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‘Obsession’ Star Megan Lawless Unpacks Sarah’s Big Scene: “I Knew It Would Stick With Audiences”
Megan Lawless opens up about Sarah’s unresolved feelings for Bear, Nikki transforming her appearance to look like Sarah and the movie’s true villain.
Rob Base, “It Takes Two” Rapper, Dies at 59
Rob Base, the rapper best known for his hit track ‘It Takes Two’ with DJ E-Z Rock, has died. He was 59.
‘Tom Clancy’s Jack Ryan: Ghost War’ Review: John Krasinski Reprises Role in Shrug-Worthy Prime Video Movie
John Krasinski stars in ‘Tom Clancy’s Jack Ryan: Ghost War,’ Prime Video’s movie follow-up to their successful action series.
‘The Mandalorian & Grogu’ Won’t Lose Money. It May Not Rescue ‘Star Wars’ Either
Disney insiders break down how ‘The Mandalorian and Grogu’ will end up in the black.
Netflix Nabs Spec Script for Nuclear Weapons Thriller ‘Run the Football’ From ‘The Batman’ Producer (Exclusive)
Josh, Spencer Marentette have sold their nuclear-weapons spec script ‘Run the Football’ to Netflix, with Dylan Clark and Jaume Collet-Serra producing.
Chelsea Handler Faces Backlash After Criticizing “Racist” Jokes at Kevin Hart Roast
After calling out Shane Gillis and Tony Hinchcliffe for their jokes at Kevin Hart’s Netflix roast, Chelsea Handler is now facing her own backlash.
Stephen Colbert’s Final ‘Late Show’ Draws Most Weeknight Viewers of His Tenure
Stephen Colbert’s final ‘Late Show’ draws the most weeknight viewers of his tenure.
CAA Sets Lineup for 11th Moebius Film Festival
The 2026 CAA Moebius Film Festival, showcasing graduate student filmmakers and their work, has unveiled the lineup for this year’s May 27-28 run.
Imax Takeover: Wall Street Speculates on Who May Bid
Netflix, Apple private equity firms are names popping up media analysts weigh in on who may be preparing offers for the film technologies company.
‘I See Buildings Fall Like Lightning’ Review: An All-Stars-of-Tomorrow Cast of British and Irish Actors Lift Clio Barnard’s Inconsistently Persuasive Drama
‘I See Buildings Fall Like Lightning’ is the latest from British director Clio Barnard, premiering at Cannes in the Directors’ Fortnight sidebar.