘Disclosure Day’ Review: Emily Blunt, Josh O’Connor and Colin Firth Lead Steven Spielberg’s Spellbinding Return to What He Does Best
Emily Blunt and Josh O’Connor star in ‘Disclosure Day,’ Steven Spielberg’s sci-fi thriller pondering how humanity would react to proof of alien life.
How ‘Jurassic Park’ and Steven Spielberg Inspired a Greek Indie Cinematic Allegory for Othering
How ‘Jurassic Park’ and Steven Spielberg inspired ‘The Boy With the Light-Blue Eyes,’ a Greek independent film on othering, premiering at SXSW London.
Emily Blunt Says She’s “Terrified” of AI, Chose Not to Use It in Steven Spielberg’s ‘Disclosure Day’
Emily Blunt says she is ‘terrified’ of AI so she chose not to use it in Steven Spielberg’s ‘Disclosure Day.’
‘Disclosure Day’ First Reactions: “Steven Spielberg’s Best Film in 20 Years”
Spielberg’s return to UFO genre is getting early praise: "A dense roller coaster ride blending chase film, love story, & mystery."
Andrew Scott, “Busy Boy”: On Sparring With Brendan Fraser, Crashing ‘The Comeback’ and the Greatest Acting Challenge of His Career
The Golden Globe nominee goes heroic in ‘Pressure’ and villainous in ‘The Comeback,’ and knows he needs to take a break.